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Has Jesus Left the Building?
Has Jesus Left the Building?
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KJ Murdock
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Has Jesus Left the Building?
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Kristopher James Murdock
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SheetMusicPlus
Small Ensemble Drum Set,Guitar,Piano Accompaniment,Voice - Level 3 - SKU: A0.893701 Composed by KJ Murdock. Blues,Christian,Gospel,R & B,Traditional. Sc...
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Small Ensemble Drum Set,Guitar,Piano Accompaniment,Voice - Level 3 - SKU: A0.893701 Composed by KJ Murdock. Blues,Christian,Gospel,R & B,Traditional. Score and parts. 3 pages. Kristopher James Murdock #3039089. Published by Kristopher James Murdock (A0.893701). Christian music ministers and bands! Are you worried that people will focus too much on the hype and excitement, instead of on Jesus? Are you looking for a way to express your concerns that will get them to listen? The old-time rock style of Has Jesus Left the Building is meant as an ice breaker to broach this difficult subject and lead up to a more sobering setting, such as a sermon or a call to prayer dealing with the song's tough but important message: that no matter how we get with it to Christian music, we'll eventually lose the glory of God if we don't focus our worship and submission on Him.Appropriate as a special in a contemporary church service.Suggested improvisatory style: 1950s R&B/rock 'n' roll.For more information, contact revelation.and.restoration@gmail.com.
$1.99 ≈
$2.69
FFANFFER: 51° Gogledd, 3° Gorllewin (FANFARE: 51° North, 3° West) (Rob Bushnell) - Brass Quintet
FFANFFER: 51° Gogledd, 3° Gorllewin (FANFARE: 51° North, 3° West) (Rob Bushnell) - Brass Quintet
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Rob Bushnell
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FFANFFER: 51° Gogledd, 3&d
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.1246889 Composed by Rob Bushnell. 21st Century,Classical,...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.1246889 Composed by Rob Bushnell. 21st Century,Classical,Contest,Festival,Traditional. 35 pages. RBMusic #841560. Published by RBMusic (A0.1246889). This fanfare was written to enter the Arts Active's Fanfare Competition, in celebration of St. David's Hall 40th Birthday. In writing this piece, I researched the musical history of St. David’s Hall. Unfortunately, it has proven very difficult to find specific songs/pieces from some of the key events (the only clip I could find was the Cory Band playing John Mile’s Music), so I focused on brass bands and Wales.The pieces incorporates Men of Harlech (Rhyfelgyrch Gwŷr Harlech), Land of My Fathers (Hen Wlad fy Nhadau) and Philip Sparke’s The Year of the Dragon. Growing up with brass band, I heard Men of Harlech a lot and it has always been my “go to†Welsh piece. Land of My Fathers is the unofficial anthem of Wales. As for The Year of the Dragon, it was used both times that St. David’s Hall has hosted the European Brass Band Championships: it was used as the set test pieces in 1986 for Desford Colliery Dowty Band’s historic victory (under Howard Snell) and as the own choice test piece in 1992 as part of Britannia Building Society (now Fodens) Band’s winning performances (again under Howard Snell). The Year of the Dragon is also a popular piece of music in the brass-band world and has much significance to me personally.The name of piece comes from the GPS location of St. David’s Hall (51.48022° N, 3.17653° W), rounded to the nearest integer: the actual location of 51° N, 3° W is just off of the A378 in North Curry in Taunton, Somerset, England. The competition stipulated that the fanfare was to be composed for a maximum of five standard brass band instruments and so was written for 2 Cornets, Tenor Horn, Trombone or Euphonium and Eb Bass. An additional score and parts have been provided for a more traditional brass quintet set up.
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Nevermore for alto and classical guitar (mp3)
Nevermore for alto and classical guitar (mp3)
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András Csáki
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Nevermore for alto and classic
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 3 - SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Perf...
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Alto Voice,Guitar - Level 3 - SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 167. David Warin Solomons #971325. Published by David Warin Solomons (A0.1387471). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat majorThe poem and English translation are as follows:Nevermore  Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$6.00 ≈
$8.10
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