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Some Things for Christmas
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Vous avez sélectionné:
Some Things for Christmas
Partitions à imprimer
5 partitions trouvées
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1
My Favorite Things
My Favorite Things
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Chicago
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Gary Wolk
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My Favorite Things
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Gary Wolk Music
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 2 - SKU: A0.1464131 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Gary Wolk. 20th Century...
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String Ensemble Cello,Viola,Violin - Level 2 - SKU: A0.1464131 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Gary Wolk. 20th Century,Broadway,Christmas,Musical/Show,Standards. 19 pages. Gary Wolk Music #1042846. Published by Gary Wolk Music (A0.1464131). An instrumental version of the standard from The Sound Of Music, arranged for String Sextet. Re-harmonized in some spots.
$12.99
The Crystal Spring - Brass Quintet
The Crystal Spring - Brass Quintet
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Hannah Hawken
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Garfunkel)
H0
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The Crystal Spring - Brass Qui
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Hannah Hawken
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Tuba - Level 3 - SKU: A0.752513 Arranged by Hannah Hawken. Folk,Romantic Period. Score and parts. 12 pages. Hanna...
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Brass Ensemble Euphonium,Horn,Trombone,Tuba - Level 3 - SKU: A0.752513 Arranged by Hannah Hawken. Folk,Romantic Period. Score and parts. 12 pages. Hannah Hawken #2846305. Published by Hannah Hawken (A0.752513). The Crystal Spring is one of the many English Folksongs collected by Cecil Sharp. This one comes from Somerset and this arrangement for brass quintet is inspired by Cecil Sharp's piano arrangement. It begins with an unaccompanied 2nd cornet/trumpet solo (this part is also very effective on flugelhorn), the lower ensemble then joins before the 1st cornet/trumpet takes over the melody. The 2nd cornet/trumpet part is popular for GCSE ensemble performances as it is in reasonable range and showcases the player's ensemble skills in both solo and accompanying roles. This is scored for standard quintet instrumentation but the trombone part would work really well on euphonium or baritone.This piece works well in any concert setting, formal or informal.This arrangement is scored for:2 Cornets/TrumpetsTenor Horn or Horn in FTrombone/Euphonium (treble/bass clef)Tuba/Eb Bass/Bb BassOther Pieces for Brass Quintet H0.357089-SC000006972 – Alfie (Bacharach) S0.591177 - All Things Bright and Beautiful (Monk) H0.150157-58600 – The Bare Necessities H0.242587-97800 – Bridge Over Troubled Water (Simon & Garfunkel) H0.400415-213093 – Forget You (Cee Lo Green) H0.149485-313201 – Have Yourself a Merry Little Christmas H0.211829-257029 – How Long Will I Love You (Ellie Goulding) H0.215151-440420 – Just the Way You Are (Billy Joel) H0.148981-51407 – Make You Feel My Love (Adele) H0.496915-SC001312175 – One Day Like This (Elbow) S0.149515 – Pavane (Faure) H0.149325-215540 – Rolling in the Deep (Adele)
$9.95
Oh Holy Night
Oh Holy Night
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Steven Erekson
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Steven L
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Oh Holy Night
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Steven L. Erekson
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SheetMusicPlus
Alto Voice,Soprano voice - Level 3 - SKU: A0.1354327 By Steven Erekson. By Adolphe Charles Adam/Placide Cappeau. Arranged by Steven L. Erekson. Christia...
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Alto Voice,Soprano voice - Level 3 - SKU: A0.1354327 By Steven Erekson. By Adolphe Charles Adam/Placide Cappeau. Arranged by Steven L. Erekson. Christian,Christmas,Holiday,Sacred,Spiritual. 6 pages. Steven L. Erekson #939042. Published by Steven L. Erekson (A0.1354327). Written for 1 saprano and 2 altos, this arrangment of Oh Holy Night was written upon request of a family member who had difficulty finding an arrangement for 3 female vocalists. 4 days later and with a day to spare before they left for holidays, the request was happily filled and the result as you see it here. It features two of the 3 verses with a reference to the most important phrase found in the origional's third verse. The chord structures at some points differ from what is commonly associated with this carol and a number of key changes attempt to keep things in a suitable range and entertain the singers with added difficulty, but mostly enables a reverent capture of the attention of the audience. The third verse was not included in full to keep the piece to a suitable length for settings of worship.To my surprise, some church services at Christmas time leave me un-fed. I keep longing for the reverence that should be and would have been felt in the presence of the newborn of whom this song speaks. There is glory and rejoicing in the arrival of the Christ, yes; I do not wish to overlook this aspect of the season, but the greater emphasis that I intended to accompany this arrangement is that of the often-lacking submissive reverence embodied in the concluding phrase; behold your King.The best way to bring the best verision of this piece is to vary the tempo throughout to create more emotion and exagerate the dynamic markings. Begin the piece with awe and contained anticipation, increase in majesty to reflect the praise of angels and the glory of the Christ, then sing as though you enter the place where He rests as you lead your audience thereto. A voice recording is in the works.
$7.99
Let It Be
Let It Be
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Noël
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
Santa's Elves solo and piano with sound effects
Santa's Elves solo and piano with sound effects
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Connie Boss
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Santa's Elves solo and piano w
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Connie Boss
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SheetMusicPlus
Piano,Voice - Level 1 - SKU: A0.1177038 By Connie Boss. By Connie Boss. Children,Christmas. Full Performance. Duration 167. Connie Boss #777059. Publish...
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Piano,Voice - Level 1 - SKU: A0.1177038 By Connie Boss. By Connie Boss. Children,Christmas. Full Performance. Duration 167. Connie Boss #777059. Published by Connie Boss (A0.1177038). This is a cute song about Santa's Elves. It is for solo and piano. Kids will love singing about these little Santa helpers. My grandkids named the elves and we talked about all they do to help Santa. Purchase at https://www.sheetmusicdirect.com/en-US/se/ID_No/897970/Product.aspx Questions or requests, email cdboss@cvalley.netLyrics below:Santa’s Elves Verse 1: We are very small and We have pointy ears We help Santa Claus All throughout the year We help make the toys For good girls and boys We work hard each day to Load up Santa’s sleigh. Refrain: Santa’s elves, Santa’s elves We like to have some fun Santa’s elves, Santa’s elves, we work to get things done Verse 2: Eliza loves to paint bright colors on each toy, she really likes to make the children smile with joy. Dan tends the reindeer, he feeds them all the year, he even cleans their stalls, and decorates the walls Refrain: Verse 3: Jayler loves the cold, he Likes to blade the snow, he Keeps the pathway clear For all the reindeer, Christine wraps the gifts, she Looks at their wish list, she Writes their name so, He Knows where they should go Refrain: After Santa leaves, the elves do as they please They all dance and sing Then they go to sleep.
$1.99
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Some Things for Christmas
