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She's Too Good For Me
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Vous avez sélectionné:
She's Too Good For Me
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Music for Three, Volume 7 Part 3 for Cello or Bassoon 50731
Music for Three, Volume 7 Part 3 for Cello or Bassoon 50731
#
Celtique/Irlandais
#
the Light of the Silvery Moon
#
Various
#
Daniel Kelley
#
Music for Three, Volume 7 Part
#
Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.592549 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and part...
(+)
Small Ensemble - Level 4 - SKU: A0.592549 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201339. Published by Last Resort Music Publishing (A0.592549). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50731 Part 3 - Cello or Bassoon Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$20.00 ≈
£15.18
Music for Three, Volume 7 Part 2 for Flute or Oboe or Violin 50721
Music for Three, Volume 7 Part 2 for Flute or Oboe or Violin 50721
#
Celtique/Irlandais
#
the Light of the Silvery Moon
#
Various
#
Daniel Kelley
#
Music for Three, Volume 7 Part
#
Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.592546 Composed by Various. Arranged by Daniel Kelley. Baroque,Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score ...
(+)
Small Ensemble - Level 4 - SKU: A0.592546 Composed by Various. Arranged by Daniel Kelley. Baroque,Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201337. Published by Last Resort Music Publishing (A0.592546). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50722 Part 2 - Flute or Oboe or Violin Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$20.00 ≈
£15.18
Music for Three, Volume 7 Part 2 Viola 50722
Music for Three, Volume 7 Part 2 Viola 50722
#
Celtique/Irlandais
#
Daniel Kelley
#
Daniel Kelley
#
Music for Three, Volume 7 Part
#
Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble Viola - Level 4 - SKU: A0.592547 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Wedding. Sco...
(+)
Small Ensemble Viola - Level 4 - SKU: A0.592547 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201338. Published by Last Resort Music Publishing (A0.592547). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50722 Part 2 - Viola Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$20.00 ≈
£15.18
Music for Three, Volume 7 Keyboard or Guitar 50740
Music for Three, Volume 7 Keyboard or Guitar 50740
#
Celtique/Irlandais
#
Daniel Kelley
#
Daniel Kelley
#
Music for Three, Volume 7 Keyb
#
Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.592550 By Daniel Kelley. By Daniel Kelley. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding....
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Small Ensemble - Level 4 - SKU: A0.592550 By Daniel Kelley. By Daniel Kelley. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 93 pages. Last Resort Music Publishing #201340. Published by Last Resort Music Publishing (A0.592550). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50740 Keyboard or Guitar Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.
$26.00 ≈
£19.74
Too Good At Goodbyes
Too Good At Goodbyes
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Pop musique
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - SKU: A0.510057 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smi...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - SKU: A0.510057 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 51 pages. Published by Andrea La Rose (A0.510057). • Melody and four-part harmony parts for Bb instruments (clarinet, bass clarinet, soprano saxophone, tenor saxophone, trumpet). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99 ≈
£15.18
Too Good At Goodbyes
Too Good At Goodbyes
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Pop musique
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn - Intermediate - SKU: A0.510058 By Sam Smith. By James Napier, Mikkel Eriksen, Sa...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn - Intermediate - SKU: A0.510058 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 47 pages. Published by Andrea La Rose (A0.510058). • Melody and four-part harmony parts for Eb & F instruments (alto saxophone, baritone saxophone, alto horn, Eb clarinet, alto clarinet, English horn, French horn). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$17.99 ≈
£13.66
Too Good At Goodbyes
Too Good At Goodbyes
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Pop musique
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Tenor Recorder,Trombone,Tuba,Viola,Violin - Intermediate - SKU: A0.5...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Tenor Recorder,Trombone,Tuba,Viola,Violin - Intermediate - SKU: A0.510056 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 61 pages. Published by Andrea La Rose (A0.510056). • Melody and four-part harmony parts for C instruments in treble, alto, and bass clefs: voice, flute, recorder, oboe, bassoon, violin, viola, cello, bass, trombone, baritone horn• Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99 ≈
£15.18
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
£18.98
Only Good
Only Good
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Melanie B
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Only Good
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Melanie B Guerin
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SheetMusicPlus
Vocal Solo,Voice - Level 3 - SKU: A0.854331 Composed by Melanie B. Guerin. Broadway,Children,Holiday,Musical/Show. 10 pages. Melanie B Guerin #5290009. ...
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Vocal Solo,Voice - Level 3 - SKU: A0.854331 Composed by Melanie B. Guerin. Broadway,Children,Holiday,Musical/Show. 10 pages. Melanie B Guerin #5290009. Published by Melanie B Guerin (A0.854331). Written for the unpublished musical Too Many Wishes by Steve Jones, this song is about a mother's simple wish for her child.A scientist, a doctor, or an astronaut,An action-packed adventure with an epic plot,A life of happy endings, A fairy tale and dreams that all come true,Well maybe I should wish these things for you.Class president, philanthropist, and CEO,The greatest minds to marvel at the things you know,A love that's everlasting,A roaring crowd that cheers and calls your name,And riches might be nice, but just the same,The grandest dreams I'd dream for youWould surely pale beside the taleOf deeds that you will do,So in these quiet momentsWhen I tuck you in and leave you with a kiss,I simply wish you this:Only happy, only kind,Only brave enough to speak or change your mind,Only safe and sound,Only wild and free,Only sure about what you mean to me,Only good.
$4.75 ≈
£3.61
"Three Labe Sonnets" for mezzo-soprano and piano
"Three Labe Sonnets" for mezzo-soprano and piano
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Contemporain
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Jason A
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"Three Labe Sonnets"
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Call of the Wild Publishing
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265...
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Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50 ≈
£3.42
Good Girl
Good Girl
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Country
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Carrie Underwood
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Thomas Ruggieri
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Good Girl
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Thomas Ruggieri
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Flute,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - SKU: A0.934803 ...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Flute,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - SKU: A0.934803 By Carrie Underwood. By Ashley Gorley, Carrie Underwood, and Chris Destefano. Arranged by Thomas Ruggieri. Country,Pop. Score and parts. 40 pages. Thomas Ruggieri #6683363. Published by Thomas Ruggieri (A0.934803). For your Jazz/Rock Ensemble with vocals. I have such a group that serves as the basketball pep band. If you have a great female vocalist, she'll want to sing this one! Backing vocals are helpful, but not essential as the horns cover most of the parts. Your rhythm section will love it, too! Let me know if you are looking for a specific tune for your group that's not posted here. I have lots of charts, but not enough time to upload everything. tomruggieri7@gmail.com
$20.00 ≈
£15.18
Pluto ... Lord of the Underworld (2005) for large orchestra
Pluto ... Lord of the Underworld (2005) for large orchestra
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Thomas Oboe Lee
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Pluto ... Lord of the Underwor
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869210 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 ...
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Small Ensemble - Level 4 - SKU: A0.869210 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 pages. Thomas Oboe Lee #2016283. Published by Thomas Oboe Lee (A0.869210). Instrumentation: 3333-4331-timp-2perc-cel-hp-strings Program Notes: When Charles Ansbacher, music director of the Boston Landmarks Orchestra, commissioned me to write Pluto as a grand finale for The Planets by Gustav Holst, I immediately thought of Pluto, the Disney character; but common sense took over when I sat down to work. So instead of Disney’s faithful dog, I gravitated to the Pluto of Roman mythology. After a long battle with the Titans, the three brothers, Zeus, Poseidon and Pluto, divided the world among themselves. Zeus had the sky; Poseidon, the sea; and Pluto, the Underworld. According to mythology, the spirits of the dead, whether good or bad, enter the Underworld. Cerberus, a vicious three-headed beast, stands guard at the entrance - preventing the living from entering the world of the dead. The movement begins with a fanfare: Cerberus at the gates of the Underworld. Then a grand waltz materializes in the bass: Pluto dances!! As the waltz fades away, a lyrical tune emerges: Persephone, the wife of Pluto, appears. The work ends with a reprise of the opening fanfare, slightly altered.
$9.99 ≈
£7.58
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50 ≈
£17.08
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00 ≈
£11.39
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00 ≈
£11.39
Tofu Roadkill
Tofu Roadkill
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Roger Aldridge
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Matthew Klein (Uncle Brother)
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Tofu Roadkill
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Roger Aldridge
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SheetMusicPlus
Drum Set,Guitar,Hand Percussion,Voice - SKU: A0.1071282 Composed by Roger Aldridge. Arranged by Matthew Klein (Uncle Brother). Jazz,Latin,Rock. Full Per...
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Drum Set,Guitar,Hand Percussion,Voice - SKU: A0.1071282 Composed by Roger Aldridge. Arranged by Matthew Klein (Uncle Brother). Jazz,Latin,Rock. Full Performance. Duration 138. Roger Aldridge #6112393. Published by Roger Aldridge (A0.1071282). Tofu Roadkill is unique in my collection of originals as being the only song -- with music and lyrics -- that I have written. As the title implies, it is intended to be fun and crazed. The song was written in 1999. I could not bring myself to show it to anyone -- especially to my songwriter friends! So, the lead sheet stayed in my music files until Matthew Klein (AKA, Uncle Brother), a musician friend in Berkeley Springs, WV, took it under his wing for this 2020 project which he arranged, performed, and recorded. Uncle Brother has a wonderful sense of humor. His style is a perfect match for this song. LyricsTofu roadkill is tasty. I like it with gravy. Tofu roadkill, I know it's good for me.First, slice it thinly and bake it ever so gently. Then, you can add wasabi. Tofu...tofu...tofu...tofu roadkill.I love tofu roadkill. It goes with spaghetti. Tofu roadkill, I know it's good for me. Tofu...tofu...tofu...tofu.
$1.99 ≈
£1.51
The Weatherman Sea Shanty
The Weatherman Sea Shanty
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David Kai
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David Kai
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The Weatherman Sea Shanty
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David Kai
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SheetMusicPlus
Mixed Percussion Double Bass - Level 3 - SKU: A0.1105118 By David Kai. By Traditional. Arranged by David Kai. Comedy,Folk. Full Performance. Duration 11...
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Mixed Percussion Double Bass - Level 3 - SKU: A0.1105118 By David Kai. By Traditional. Arranged by David Kai. Comedy,Folk. Full Performance. Duration 116. David Kai #708365. Published by David Kai (A0.1105118). A humourous Canadian version of the famous Wellerman sea shanty. A sure sign that the author has been cooped up inside for too long this winter! This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. Music: traditional Words: David Kai ©2021 THE WEATHERMAN SEA SHANTY (Wellerman parody) Words: David Kai ©2021 Music: traditional That groundhog saw its shadow, sure That means this winter is six weeks more It’s going to freeze me to the core This cold Canadian winter CHORUS: Soon may the weatherman come And make it so I don’t freeze my buns So my feet will not go numb On this cold Canadian winter One day well I was mad as sin I forgot to plug my Priius in I had to bring all the batteries in This cold Canadian winter CHORUS: On the coldest day you ever did see I had to take my dog to pee He ended up stuck to a tree This cold Canadian winter CHORUS: When it freezes out into the sea Ice fishing is the place to be Twenty pounds is a pretty good block for me This cold Canadian winter CHORUS: (2X).
$1.99 ≈
£1.51
No Greater Love
No Greater Love
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David Kai
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David Kai
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No Greater Love
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David Kai
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SheetMusicPlus
Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Per...
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Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 254. David Kai #708357. Published by David Kai (A0.1105110). A song for Good Friday. Scripture reference: John 15:13. No one has greater love than this, to lay down one’s life for one’s friends. NO GREATER LOVE words and music by David Kai ©1985 A chilly wind blows upon Calvary's hill, the sky is as dark as the night, the sweat and the blood trickle down to the ground, as the townspeople gaze at the sight, And the hands that once held the children near are nailed onto the tree, Why did you have to suffer that for me? They beat him until he could hardly stand, a crown of thorns pierced his head, and all of that time not a single word in his defense he said, And I stood within that angry crowd that jeered along the way, for I helped to put you on the cross that day. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Saviour took our sins away. For all of my life your boundless love I want to get to know, 'though sometimes I've turned my back on you and I’ve heard the rooster crow, but then you've appeared just like a friend to guide my wandering way, no longer on the cross, you're here today. The Light of the World, the Bread of Life, the Son of God, Morning Star, my earthly mind can't comprehend all of the things you are, but even through glass that's dark and dim, my eyes can plainly see, you loved us so much you died to set us free. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Savior took our sins away. No greater love, no there's no greater love, No greater love, no there's no greater love, There's no greater love than to lay down your life for a friend.
$1.99 ≈
£1.51
The Daedalus and Icarus Journey
The Daedalus and Icarus Journey
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Apostolos Paraskevas
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The Daedalus and Icarus Journe
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Sco...
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Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99 ≈
£6.83
A Life in Brass and Christmas Memories
A Life in Brass and Christmas Memories
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Noël
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Phil Lawrence
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A Life in Brass and Christmas
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Phillip Lawrence
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SheetMusicPlus
Percussion Ensemble Hand Percussion,Timpani - SKU: A0.883793 Composed by Phil Lawrence. 20th Century,Christmas,Contemporary. Score and parts. 33 pages. ...
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Percussion Ensemble Hand Percussion,Timpani - SKU: A0.883793 Composed by Phil Lawrence. 20th Century,Christmas,Contemporary. Score and parts. 33 pages. Phillip Lawrence #6612425. Published by Phillip Lawrence (A0.883793). Christmas comes but once a year, but when it does for many it inspires memories and thoughts of loved one’s past and present and your own memories too of this time of year when you were young spending Christmas with your family and friends. It is hopelessly nostalgic and at Christmas I revel in it’s nostalgia for me. So I’ve composed a work for brass firstly dedicated to a great man of the brass band from Liverpool Bob Dean (Sailors Chapel, ex Fodens, Camel Lairds and great pal of Jim Scott) and I studied under his baton at BR Edge Hill and with his help I moved on to the famous Manchester CWS Band. Us bander’s love a good tune and a tune that moves us too, I’ve been told by many who have played this that it ticks those boxes. So, however you celebrate this Christmas, I hope this will inspire memories?
$25.99 ≈
£19.73
Epilogue
Epilogue
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Ali Hanna, Madison Julius Cawe
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Epilogue
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Ali Hanna
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SheetMusicPlus
B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.1264319 Composed by Ali Hanna, Madison Julius Cawein, and Mark Twain. 21st Century,...
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B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.1264319 Composed by Ali Hanna, Madison Julius Cawein, and Mark Twain. 21st Century,Contemporary. 6 pages. Ali Hanna #857172. Published by Ali Hanna (A0.1264319). I wrote this piece as an epilogue (pun definitely intended) to a traumatic religious event that took place in February 2023. I won't go into details so I don't risk triggering anyone, but let's just say it was a lot. This is also the first piece I've written where the text isn't my own because my composition professor at the time challenged me to do so.The text of the first half of the piece comes from Mark Twain's poem Warm Summer Sun. It's intended to be an acceptance of the fact that the singer isn't the same person they once were. As the poem repeats, the singer begins to say goodbye to their old self and lay them to rest.The text of the second half of the piece comes from Madison Julius Cawein's poem Take Heart. I see this part as someone in the singer's life giving them hope to keep on living, and who that entity is can be interpreted in a number of ways. For me, it was the friends and professors around me that helped me keep going. I didn't talk to many people about what happened, but just seeing everyone's faces every day taught me that if they can continue living their lives, then so can I.I ended up adding the clarinet part after a moment of inspiration during my trip to the ICA ClarinetFest 2023 in Denver, Colorado. Voice and clarinet are my two passions, so I thought I would use Epilogue to put them together. This piece has yet to be premiered in its current form, but I hope to someday. If you would like to premiere it, please email me at alisonhanna29@gmail.com.
$10.00 ≈
£7.59
Five French Masters
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99 ≈
£45.54
Five French Masters
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99 ≈
£45.54
Cortigiani vil razza dannata (cello solo part and baritone)
Cortigiani vil razza dannata (cello solo part and baritone)
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Giuseppe Verdi
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Kovats Istvan
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Cortigiani vil razza dannata
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Kovats Istvan
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SheetMusicPlus
Cello,Instrumental Duet,Voice - Level 5 - SKU: A0.1438245 Composed by Giuseppe Verdi. Arranged by Kovats Istvan. Classical,Opera. 2 pages. Kovats Istvan...
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Cello,Instrumental Duet,Voice - Level 5 - SKU: A0.1438245 Composed by Giuseppe Verdi. Arranged by Kovats Istvan. Classical,Opera. 2 pages. Kovats Istvan #1018283. Published by Kovats Istvan (A0.1438245). Hi cellists,I made this score for myself, when I was practicing this solo part.It's has the cello solo (which is in fact accompaniment) and Rigoletto's line. I think the biggest challenge of this piece is to follow the singer, for me it was much easier with this score, I hope it will be useful for you, too.I wrote the fingerings and bowings exactly how I played.TIPS: If you don't like the bowings you can try the original bowing of the group of sixteens: down-down (legato) - up-up (staccato) - down (stacc) - up (stacc) in the bar 13, in the the second group of sixteens the octaves could be slured two by two. It could be VERY HELPFUL to listen to the aria, without playing, just with this score in your hand. Good luck!
$4.99 ≈
£3.79
One last bar then Joe can sing
One last bar then Joe can sing
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloa...
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Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99 ≈
£34.92
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She's Too Good For Me
