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Vous avez sélectionné:
Sotto Voce Music
Partitions à imprimer
8 partitions trouvées
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1
Ave Maria
Ave Maria
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Raquel Cristobal
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Treble choir (SSA) a cappella - intermediate - SKU: S9.Q18565 Motet for three equal voices. Composed by Raquel Cristobal. This edition: choral sc...
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Treble choir (SSA) a cappella - intermediate - SKU: S9.Q18565 Motet for three equal voices. Composed by Raquel Cristobal. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q18565. Published by Schott Music - Digital (S9.Q18565). Latin.A beautifully gentle sotto voce prayer for three-part choir.
$2.99
In the Bleak Midwinter Earth Stood Hard as Iron (Downloadable)
In the Bleak Midwinter Earth Stood Hard as Iron (Downloadable)
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Gospel Spirituel
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Gustav Holst and James McCullo
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In the Bleak Midwinter Earth S
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Baritone voice solo, SATB choir unaccompanied - Moderately Easy - SKU: MQ.1.3464-E Composed by Gustav Holst and James McCullough. Christmas, African Ame...
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Baritone voice solo, SATB choir unaccompanied - Moderately Easy - SKU: MQ.1.3464-E Composed by Gustav Holst and James McCullough. Christmas, African American Heritage. 15 pages. Duration 4 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3464-E. Published by Galaxy Music Corporation - Digital (MQ.1.3464-E). English.This new setting nicely balances the familiar with the creative, all the while treating the beloved Holst tune (and the full five verses of the Rossetti text) in a fully idiomatic manner for unaccompanied SATB chorus (divisi). There are touches of humor in the arrangement (a baritone soloist appears right where you'd hope he'd be, and at one point the basses sing sotto voce Go, angels go!) as well as a clear intention to paint the deeper meaning of the text. This is a great addition to your Christmas repertoire. Duration: 4:30.
$2.85
Show Us Your Mercy, O Lord
Show Us Your Mercy, O Lord
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Robert H
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Show Us Your Mercy, O Lord
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Fred Bock Music Company
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SheetMusicPlus
SATB divisi a cappella Choral (SATB divisi a cappella) SKU: HL.8739017 Composed by Robert H. Young. Gentry Publications. General Worship, Psalms, Sacred....
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SATB divisi a cappella Choral (SATB divisi a cappella) SKU: HL.8739017 Composed by Robert H. Young. Gentry Publications. General Worship, Psalms, Sacred. Octavo. 6 pages. Fred Bock Music Company #JG2229. Published by Fred Bock Music Company (HL.8739017). UPC: 073999390179. 6.7x10.5x0.015 inches.Commissioned by The Episcopal Diocese of New York for a Consecration Service at St. John the Divine, this Psalm setting is straightforward and through-composed. The beautiful, rich harmonies flow through four-part and divisi phrases moving to a climactic 6-part section and diminishing to a sotto voce return of the opening material. Stunning. Available: SATB divisi a cappella.
$1.35
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappell...
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Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
$12.99
Mozart: Motet "Ave Verum Corpus" K618 - wind dectet
Mozart: Motet "Ave Verum Corpus" K618 - wind dectet
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Motet "Ave Verum
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RayThompsonMusic
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SheetMusicPlus
Bass Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 2 - SKU: A0.1110981 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,R...
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Bass Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 2 - SKU: A0.1110981 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713249. Published by RayThompsonMusic (A0.1110981). Arranged wind dectet and bass. Optional tiba/double bass, and 2 bass clts for bsns Ave verum corpus (Hail, true body) is a motet in D major (K. 618), composed by Wolfgang Amadeus Mozart. It is a setting of the 14th century Eucharistic hymn in Latin Ave verum corpus in 1791. Mozart wrote it for Anton Stoll, a friend of Mozart and Joseph Haydn. Stoll was the musical coordinator in the parish of Baden bei Wien, near Vienna. This setting of the Ave verum corpus text was composed to celebrate the feast of Corpus Christi; the autograph is dated 17 June 1791. It is only forty-six bars long and is scored for SATB choir, string instruments, and organ. Mozart's manuscript contains minimal directions, with only a single sotto voce at the beginning. Check out my arrangements of movements from Mozart’s Requiem K626.
$9.95
Low Brass - Horn Piece
Low Brass - Horn Piece
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Mike Lyons
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Low Brass - Horn Piece
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.767606 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 80 pages. Lyons Music ...
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Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.767606 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 80 pages. Lyons Music Services #6703123. Published by Lyons Music Services (A0.767606). Originally a horn quartet inspired by a conversation about writing for horns. There are three movements. The first movement is called Canon. It consists of a simple theme that is presented in imitation by each of the four 'voices' first at 2 bar intervals then, in inversion at four bar intervals and then in the original form at one bar intervals. There is a linking fanfare-like passage before the final statement of the original motif with fanfare-like adaptations.The second movement is called Lullaby. The elegant, drifting melody is passed around the four players with a largely chordal accompaniment pattern that needs to be played sotto voce at all times. The tempo is marked Largo, but it is still one-in-a-bar.The third movement is called Hullabaloo-haloo-haloo. While it is based on a 6/8 cantering rhythm, there is a lot of variation in both the accompaniment and the melody. Again, all the lines have a lot of interest, nobody has to play simple um-chucks, and there's even a solo for the lower tuba at the end.Enjoy.This is a really enjoyable and exciting new addition to the low brass quartet repertoire.
$15.00
Dust In The Wind
Dust In The Wind
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Rock
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Kansas
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Jon Thingvall
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Verse (youtube
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Dust In The Wind
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Jon Thingvall
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SheetMusicPlus
Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - SKU: A0.1368317 By Kansas. By Kerry Livgren. Arranged by Jon Thingvall...
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Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - SKU: A0.1368317 By Kansas. By Kerry Livgren. Arranged by Jon Thingvall. Pop,Rock. 45 pages. Jon Thingvall #952661. Published by Jon Thingvall (A0.1368317). Seeking a modern setting for a French Horn solo? Is the community--or are the students--feeling that classical music is stuffy? Got a budding Guitar Hero with nowhere to play? Want to give the orchestra a break, without stopping the program completely? Need a relaxed, quasi-Adagio for the concert's pacing?This is a record-copy of KANSAS' classic rock ballad, scored for a fairly small ensemble. Most instruments can be substituted: Flute for Alto Flute, Viola or Cello for Violin, Flugelhorn for the Horn part, or 4 Trombone parts instead of 3 with Solo Horn.Acoustic Guitar (will need amp). (Part copied verbatim from the official video, with thanks to Kansas - Dust In The Wind Guitar Lesson Pt.1 - Intro & Verse (youtube.com))French Horn solo--  Steve Walsh's epic, almost-apocalyptic style seemed perfectly suited to the mystique of the French Horn. (Measure 102 is “as though spoken†like in the recording here:  https://youtu.be/tH2w6Oxx0kQ?t=126. If the audience isn't familiar with Steve's style, it may be better left as a quarter- or eighth-note (written F sharp), but if you've got a Hornist with the chops, I’ve tried to put the articulations in to imitate a spoken voice.)3 Trombones-- Mainly triadic pads, with two instances of 9ths in the upper bass clef.1 Tenor Sax / Double on Alto Flute The Sax will sound great sotto voce to the Horn. The Flute should be as soft as possible, and ethereal.Solo Violin  (Could be sectional, instead of solo.)Solo Cello (Ibid.)The official video has bongos at the end, but I felt the sparse score worked well. They could easily be improvised, if needed.
$30.00
Pavane Pour Une Infanta Defunte by Ravel for Saxophone Sextet.
Pavane Pour Une Infanta Defunte by Ravel for Saxophone Sextet.
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Contemporain
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Maurice Ravel
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Stephen Davies
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Pavane Pour Une Infanta Defunt
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Stephen Davies
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.891929 Composed by Maurice Ravel. Arranged by Ste...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.891929 Composed by Maurice Ravel. Arranged by Stephen Davies. 20th Century. Score and parts. 18 pages. Stephen Davies #4320751. Published by Stephen Davies (A0.891929). This beautiful music by Ravel was written in 1899 when he was studying composition with Gabriel Faure, and widely considered as a masterpiece for piano, I thought it would lend itself to the Saxophone Sextet nicely, and I think it does! Played sotto voce in a generous acoustic, this will sound glorious!
$21.99
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Sotto Voce Music
