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Sing For Absolution
Non classifié
36
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Vous avez sélectionné:
Sing For Absolution
Partitions à imprimer
36 partitions trouvées
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1
26
He Is Born, Sing Noel!
He Is Born, Sing Noel!
#
Musique Sacrée
#
Lloyd Larson
#
Choral Octavo
#
He Is Born, Sing Noel!
#
Jubilate Music Group - Digital
#
SheetMusicPlus
Choir Sacred flute, oboe, French horn, hand drum, dir. score - SKU: JX.00-24256 Arranged by Lloyd Larson. This edition: InstruPax. Choral (Sacred); Chor...
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Choir Sacred flute, oboe, French horn, hand drum, dir. score - SKU: JX.00-24256 Arranged by Lloyd Larson. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Sacred Choral Series. Christmas; Sacred. Part(s); Score. 18 pages. Jubilate Music Group - Digital #00-24256. Published by Jubilate Music Group - Digital (JX.00-24256). English. Psalm 98, Isaiah 52:7-10, Luke 2:1-20.Absolutely delightful! This inventive blend of the traditional French Christmas carol, He Is Born (Il Est Ne) and the traditional African folksong, Sing Noel, is filled with wonder and surprise. It opens quietly with the folksong in call-and-response. Two quick modulations contribute to the rising excitement before the entry of the French carol. Then, through sheer genius, the two combine for a spectacular finish. InstruPax includes parts for flute, oboe, French horn, hand drum, director score.
$20.00 ≈
£15.28
Jesus Is My Friend (Performance Track)
Jesus Is My Friend (Performance Track)
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Musique Sacrée
#
Gospel Spirituel
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W
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Jesus Is My Friend
#
JeFirst Music
#
SheetMusicPlus
Bass Guitar,Choir,Drums,Piano - SKU: A0.1071427 Composed by W. Timothy Bailey. Children,Christian,Gospel,Sacred. Accompaniment. Duration 165. JeFirst Mu...
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Bass Guitar,Choir,Drums,Piano - SKU: A0.1071427 Composed by W. Timothy Bailey. Children,Christian,Gospel,Sacred. Accompaniment. Duration 165. JeFirst Music #4756075. Published by JeFirst Music (A0.1071427). Performance track for Item Number: S0.170335. Instrumentation - Piano, Drums, Electric Bass and Hand claps. Sequence includes: Verse 3 times, Vamp 6 times. A fun, encouraging and uplifting song that's a must have for your Children or Youth Choir. Easy to learn and absolutely fun to sing! Performing with this track will raise your performance to the next level.
$4.99 ≈
£3.81
Pavane for a Silent Night
Pavane for a Silent Night
#
Musique Sacrée
#
Jean Anne Shafferman
#
Choral Octavo
#
Pavane for a Silent Night
#
Jubilate Music Group - Digital
#
SheetMusicPlus
Choir Sacred oboe, 2 violins, viola, cello, double bass, dir. score - SKU: JX.00-24294 Based upon Pavane pour une infante defunte by Maurice R...
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Choir Sacred oboe, 2 violins, viola, cello, double bass, dir. score - SKU: JX.00-24294 Based upon Pavane pour une infante defunte by Maurice Ravel. Composed by Jean Anne Shafferman. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Christmas; Sacred. Part(s); Score. 23 pages. Jubilate Music Group - Digital #00-24294. Published by Jubilate Music Group - Digital (JX.00-24294). English. Orchestrated by Maurice Ravel; choral arrangement; orchestral adaptation by Patrick M. Liebergen. Isaiah 9:2-7, Isaiah 11:1-9, Micah 5:2-5, Luke 2:1-14.Absolutely beautiful! Pat Liebergen has arranged Ravel's timeless masterpiece, Pavane pour une infante defunte, for choir, and adapted Ravel's orchestration for oboe and strings as optional accompaniment. Jean Anne Shafferman has added a Christmas text that is simply stunning: On a silent, starry night, Christus natus est. Certain to be the highlight of school seasonal concerts and Christmas worship, it is available in three voicings for singers of all ages. InstruPax Includes parts for oboe, 2 violins, viola, cello, double bass, dir. score.
$25.00 ≈
£19.10
Pavane for a Silent Night
Pavane for a Silent Night
#
Musique Sacrée
#
Jean Anne Shafferman
#
Pavane for a Silent Night
#
Jubilate Music Group - Digital
#
SheetMusicPlus
Choir Sacred (2-Part choir; Women's Choir) - Grade 2 - SKU: JX.00-24292 Based upon Pavane pour une infante defunte by Maurice Ravel. Composed by ...
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Choir Sacred (2-Part choir; Women's Choir) - Grade 2 - SKU: JX.00-24292 Based upon Pavane pour une infante defunte by Maurice Ravel. Composed by Jean Anne Shafferman. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Jubilate Archive Edition. Christmas; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-24292. Published by Jubilate Music Group - Digital (JX.00-24292). English. Orchestrated by Maurice Ravel; choral arrangement; orchestral adaptation by Patrick M. Liebergen. Isaiah 9:2-7, Isaiah 11:1-9, Micah 5:2-5, Luke 2:1-14.Absolutely beautiful! Pat Liebergen has arranged Ravel's timeless masterpiece, Pavane pour une infante defunte, for choir, and adapted Ravel's orchestration for oboe and strings as optional accompaniment. Jean Anne Shafferman has added a Christmas text that is simply stunning: On a silent, starry night, Christus natus est. Certain to be the highlight of school seasonal concerts and Christmas worship, it is available in three voicings for singers of all ages.
$2.25 ≈
£1.72
ALL THE PRAISE (Worship - For Voice, Flute and Piano - Lead Sheet also included)
ALL THE PRAISE (Worship - For Voice, Flute and Piano - Lead Sheet also included)
#
Musique Sacrée
#
Christian contemporain
#
Gary Lanier
#
Gary Lanier
#
ALL THE PRAISE
#
The Lanier Company
#
SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 2 - SKU: A0.617506 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Sa...
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Small Ensemble Flute,Piano,Voice - Level 2 - SKU: A0.617506 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 17 pages. The Lanier Company #5734375. Published by The Lanier Company (A0.617506). ALL THE PRAISE is a worship song composed and arranged by Gary Lanier for Voice, Flute and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired. All the Praise falls into the absolutely beautiful category (17 pages with cover).
$8.99 ≈
£6.87
ALL THE PRAISE (Worship - For Voice, Bb Clarinet and Piano - Lead Sheet also included)
ALL THE PRAISE (Worship - For Voice, Bb Clarinet and Piano - Lead Sheet also included)
#
Musique Sacrée
#
Christian contemporain
#
Gary Lanier
#
Gary Lanier
#
ALL THE PRAISE
#
The Lanier Company
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Piano,Voice - Level 3 - SKU: A0.617523 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & ...
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Small Ensemble B-Flat Clarinet,Piano,Voice - Level 3 - SKU: A0.617523 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 17 pages. The Lanier Company #5754825. Published by The Lanier Company (A0.617523). ALL THE PRAISE is a worship song composed and arranged by Gary Lanier for Voice, Bb Clarinet and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired. All the Praise falls into the absolutely beautiful category (17 pages with cover).
$8.99 ≈
£6.87
ALL THE PRAISE (Worship - For Voice, Bassoon and Piano - Lead Sheet also included)
ALL THE PRAISE (Worship - For Voice, Bassoon and Piano - Lead Sheet also included)
#
Musique Sacrée
#
Christian contemporain
#
Gary Lanier
#
Gary Lanier
#
ALL THE PRAISE
#
The Lanier Company
#
SheetMusicPlus
Small Ensemble Bassoon,Piano,Voice - Level 3 - SKU: A0.617524 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,...
(+)
Small Ensemble Bassoon,Piano,Voice - Level 3 - SKU: A0.617524 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 17 pages. The Lanier Company #5755455. Published by The Lanier Company (A0.617524). ALL THE PRAISE is a worship song composed and arranged by Gary Lanier for Voice, Bassoon and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired. All the Praise falls into the absolutely beautiful category (17 pages with cover).
$8.99 ≈
£6.87
ALL THE PRAISE (Worship - For Voice, Flute, Violin 1&2, Viola, Cello, Double Bass and Piano - Lead S
ALL THE PRAISE (Worship - For Voice, Flute, Violin 1&2, Viola, Cello, Double Bass and Piano - Lead S
#
Musique Sacrée
#
Christian contemporain
#
Gary Lanier
#
Gary Lanier
#
ALL THE PRAISE
#
The Lanier Company
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Piano,Viola,Violin,Voice - Level 3 - SKU: A0.617507 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,C...
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Large Ensemble Cello,Double Bass,Flute,Piano,Viola,Violin,Voice - Level 3 - SKU: A0.617507 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 43 pages. The Lanier Company #5745017. Published by The Lanier Company (A0.617507). ALL THE PRAISE is a worship song composed and arranged by Gary Lanier for Voice, Flute, Strings and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired. All the Praise falls into the absolutely beautiful category (43 pages with cover).
$9.99 ≈
£7.63
ALL THE PRAISE (Worship - For Voice, Tenor Sax and Piano - Lead Sheet also included)
ALL THE PRAISE (Worship - For Voice, Tenor Sax and Piano - Lead Sheet also included)
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Musique Sacrée
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Christian contemporain
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Gary Lanier
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Gary Lanier
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ALL THE PRAISE
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The Lanier Company
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SheetMusicPlus
Small Ensemble Piano,Tenor Saxophone,Voice - Level 3 - SKU: A0.617526 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & ...
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Small Ensemble Piano,Tenor Saxophone,Voice - Level 3 - SKU: A0.617526 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 17 pages. The Lanier Company #5759763. Published by The Lanier Company (A0.617526). ALL THE PRAISE is a worship song composed and arranged by Gary Lanier for Voice, Tenor Sax and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired. All the Praise falls into the absolutely beautiful category (17 pages with cover).
$8.99 ≈
£6.87
ALL THE PRAISE (Worship - For Voice, Alto Sax and Piano - Lead Sheet also included)
ALL THE PRAISE (Worship - For Voice, Alto Sax and Piano - Lead Sheet also included)
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Musique Sacrée
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Gary Lanier
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Gary Lanier
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ALL THE PRAISE
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The Lanier Company
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SheetMusicPlus
Small Ensemble Alto Saxophone,Piano,Voice - Level 2 - SKU: A0.617525 Composed by Gary Lanier. Arranged by Gary Lanier. Praise & Worship,Sacred. Score an...
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Small Ensemble Alto Saxophone,Piano,Voice - Level 2 - SKU: A0.617525 Composed by Gary Lanier. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 17 pages. The Lanier Company #5758109. Published by The Lanier Company (A0.617525). ALL THE PRAISE is a worship song composed and arranged by Gary Lanier for Voice, Alto Sax and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired. All the Praise falls into the absolutely beautiful category (? pages with cover).
$8.99 ≈
£6.87
True Colors
True Colors
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Pop musique
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Cyndi Lauper
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Derek Hasted
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True Colors
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Derek Hasted
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SheetMusicPlus
B-Flat Clarinet,Guitar,Instrumental Duet - Level 2 - SKU: A0.1321422 By Cyndi Lauper. By Billy Steinberg and Tom Kelly. Arranged by Derek Hasted. Pop. 1...
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B-Flat Clarinet,Guitar,Instrumental Duet - Level 2 - SKU: A0.1321422 By Cyndi Lauper. By Billy Steinberg and Tom Kelly. Arranged by Derek Hasted. Pop. 12 pages. Derek Hasted #909881. Published by Derek Hasted (A0.1321422). TRUE COLORS (Cyndi Lauper)- Bb CLARINET & GUITAR duetDerek Hasted writes This charming and uplifting piece makes a wonderful concert item for all abilities of Clarinet and Guitar players from Early Intermediate upwards.Set in the same key as Cyndi Lauper’s original, everything is comfortable to play, and my transcription is based on the gentle simplicity found in her official video. The music mainly sits in the Chalumeau register of the Bb clarinet to give a wonderfully hollow sound, but there is a need to “cross the break†a few times in the refrains.The music rises and falls, making the dynamics happen almost automatically, and yet there are plenty of opportunities in the phrasing for a relaxed duo to make this piece absolutely magical.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
£3.81
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00 ≈
£7.64
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00 ≈
£7.64
La Bourrée
La Bourrée
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Michael Praetorius
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Alberto Mandarini
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La Bourrée
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Alm@music
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1491035 Composed by Michael Praetorius. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Ins...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1491035 Composed by Michael Praetorius. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Instructional,Renaissance. 18 pages. Alm@music #1067793. Published by Alm@music (A0.1491035). Brass Ensemble: 3 Trumpets and 2 Trombones - Grade 2.This is also a transcription and a small adaptation of the original score.I chose “La Bourrée” by Michael Praetorius mainly for educational purposes thanks to the not excessive difficulty, but perfect for students with an intermediate level of preparation. Furthermore, the skillful writing of Praetorius and the beauty of this short composition of his, make the piece absolutely suitable to be included in any concert program.Starting from the 4 canonical parts, I focused above all on the redistribution of the voices bringing them to 5 and intervening on the reorganization of the refrains. Always with the utmost respect for the original score, I simply imagined two opposing choirs that alternate, responding to each other and becoming protagonists from time to time, thus replacing the mere repetition of the refrains.The themes, in turn and to the extent possible, were distributed across all the voices using, in some cases, even simple doubling.As in the adaptation of Contrapunctus I by J. S. Bach, ( https://www.sheetmusicplus.com/en/product/contrapunctus-i-from-the-art-of-the-fugue-bwv-1080-22828292.html ) the choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the formation for which I made the transcription.Finally, on a didactic level, this piece was fundamental to consolidate a formation at the first experiences and allowed me to deepen the salient aspects of ensemble music such as listening, musical breathing and interplay in its broadest sense.To the individual parts, as usual, I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, to decide whether to replace it or double it directly.The total duration is about 2 minutes and 20 seconds and the midi audio should be useful to get an idea of the arrangement and to be able to study the individual parts.Good Music!am.
$4.99 ≈
£3.81
Cara e Dolce-Scarlatti-Woodwind Trio 4
Cara e Dolce-Scarlatti-Woodwind Trio 4
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Woodwin
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969595. Published by Phil Beaman (A0.844886). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
£5.34
Cara e Dolce-Scarlatti-Mixed Trio 3
Cara e Dolce-Scarlatti-Mixed Trio 3
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Mixed T
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Phil Beaman
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Violin - Level 4 - SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Sc...
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Small Ensemble Bassoon,Clarinet,Violin - Level 4 - SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969615. Published by Phil Beaman (A0.844889). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
£5.34
Cara e Dolce-Scarlatti-Mixed Chamber Trio 2
Cara e Dolce-Scarlatti-Mixed Chamber Trio 2
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Mixed C
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Phil Beaman
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SheetMusicPlus
Small Ensemble Bassoon,Oboe,Violin - Level 4 - SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score ...
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Small Ensemble Bassoon,Oboe,Violin - Level 4 - SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969527. Published by Phil Beaman (A0.844884). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
£5.34
Cara e Dolce-Scarlatti-Woodwind Trio 2
Cara e Dolce-Scarlatti-Woodwind Trio 2
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Woodwin
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,S...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969589. Published by Phil Beaman (A0.844885). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
£5.34
Cara e Dolce-Scarlatti-Woodwind Trio 3
Cara e Dolce-Scarlatti-Woodwind Trio 3
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Woodwin
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,O...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969543. Published by Phil Beaman (A0.844882). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
£5.34
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Sing For Absolution 
