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Sons Of The Silent Age
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TRIPLE PACK of Tenor Horn Duets - contains over 50 duets including Christmas, classical and jazz
TRIPLE PACK of Tenor Horn Duets - contains over 50 duets including Christmas, classical and jazz
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Noël
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Newton, Meacham, Handel, Del
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Austin Ralphson
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TRIPLE PACK of Tenor Horn Duet
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Austin Ralphson
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SheetMusicPlus
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremi...
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier, J. Pierpoint, L. Mason, F. Gruber, J. Mohr, Trad. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Christmas, Wedding. Score. 99 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, plus the '21 Christmas Duets for Fun' as well, making a total of 51 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works, Christmas classics and other popular pieces. This is the full list:
1. Jingle Bells v1
2. Jingle Bells v2
3. Ding Dong Merrily On High v1
4. Ding Dong Merrily On High v2
5. Ding Dong Merrily On High v3
6. Joy To The World v1
7. Joy To The World v2
8. Joy To The World v3
9. Deck The Halls v1
10. Deck The Halls v2
11. Deck The Halls v3
12. O Christmas Tree v1
13. O Christmas Tree v2
14. Silent Night v1
15. Silent Night v2
16. Silent Night v3
17. O Little Town Of Bethlehem v1
18. O Little Town Of Bethlehem v2
19. O Little Town Of Bethlehem v3
20. God Rest Ye Merry, Gentlemen v1
21. God Rest Ye Merry, Gentlemen v2
22. All Through The Night (Welsh trad.)
23. Amazing Grace (Newton)
24. American Patrol (Meacham)
25. David of the White Rock (Welsh trad.)
26. Fanfare from ?Water Music? (Handel)
27. Happy Birthday
28. Largo from ?Xerxes? (Handel)
29. Myfanwy (Welsh trad.)
30. Pizzicati from ?Sylvia? (Delibes)
31. Prelude in C (Bach)
32. La Rjouissance from ?Music for the Royal Fireworks? (Handel)
33. Rondo from ?Abdelazer? (Purcell)
34. Scherzo from Symphony No. 2 (Beethoven)
35. Suo Gan (Welsh trad.)
36. Concerto for Mandolin and Strings (Ugolino)
37. The Entertainer (Scott Joplin)
38. Highlights from Rhapsody In Blue (Gershwin)
39. The Blue Danube Waltz (Johann Strauss II)
40. Six Christmas Pieces, No.5 (Mendelssohn)
41. Fr Elise (Beethoven)
42. In The Hall Of The Mountain King (Grieg)
43. Trumpet Voluntary (Jeremiah Clarke)
44. Eine Kleine Nachtmusik No.1 (Mozart)
45. The Londonderry Air / Danny Boy (trad.)
46. Symphony No.5, Mvt.1 (Beethoven)
47. Rondo Alla Turca (Mozart)
48. ?Autumn? from ?The Four Seasons? (Vivaldi)
49. ?Ode to Joy? from Symphony No.9 (Beethoven)
50. March of the Toy Soldiers from ?The Nutcracker? (Tchaikovsky)
51. Prelude from ?Te Deum? (Charpentier)
$39.99 ≈
36.23€
Silent Night from Enchanted Carols (Downloadable Choral Score)
Silent Night from Enchanted Carols (Downloadable Choral Score)
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Noël
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Franz Xaver Gruber and Howard
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Silent Night from Enchanted Ca
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SA choir and organ or piano, with optional cello - Moderately Easy - SKU: MQ.56-0095-E Composed by Franz Xaver Gruber and Howard Goodall. Christmas, Les...
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SA choir and organ or piano, with optional cello - Moderately Easy - SKU: MQ.56-0095-E Composed by Franz Xaver Gruber and Howard Goodall. Christmas, Lessons and Carols. 6 pages. Duration 3 minutes, 32 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0095-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0095-E). English.Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 3:32.
$2.75 ≈
2.49€
Silent Night, Holy Night (Downloadable)
Silent Night, Holy Night (Downloadable)
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Noël
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Hal H
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Silent Night, Holy Night
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, flute, organ, and strings, with optional descant, handbells, and harp - Moderately Easy - SKU: MQ.20-011-E Composed by Hal H. Hopson. Chri...
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Congregation, flute, organ, and strings, with optional descant, handbells, and harp - Moderately Easy - SKU: MQ.20-011-E Composed by Hal H. Hopson. Christmas, Lessons and Carols. 39 pages. MorningStar Music Publishers - Digital Sheet Music #20-011-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-011-E). Taken from the composer's larger Christmas work, Come, Ye Faithful: A Service of Carols, this excerpt is intended for use as a reflective congregational hymn accompaniment. Four unique stanzas are set here, the final one with optional SSA descant. A brief introduction and a brief coda make lovely use of the instrumental forces.
$35.00 ≈
31.71€
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Choral & P
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99 ≈
4.52€
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Final & Su
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95 ≈
13.54€
Satie: Parade - II. Petite Fille Americaine - wind dectet
Satie: Parade - II. Petite Fille Americaine - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fil
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 p...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95 ≈
13.54€
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95 ≈
18.07€
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by ...
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95 ≈
18.07€
Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.2 N
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. R...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (neÌe Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich
$14.95 ≈
13.54€
Sweet Beulah Land
Sweet Beulah Land
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Musique Sacrée
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Christian contemporain
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Squire Parsons
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John A
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Sweet Beulah Land
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John A. Dempsey
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo,Piano - Level 3 - SKU: A0.523736 Composed by Squire Parsons. Arranged by John A. Dempsey. Christian,Contemporary,Prais...
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Acoustic Guitar,Instrumental Solo,Piano - Level 3 - SKU: A0.523736 Composed by Squire Parsons. Arranged by John A. Dempsey. Christian,Contemporary,Praise & Worship,Sacred,Traditional. Score and individual part. 12 pages. John A. Dempsey #3866287. Published by John A. Dempsey (A0.523736). This guitar and piano duet arrangement of the inspiring classic Southern Gospel song Sweet Beulah Land is recommended as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, including funerals. Â Key: G major. Â 8 pages of music (that includes a separate two-page guitar part) Â .
$7.99 ≈
7.24€
Sweet Beulah Land
Sweet Beulah Land
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Musique Sacrée
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Christian contemporain
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Squire Parsons
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John A
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Sweet Beulah Land
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Flute,Piano,Violin - Level 3 - SKU: A0.523948 Composed by Squire Parsons. Arranged by John A. Dempsey. Christian,Contemporary,Praise & Wo...
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Small Ensemble Flute,Piano,Violin - Level 3 - SKU: A0.523948 Composed by Squire Parsons. Arranged by John A. Dempsey. Christian,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 17 pages. John A. Dempsey #4360885. Published by John A. Dempsey (A0.523948). This flute, violin and piano trio arrangement of the inspiring classic Southern Gospel song Sweet Beulah Land is recommended as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, including funerals. Â Key: G major. Â 13 pages of music (that includes separate two-page parts for flute and violin).
$12.99 ≈
11.77€
Timeless Night (vln and oboe/vln)
Timeless Night (vln and oboe/vln)
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Janelle Zook Cunalata
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Timeless Night
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JZC Music
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.948342 Composed by Janelle Zook Cunalata. Concert,Contemporary,Easter,Holiday. 2 pages. JZC Music #3068389. Publis...
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Woodwind Ensemble - Level 3 - SKU: A0.948342 Composed by Janelle Zook Cunalata. Concert,Contemporary,Easter,Holiday. 2 pages. JZC Music #3068389. Published by JZC Music (A0.948342). This duet was written uniquely for a candle lighting ceremony that was held for persons whose mothers have passed away. Hints of Silent Night throughout the piece, particularly at the end, reference silent peace that can be felt even in the midst of a difficult night as a loved one is passing on. .
$1.99 ≈
1.80€
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Sons Of The Silent Age
