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Vous avez sélectionné:
Taking Time
Partitions à imprimer
91 partitions trouvées
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1
26
51
76
A TIME TO TALK - baritone
A TIME TO TALK - baritone
#
Contemporain
#
Wayland Rogers
#
A TIME TO TALK - baritone
#
WR Editions
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.866687 Composed by Wayland Rogers. Contemporary. 3 pages. WR Editions #4347791. Published by WR Editions (A0...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.866687 Composed by Wayland Rogers. Contemporary. 3 pages. WR Editions #4347791. Published by WR Editions (A0.866687). In the poem by Robert Frost a farmer delights in taking time in the midst of work to visit with his neighbor. The musical setting conveys the simplicity of an earlier manner of rural life. This is the Baritone key, C major. See the listing also for the Bass key, B flat major.
$12.00 ≈
10.82€
Time
Time
#
Sydney Stevens
#
Time
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Published by Sydney Stevens, Water Music (A0.859661). Contact: sydneystevenspianostudio@gmail.comTime: Peaceful piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Sarah McLachlan, Vanessa Carlton, Loreena McKennittFrom Album: Cycles of Life Theme: Contemplative theme of time passing more quickly the longer we're here -- the hourglass effect. Also, how time seems to pass faster when we are doing something we love.Mood: Romantic, gentle, warm, emotional.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 4:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the lis.
$4.95 ≈
4.46€
Christmas Time Is Here
Christmas Time Is Here
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Noël
#
Vince Guaraldi
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Ralph Raymond Hays
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Christmas Time Is Here
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Ralph Raymond Hays
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SheetMusicPlus
B-Flat instrument,C Instrument,E-Flat Instrument,F Instrument,Instrumental Solo,Piano - Level 3 - SKU: A0.720721 Composed by Vince Guaraldi. Arranged by...
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B-Flat instrument,C Instrument,E-Flat Instrument,F Instrument,Instrumental Solo,Piano - Level 3 - SKU: A0.720721 Composed by Vince Guaraldi. Arranged by Ralph Raymond Hays. Contemporary. Score and individual part. 10 pages. Ralph Raymond Hays #6199033. Published by Ralph Raymond Hays (A0.720721). This beloved tune from the cherished perennial, A CHARLIE BROWN CHRISTMAS, is here arranged and transposed for all solo instruments and piano. Soloist and pianist perform in tandem, taking turns with the melody and accompanimental figures,.
$5.99 ≈
5.40€
Erlkönig arranged for 10 piece brass
Erlkönig - 10 piece brass
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Classique
#
Franz Schubert
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Eoin Buchanan
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Erlkönig - 10 piece brass
#
7plc Music
#
SheetMusicPlus
Large Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - SKU: A0.1017071 Composed by Franz Schubert. Arranged by Eoin Buchanan. Contemporary. Score an...
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Large Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - SKU: A0.1017071 Composed by Franz Schubert. Arranged by Eoin Buchanan. Contemporary. Score and parts. 92 pages. 7plc Music #6048125. Published by 7plc Music (A0.1017071). Erlkönig Music: Franz Schubert (1797-1828)Poem: Johann Wolfgang von Goethe (1749-1832)I have spent many a long hour in choosing instruments which, when blended correctly will offer the performers both pleasure and challenge. At first sight the score will not appear formidable. However, given the speed of the piece (Schubart marked it at a crotchet equals 152) and the need to allow the solo voices to speak, I believe the score to be challenge enough!Taking time to acquaint oneself with Schubert’s original will be time well spent in understanding both the storyline of Goethe’s poem and the structure of the piece . I therefore commend the animated presentation by Oxford Lieder on YouTube, which also contains an English translation.Back to this score, the solo parts are:Narrator: Alto Trombone unhurried, tell the story...Father: Tenor Trombone in a bold, reassuring style...Child: Flugelhorn (Soprano Tuba) in a frightened, anguished style...Elf-King: Euphonium [scored in C] (Tenor Tuba) in a haunting style with good old fashioned vibrato...Other parts:2 Bb Trumpets 2 Horns in FBass TromboneBass Tuba scored in CIf you need a score and parts using a Bb Euphonium and/or Eb/F Bass Tuba then let me know.
$22.50 ≈
20.29€
Four Psalms for Four Trombones
Four Psalms for Four Trombones
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Musique Sacrée
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Jeff Reynolds
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Cherry Classics Music
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maybe not for the 1st player
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Four Psalms for Four Trombones
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.792665 Composed by Jeff Reynolds. Arranged by Cherry Classics Music. Christian,Jewish,Sacred. Score and part...
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Brass Ensemble Trombone - Level 4 - SKU: A0.792665 Composed by Jeff Reynolds. Arranged by Cherry Classics Music. Christian,Jewish,Sacred. Score and parts. 24 pages. Gordon Cherry #5320113. Published by Gordon Cherry (A0.792665). Here is a description of the Four Psalms for Four Trombones by Jeff Reynolds. Musical settings of The Psalms of David are a staple in the Compline world, and are indeed the musical nut of Compline. I composed these in modes for a choir of men, with countertenors and text, and thought these settings would be a soothing repast for the trombone world; maybe not for the 1st player. The lack of stems and meter is a way to get away from the rhythmic feel of western music and into the lumpy, arhythmic, text driven zone of chant. There are only 3 basic note lengths: a larger white note is a whole note; a smaller white note is a half note surrogate; and a black note is a quarter note. Be not anxious to get to the new phrase. Taking time for breaths is a good thing. Psalm 130 is a Penitential Psalm, with music in the acerbic style of Igor Stravinsky after the 2nd trombone solo from the Russian Easter of Korsakov. Mr. Reynolds has written settings for Psalms 4, 91 Qui habitat, 130 De profundis and 103. The Psalms are appropriate for moderately advanced to intermediate level performers.
$27.50 ≈
24.80€
BUXTEHUDE TRIO SONATA IN F MAJOR OPUS 1 BuxWV252 for flute, oboe & bassoon or cello
BUXTEHUDE TRIO SONATA IN F MAJOR OPUS 1 BuxWV252 for flute, oboe & bassoon or cello
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Dietrich Buxtehude
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arranged by Pat Spence
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continuo composed in 1694
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BUXTEHUDE TRIO SONATA IN F MAJ
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - SKU: A0.811770 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Bar...
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Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - SKU: A0.811770 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 22 pages. Piper Publications #6113219. Published by Piper Publications (A0.811770). This Trio Sonata is an arrangement of the first of the seven opus 1 sonatas for violin, viola da gamba & continuo composed in 1694. When most composers at this time would compose a trio sonata with all the movements in the same key, Buxtehude composed the movements of this sonata alternately in F major and D minor. The movements are: Vivace - Lento, Allegro, Adagio, Andante, Grave and Presto. Written for players of equal ability and of intermediate standard and above, the sonata has been carefully edited, additions are shown in parentheses ( ) or dashed lines.Buxtehude was famous during his lifetime for his skill as an organist and composer. Both Handel and J.S. Bach travelled to hear him play (at different times). Bach stayed to study with him for three months. Handel departed after one night when he learned that Buxtehude (who wanted to retire) was looking for an organist to succeed him, a condition of taking the post being the necessity to marry Buxtehude's eldest daughter who was some years older than Handel.
$12.00 ≈
10.82€
Moon Over The Rising Sun
Moon Over The Rising Sun
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contem...
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00 ≈
22.55€
Piano Concerto (The Solway Canal)
Piano Concerto (The Solway Canal)
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Gavin Bryars
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Piano Concerto
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Schott Music - Digital
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SheetMusicPlus
2(2.pic).0.1.bcl.1.cbsn-4.0.2.1-timp.2perc(glsp, vib [with bows], sus cym, tam-t, b.d)-hp-str(12.10.8.6.4) piano, male choir (TTBB, 18 voices) and orchestra - ...
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2(2.pic).0.1.bcl.1.cbsn-4.0.2.1-timp.2perc(glsp, vib [with bows], sus cym, tam-t, b.d)-hp-str(12.10.8.6.4) piano, male choir (TTBB, 18 voices) and orchestra - SKU: S9.Q18832 For solo piano, male choir (TTBB, 18 voices) and orchestra. Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q18832. Published by Schott Music - Digital (S9.Q18832). English.Gavin Bryars has for many years shied away from writing for piano, indeed there are only a smattering of works in his catalogue for the instrument. So for him to embark upon his first piano concerto in his 60s was a major undertaking. The technical brilliance and inquisitive mind of the Dutch pianist Ralph van Raat however convinced Bryars that he should take the plunge and add his own addition to the genre. Jointly commissioned by the Borletti Buitoni Trust and Dutch Public Broadcaster NPS, the work focuses on the melodic line and sonorous qualities of the piano with the soloist embedding himself into the orchestral texture. Taking the lead from Busoni, Bryars also includes a male-voice choir in the work who sing settings of Scottish poet Edwin Morgan.
$40.99 ≈
36.97€
The Flying Dutchman
The Flying Dutchman
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Classique
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99 ≈
38.78€
Der fliegende Holländer
Der fliegende Holländer
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Classique
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder -
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99 ≈
43.28€
Sonata for Multiple Woodwinds and Piano
Sonata for Multiple Woodwinds and Piano
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the same token, the pianist is
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Brett L
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Sonata for Multiple Woodwinds
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and p...
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Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 83 pages. Sonata Grendel Publishing #5330711. Published by Sonata Grendel Publishing (A0.837487). I’ve made a performing career out of the ability to play more than one woodwind instrument. In pits and bands all over the world multiple woodwind players, or doublers, are often the unsung heroes of the show. The first one in the pit and the last one out, they bring a technical knowledge of three, sometimes four or five different instrumental traditions not to mention an ability to play in any number of musical styles all in the name of saving the producer a little money. They spend inordinate amounts of time taking lessons, practicing, and dealing with reeds of all shapes and sizes. Over the years the doubler has become an indispensable artist and many top universities and conservatories now offer multiple woodwinds as a major. The Sonata for Multiple Woodwinds and Piano was written for myself and long time friend, colleague, and collaborator, Mark Evans. Professor Evans is a marvelously sensitive and powerfully technical pianist and although the piece is written with myself in mind as the doubler, I owe much of the inspiration to the twenty-plus years I’ve spent making music with Mark. It was my intention to create a sonata for multiple woodwinds that is not a novelty piece but provides the doubler with an opportunity to perform a serious work that explores the expressive and technical boundaries of their instrument(s). By the same token, the pianist is not an accompanist but an equal partner with the doubler.
$27.95 ≈
25.21€
Never Never Land
Never Never Land
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James Taylor
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Yumiko Matsuoka
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Never Never Land
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Yumiko Matsuoka
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SheetMusicPlus
Choral 4-Part Chorus,Choir,Choral - Level 5 - SKU: A0.1413862 By James Taylor. By Adolph Green, Betty Comden, and Jule Styne. Arranged by Yumiko Matsuok...
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Choral 4-Part Chorus,Choir,Choral - Level 5 - SKU: A0.1413862 By James Taylor. By Adolph Green, Betty Comden, and Jule Styne. Arranged by Yumiko Matsuoka. A Cappella,Jazz. 10 pages. Yumiko Matsuoka #995648. Published by Yumiko Matsuoka (A0.1413862). Commissioned by Vancouver-based male quartet Realtime, the classic from Peter Pan is transformed into an exciting jazz waltz. During the bridge the tempo relaxes a bit and goes into 4/4 swing, but in 8 bars it returns to the original tempo and meter. The bass and a tenor get to improvise thereafter, and the energy builds up to a key change where there is a little dreamy, reflective moment. The song keeps gaining momentum to a joyous and breath-taking climax. An excellent showcase piece for a strong male ensemble. Â TTTB a cappella (could be done by ATTB). Approx. performance time 3:15.
$4.00 ≈
3.61€
Vivace For Violin And Horn
Vivace For Violin And Horn
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Luis Anjos Teixeira
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Vivace For Violin And Horn
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Horn,Violin - Level 5 - SKU: A0.889418 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. Luis Anjos Teixe...
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Small Ensemble Horn,Violin - Level 5 - SKU: A0.889418 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. Luis Anjos Teixeira #3492583. Published by Luis Anjos Teixeira (A0.889418). Vivace For Violin And Hornfor the 2018 Chamber Music Contest Entry I was so impressed while listening to some of the wonderful recordings of Elmira Darvarova on the violin and Howard Wall on the Horn. It inspired me to finish a duet that toke birth back in the times when I started playing violin. Now after 40 years I guess it is ready!!! I am very grateful for their inspiration. It is dedicated to - „Elmira and Howard The piece requires high skilled and experienced artists. I have used some interpretation symbols to suggest an interpretation and of course I tried to manipulate the audio file. I did very little Bowing. I prefer to leave it to your own interpretation, creativity, or school demands or preferences. Feel free to experience your own bowing and interpretation. Remember that as an artist you can perform as it pleases you better. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever. Luis Anjos Teixeira
$12.44 ≈
11.22€
BUXTEHUDE TRIO SONATA IN E MINOR OPUS 1 No. 7 for flute, oboe & bassoon or cello
BUXTEHUDE TRIO SONATA IN E MINOR OPUS 1 No. 7 for flute, oboe & bassoon or cello
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Dietrich Buxtehude
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arranged by Pat Spence
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continuo composed in 1694
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BUXTEHUDE TRIO SONATA IN E MIN
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - SKU: A0.811769 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Bar...
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Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - SKU: A0.811769 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 32 pages. Piper Publications #6113773. Published by Piper Publications (A0.811769). This Trio Sonata is an arrangement of the last of the seven opus 1 sonatas for violin, viola da gamba & continuo composed in 1694. The movements are: Allegro, Largo, Presto, Adagio, Poco presto, Lento & Prestissimo. Written for players of equal ability and of intermediate standard and above, the sonata has been carefully edited, additions are shown in parentheses ( ) or dashed lines.Buxtehude was famous during his lifetime for his skill as an organist and composer. Both Handel and J.S. Bach travelled to hear him play (at different times). Bach stayed to study with him for three months. Handel departed after one night when he learned that Buxtehude (who wanted to retire) was looking for an organist to succeed him, a condition of taking the post being the necessity to marry Buxtehude's eldest daughter who was some years older than Handel.
$12.00 ≈
10.82€
"Tumbleweed" - (Part Scores)
"Tumbleweed" - (Part Scores)
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Sydney Stevens
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"Tumbleweed" -
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #59541...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
$9.95 ≈
8.97€
The River
The River
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95 ≈
4.46€
Alleys
Alleys
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Sydney Stevens
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Alleys
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859665 Composed by Sydney Stevens. Folk,New Age,Pop. 10 pages. Sydney Stevens, Water Music #2959555. Published...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859665 Composed by Sydney Stevens. Folk,New Age,Pop. 10 pages. Sydney Stevens, Water Music #2959555. Published by Sydney Stevens, Water Music (A0.859665). Contact: sydneystevenspianostudio@gmail.comAlleys: Deeply heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music is arranged for piano/vocal/chords. From Album: Cycles of Life Theme: Coming into one's own: Alleys, back roads of our lives they find us.. Mood: Contemplative, soulful. Nurturing one's own strength. Musical Traits: Major key that modulates into a minor interlude. Right hand reflects the vocal line. Performance Time: 5:07 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to.
$4.95 ≈
4.46€
Provision
Provision
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Cameron Duncan
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Provision
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Cameron Duncan
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SheetMusicPlus
Instrumental Duet,Pedal Harp,Steel Pan - Level 5 - SKU: A0.1434595 Composed by Cameron Duncan. 21st Century,Chamber,Christian,Praise & Worship,Religious...
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Instrumental Duet,Pedal Harp,Steel Pan - Level 5 - SKU: A0.1434595 Composed by Cameron Duncan. 21st Century,Chamber,Christian,Praise & Worship,Religious. 30 pages. Cameron Duncan #1014719. Published by Cameron Duncan (A0.1434595). Provision is a duet for pedal harp and tenor steel drum. The piece is inspired by God's provision for my wife and I, always taking care of us in times of need. The steel pan is representative of us. Searching, filled with doubt and anxiety about the future, and jumping to conclusions. The harp is representative of God's provision. The pan learns to listen, emulate, and look more like the harp's material more and more over time, ultimately finding peace and assurance. The difficult situations never leave, but neither does hope. God has provided for our physical, financial, and emotional needs, to be sure, but he also provided His Son as Savior and Counselor to us in every moment of every day. This is provision beyond words, beyond comprehension, and well beyond what this piece can say. I truly hope you enjoy this piece and give glory back to God for his provision.
$9.99 ≈
9.01€
Cello Duet Queluz
Cello Duet Queluz
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Luis Artur dos Anjos Teixeira
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Cello Duet Queluz
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Luis Anjos Teixeira
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.889393 Composed by Luis Artur dos Anjos Teixeira. Children,Concert,Contemporary,Instructional,Standards. Score and p...
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String Ensemble - Level 2 - SKU: A0.889393 Composed by Luis Artur dos Anjos Teixeira. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 1 pages. Luis Anjos Teixeira #2924269. Published by Luis Anjos Teixeira (A0.889393). Queluz is my first Duet written in 1984. Here is a digital version token from the original manuscript, played by Garritan Cellos on the Finale. The name of the piece comes from the place where I was living Queluz, a very poor suburb from Lisbon, with the highest rate of suicide in Portugal back in those times.So I did Music to fly away and it saved my soul from being exposed to such an environment. I hope this tune will help Your soul to reach the 7 skies too.It is an easy piece to play, it can be easily performed by beginners. It is a flexible piece that can be played in many different ways. The bowing can be adjusted to the intention or taste of the players. P.S. - I am doing this Files for my beloved Minimi - She says - RAW MEAT EVERY DAY TAKES THE VETERINARIAN AWAY - This is the message from Minimi, the Stray Queen Cat. Check out uncorrupted sites (pages) like cat nutrition or Dr. Jones or Dr. Karen BeckerorDr. Mercola.This is also dedicated to my lost Father Pedro Anjos Teixeira and to my unknown Opa Luis Silveira, both great Artists and the magical source of my Life and inspiration.It was a pleasure to write it and I hope You have fun listening. Thanks a lot for taking Your time, I hope You enjoyed it too.My Love to You all, my dear Brothers and SistersSláinte !!!
$7.99 ≈
7.21€
Legende-Wieniawski-Alto Clarinet duet
Legende-Wieniawski-Alto Clarinet duet
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H Wieniawski
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Phil Beaman
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Legende-Wieniawski-Alto Clarin
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Phil Beaman
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SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 2 - SKU: A0.844709 Composed by H Wieniawski. Arranged by Phil Beaman. Romantic Period,Standa...
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 2 - SKU: A0.844709 Composed by H Wieniawski. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 7 pages. Phil Beaman #5311977. Published by Phil Beaman (A0.844709). Wieniawski's Legende is a repertoire standard that was originally written for Violin solo and Orchestra. I have greatly abridged and simplified the piece into a 2 part instrumental duet without losing any of the character of the Romantic piece. I have arranged themes from each of the three sections, keeping the original structure, but taking liberties such as changing phrasing, dynamics, adding my own markings, and even changing the Time Signature in certain passages. I begin with each instrument taking solo turns on the melody and end with a similar cadenza style set of solos for each instrument. The two parts are of equal importance and much of the character is in the interplay between the two instruments. This is a beautiful concert arrangement of a beloved classic.
$5.99 ≈
5.40€
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
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Andrew Cody Williams and Jeff
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Popular Orchestral Excerpt Etu
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Andrew Cody Williams
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SheetMusicPlus
Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cod...
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Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00 ≈
4.51€
Legende-Wieniawski-Chamber duet
Legende-Wieniawski-Chamber duet
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H Wieniawski
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Phil Beaman
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Legende-Wieniawski-Chamber due
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Phil Beaman
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 2 - SKU: A0.844711 Composed by H Wieniawski. Arranged by Phil Beaman. Concert,Romantic Period,St...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 2 - SKU: A0.844711 Composed by H Wieniawski. Arranged by Phil Beaman. Concert,Romantic Period,Standards. Score and parts. 7 pages. Phil Beaman #5313215. Published by Phil Beaman (A0.844711). Wieniawski's Legende is a repertoire standard that was originally written for Violin solo and Orchestra. I have greatly abridged and simplified the piece into a 2 part instrumental duet without losing any of the character of the Romantic piece. I have arranged themes from each of the three sections, keeping the original structure, but taking liberties such as changing phrasing, dynamics, adding my own markings, and even changing the Time Signature in certain passages. I begin with each instrument taking solo turns on the melody and end with a similar cadenza style set of solos for each instrument. The two parts are of equal importance and much of the character is in the interplay between the two instruments. This is a beautiful concert arrangement of a beloved classic.
$5.99 ≈
5.40€
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust. 
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99 ≈
9.91€
Christchurch Alive!
Christchurch Alive!
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Dale Vail
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Christchurch Alive!
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Dale Vail
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
$100.00 ≈
90.20€
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
22.55€
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