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The Protagonist
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Vous avez sélectionné:
The Protagonist
Partitions à imprimer
37 partitions trouvées
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1
26
The Flying Dutchman
The Flying Dutchman
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Classique
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99 ≈
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The Hunt For Red October - Score
The Hunt For Red October - Score
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Film/TV
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Basil Poledouris
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Chris Gorman
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The Hunt For Red October - Sco
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1112374 Composed by Basil Poledouris. Arranged by Chris Gorman. Film/TV. Brass Band. 64 pages. Chris Gorman #714436. Published by Chris Gorman (A0.1112374). The Hunt for Red October is a 1990 American submarine spy thriller film starring Sean Connery, Alec Baldwin, Scott Glenn, James Earl Jones, and Sam Neill. The film is an adaptation of Tom Clancy's 1984 bestselling novel of the same name. It is the first instalment of the film series with the protagonist Jack Ryan. The story is set during the late Cold War era and involves a rogue Soviet naval captain who wishes to defect to the United States with his officers and the Soviet Navy's newest and most advanced ballistic missile submarine, a fictional improvement on the Soviet Typhoon-class submarine. A CIA analyst correctly deduces his motive and must prove his theory to the U.S. Navy before a violent confrontation between the Soviet and the American Navy spirals out of control. This arrangement is a must for all Bands that want to add excitement to their programmes.
$35.00 ≈
$47.25
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Piano Score (Reduced Score)
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Piano Score (Reduced Score)
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Small Ensemble Hand Percussion,Piano Duet - Level 5 - SKU: A0.730491 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 14...
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Small Ensemble Hand Percussion,Piano Duet - Level 5 - SKU: A0.730491 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 140 pages. James Nathaniel Holland #4717661. Published by James Nathaniel Holland (A0.730491). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. Piano Score with Story. Full Orchestral Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$15.95 ≈
$21.53
The Night Window
The Night Window
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Contemporain
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Thomas Newman
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Robert Luke Thompson
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The Night Window
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Monkspath Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1210354 Composed by Thomas Newman. Arranged by Robert Luke Thompson. Classical,Contemporary,Film/TV. Brass Band. 33 pages. Monkspath Music #808128. Published by Monkspath Music (A0.1210354). The Night Window is a hauntingly beautiful instrumental piece that features in Sam Mendes’ World War I film, 1917. Composed by Thomas Newman, the score is a masterpiece of orchestration that captures the emotional intensity of war.This arrangment for Brass Band will work perfectly in any film music concert, or even a Remembrance related event. The Night Window is featured in a pivotal scene where the film's protagonist, Lance Corporal Schofield, takes refuge in an abandoned house during a tense night-time sequence. As Schofield takes a moment to rest and recover from his harrowing journey, he notices a window covered in beautiful stained glass that casts an ethereal glow over the room. The haunting melody of The Night Window begins to play as Schofield reflects on his experiences and contemplates the task ahead of him – saving the lives of sixteen-hundred men. As the title suggests, the music conveys the image of a night scene. The piece begins softly, with a gentle motif that evokes the stillness of the night. As the piece progresses, the music gradually builds in intensity and texture, whilst the camera slowly zooms in on the window, highlighting its beauty and fragility. The piece reaches its climax as Schofield gazes out of the window, and the camera pulls back to reveal the ruins of a once-beautiful town, now ravaged by war. The Night Window perfectly captures the sense of loss and devastation that war brings, while also conveying a glimmer of hope and beauty amid the darkness. A powerful piece of music that perfectly captures the emotions and themes of 1917. Its haunting beauty and evocative melodies make it a standout track in the film's score, and a piece that will linger in the listener's mind long after the credits have rolled.For further pieces, view the Monkspath Music catalogue and click here!
$39.99 ≈
$53.99
Beginning the Quest
Beginning the Quest
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Kat Felicis Ioco
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Beginning the Quest
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Kat Felicis Ioco Productions LLC
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.993091 Composed by Kat Felicis Ioco. 20th Century,Classical,Contest,Festival. Score and parts. 27 pages. Kat Fel...
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Brass Ensemble Horn - Level 4 - SKU: A0.993091 Composed by Kat Felicis Ioco. 20th Century,Classical,Contest,Festival. Score and parts. 27 pages. Kat Felicis Ioco Productions LLC #3909175. Published by Kat Felicis Ioco Productions LLC (A0.993091). Beginning the Quest uses the large range of a quartet of French horns to provide the proudly heroic sound befitting an epic journey. Different sections of the piece highlight the various challenges that a fledgling adventurer faces when embarking on a massive quest, yet the same thematic material continues to appear since the same unflagging spirit rises to overcome each situation. The end of the piece is grandiose but not the end of the expedition; this has merely been enough to establish our protagonist as a hero as they continue their journey.
$18.00 ≈
$24.30
Kommos (Lamentation) / "When the World Moved On" - Timpani
Kommos (Lamentation) / "When the World Moved On" - Timpani
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.72
It's The Hard-knock Life
It's The Hard-knock Life
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Comédie Musicale
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Charles Strouse and Martin Cha
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James Haynor
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It's The Hard-knock Life
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1204379 Composed by Charles Strouse and Martin Charnin. Arranged by James Haynor. Broadway,Musical/S...
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Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1204379 Composed by Charles Strouse and Martin Charnin. Arranged by James Haynor. Broadway,Musical/Show. 10 pages. James Haynor #802859. Published by James Haynor (A0.1204379). It's the Hard Knock Life is a song from the musical Annie] with music by Charles Strouse and lyrics by Martin Charnin The song is sung by the eponymous protagonist, together with her fellow orphan girls, and is about how the girls are treated by Miss Hannigan.This arrangement is scored for clarinet quintet. It is playable by intermediate players and makes a great encore.( Duration - 1:35)Â
$12.99 ≈
$17.54
Beauty And The Beast
Beauty And The Beast
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Film/TV
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Celine Dion & Peabo Bryson
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Ester Alessandrini
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Beauty And The Beast
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ester
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SheetMusicPlus
Small Ensemble Flute,Guitar,Orff Instrument,Piano,Vibraphone,Violin,Voice - Level 2 - SKU: A0.758282 By Celine Dion & Peabo Bryson. By Alan Menken. Arra...
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Small Ensemble Flute,Guitar,Orff Instrument,Piano,Vibraphone,Violin,Voice - Level 2 - SKU: A0.758282 By Celine Dion & Peabo Bryson. By Alan Menken. Arranged by Ester Alessandrini. Film/TV. Score and parts. 28 pages. Ester #3096619. Published by ester (A0.758282). La canzone d'amore dei due protagonisti di una delle favole più belle mai scritte. Rielaborazione per orchestra scolastica
$15.00 ≈
$20.25
Running This Realm
Running This Realm
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Florence
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Florence
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Running This Realm
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Florence
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SheetMusicPlus
Bass Guitar,Bass Voice - Level 3 - SKU: A0.1453115 By Florence. By Florence. Arranged by Florence. 21st Century,Rock. Full Performance. Duration 240. Fl...
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Bass Guitar,Bass Voice - Level 3 - SKU: A0.1453115 By Florence. By Florence. Arranged by Florence. 21st Century,Rock. Full Performance. Duration 240. Florence #1032349. Published by Florence (A0.1453115). Running This Realm is a high-energy song that celebrates individuality, resilience, and unapologetic self-expression. With a blend of confidence and defiance, the lyrics paint a vivid picture of a protagonist who refuses to conform to societal norms. Here’s what makes this song stand out:Unapologetic Attitude: The verses introduce a character who rolls into the beat with ice-cold confidence. They’re unafraid of the spotlight, and their rebellious spirit sets them apart. The lyrics emphasize self-reliance and a refusal to compromise.Rule Breaker: The chorus serves as a rallying cry. The protagonist claims ownership of their world, asserting that they dictate the terms. The use of “punks” and “fools” highlights their disdain for those who question their authority.Mystery and Intrigue: In the second verse, we learn about the protagonist’s MVP status. Their enigmatic persona keeps listeners guessing—what’s their backstory? The reference to “mining my own gold” hints at hidden depths and untold stories.Wild Energy: The bridge amplifies the intensity. The protagonist defies haters, flaunting their bling and grinding relentlessly. The song’s energy mirrors a wildfire, untamed and unstoppable.Empowerment: Overall, “Rebel Anthem” empowers listeners to embrace their uniqueness, rise above adversity, and create their own path. It’s a sonic declaration of independence.
$15.00 ≈
$20.25
FAIREST ISLE from King Arthur by H. Purcell
FAIREST ISLE from King Arthur by H. Purcell
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Henry Purcell
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Alessandro Macrì
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FAIREST ISLE from King Arthur
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 1 - SKU: A0.931279 Composed by Henry Purcell. Arranged by Alessandro Macrì. Baroque,Concert,Film/TV,Standards. Score and ...
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Brass Ensemble Horn - Level 1 - SKU: A0.931279 Composed by Henry Purcell. Arranged by Alessandro Macrì. Baroque,Concert,Film/TV,Standards. Score and parts. 10 pages. Music Macri Editions #6139975. Published by Music Macri Editions (A0.931279). King Arthur, or The British Worthy (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691.The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot (although Merlin does make an appearance). It is a Restoration spectacular, including such supernatural characters as Cupid and Venus plus references to the Germanic gods of the Saxons, Woden, Thor, and Freya. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent.King Arthur is a dramatick opera or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular Your hay it is mow'd, drunk. Secondary characters sing to them, usually as diegetic entertainment, but in Act 4 and parts of Act 2, as supernatural beckonings. The singing in Act 1 is religious observance by the Saxons, ending with their heroic afterlife in Valhalla. The protagonists are actors, as a great deal of King Arthur consists of spoken text. This was normal practice in 17th century English opera. King Arthur contains some of Purcell's most lyrical music, using adventurous harmonies for the day.
$7.00 ≈
$9.45
Der fliegende Holländer
Der fliegende Holländer
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Classique
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder -
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99 ≈
$64.78
Joyce
Joyce
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Peter Eotvos
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Joyce
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Schott Music - Digital
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SheetMusicPlus
Clarinet and string quartet - SKU: S9.Q53550 For clarinet and string quartet. Composed by Peter Eotvos. This edition: score and parts. In seven e...
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Clarinet and string quartet - SKU: S9.Q53550 For clarinet and string quartet. Composed by Peter Eotvos. This edition: score and parts. In seven episodes Joyce musically portrays the erotic reveries of the protagonist Leopold Bloom from chapter 11 of James Joyce's Ulysses. Also available in a version - with lyrics - for soprano and string quartet (The Sirens Cycle, Part I). Downloadable, Score and parts. Duration 20 minutes. Schott Music - Digital #Q53550. Published by Schott Music - Digital (S9.Q53550). As most of my instrumental pieces, Joyce is also based on a literary source. My first string quartet (Korrespondenz) transferred the correspondence between Leopold and Wolfgang Amadeus Mozart, at times word by word, to the world of music, whose strong dramatic character effectively reflects the conflicts between father and son. I found the closest literary references to my second string quartet, which takes its listeners to the world of Odysseus and the sirens, in the works of Joyce, Homer and Kafka. The string quartet is enriched with an additional soprano part, which tells the classic story from three different perspectives. The complete title of my second string quartet is The Sirens Cycle, consisting of three movements: Joyce – Homer – Kafka. The twenty-minute-long duration of the first movement of the cycle “Joyce†allows it to be performed independently. This time, the vocal part accompanied by the strings is replaced by a solo clarinet, which – instead of giving a verbal account of Chapter 11 of Joyce’s Ulysses – renders the quite masculine protagonist, Leopold Bloom’s musing over the attractive barmaids with befittingly vigorous musical gestures. Joyce for clarinet and string quartet immerses in James Joyce’s unique world and typical imaginative word creations, placing them into the world of musical composition. Peter Eötvös.
$66.99 ≈
$90.43
Marionette, a solo cantata for voice and piano
Marionette, a solo cantata for voice and piano
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Leon Gray
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Marionette, a solo cantata for
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Leon Gray
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SheetMusicPlus
Medium Voice,Piano Accompaniment - SKU: A0.1011545 Composed by Leon Gray. Broadway,Contemporary,Jazz,Pop. 40 pages. Leon Gray #3538301. Published by Leo...
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Medium Voice,Piano Accompaniment - SKU: A0.1011545 Composed by Leon Gray. Broadway,Contemporary,Jazz,Pop. 40 pages. Leon Gray #3538301. Published by Leon Gray (A0.1011545). Leon Gray's is proud to release his powerful new solo cantata, 'Marionette' about love, betrayal, pain, anger, growth and restitution. Mixing famous poetry with modern lyrics, the protagonist in this work has his or her heart broken, feels deeply sad, struggles to face daily life and work, then realises that he or she was tricked by the former lover and is now setting off on a new journey of resilience and self- awareness.An entirely dramatic sung and spoken work lasting between 30-40 minutes, the musical style draws on a wide range of elements and traditions, including dramatic pop power ballads, musical theatre 'belters', quirky lounge jazz, contemporary pop and modern classical, all set to a unique harmonic background which is both familiar, but also entirely unique. 'Marionette' offers musical theatre-style performers the chance to really, really explore a wide range of emotions; rage and bitter pain, deep, bleak depression, emotional numbness, quirky self-analysis and powerful determination. Incorporating intimate ballads, raging show-pieces and smooth, relaxed crooning.A great solo recital piece, or a useful addition to a programme of one-act plays.
$25.99 ≈
$35.09
Half Man Half Goat
Half Man Half Goat
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David Osbon
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Half Man Half Goat
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Forton Music - Digital
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SheetMusicPlus
Cl.pft - Intermediate - SKU: F2.FM424 Composed by David Osbon. Clarinet and Piano. Score and part. 14 pages. Forton Music - Digital #FM424. Published by...
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Cl.pft - Intermediate - SKU: F2.FM424 Composed by David Osbon. Clarinet and Piano. Score and part. 14 pages. Forton Music - Digital #FM424. Published by Forton Music - Digital (F2.FM424). ISBN 9790570483235.In the early 1990s I composed a work for clarinet and piano entitled 'The Revenge of Marsyas' which was a very political work inspired by the ancient Greek legend of Apollo, Marsyas and the theft of the 'gift' of music. All of which I discovered whilst working as Music Director on 'The Trackers of Oxyrinchus' at the National Theatre Studio. What I loved about this play, by Tony Harrison, was the brilliant use of comedy for dramatic effect. And that is what I've tried to bring to these two works. In Cabaret Song we have the rather comic antics of Marsyas and his fellow Satyrs then, in Marsyas Dances, the main protagonist - represented by the clarinet - performs a dance that celebrates the liberation of music from the Gods, so that it can be shared amongst the rest of society. It didn't end well for Marsyas, but at least the rest of us get to keep the music!
$7.95 ≈
$10.73
Schubert- Des Baches Wiegenlied for voice and guitar
Schubert- Des Baches Wiegenlied for voice and guitar
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Classique
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Franz Schubert
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Evans, Jack
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it is, after all, a lullaby
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Schubert- Des Baches Wiegenlie
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Jack Stanley Evans
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SheetMusicPlus
Small Ensemble Guitar,High Voice - Level 3 - SKU: A0.964298 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 3 pag...
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Small Ensemble Guitar,High Voice - Level 3 - SKU: A0.964298 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 3 pages. Jack Stanley Evans #5899363. Published by Jack Stanley Evans (A0.964298). Des Baches Weigenlied (The Brook’s Lullaby)This is the final song in Die Schöne Mullerin, and is a lullaby for the travelling miller as he drowns himself in the brook that he followed throughout his journey. The girl he was serenading in Morgengruss did not return his feelings and eventually fell in love with a hunter instead, which is why the miller chooses to commit suicide at the end of the story. Written in strophic form, this song is very repetitive and should be performed in a hypnotic and stately manner, in order to conjure up the image of the gently flowing water rocking the protagonist into an eternal sleep. Des Baches Wiegenlied serves the same role as Der Leiermann, and while they both provide a very bleak conclusion to a song cycle, Des Baches Wiegenlied should create a mood of peaceful sadness and sorrow, rather than the dark desolation of its Winterreise counterpart; it is, after all, a lullaby.This classic Schubert song has been arranged for voice and acoustic guitar in order to provide an alternative accompaniment option for singers who want to perform Schubert’s lieder with guitar instead of piano.
$5.30 ≈
$7.15
Schubert- Erlafsee for voice and guitar
Schubert- Erlafsee for voice and guitar
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Classique
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Franz Schubert
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Evans, Jack
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Schubert- Erlafsee for voice a
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Jack Stanley Evans
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SheetMusicPlus
Small Ensemble Guitar,High Voice - Level 4 - SKU: A0.964299 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 8 pag...
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Small Ensemble Guitar,High Voice - Level 4 - SKU: A0.964299 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 8 pages. Jack Stanley Evans #5899369. Published by Jack Stanley Evans (A0.964299). Erlafsee (Erlaf Lake)This song is an important milestone in Schubert’s career, because it was his first to be published. The text was written by poet, Johann Mayrohfer, Schubert’s fellow Austrian and close friend, and the lyrics describe the experience of sitting beside a lake at sunset. This guitar arrangement is written in E major in the interests of playability, but it can be performed in Schubert’s original key of F major by placing a capo on the first fret, or in the transposition for low voice by detuning the guitar a tone. Bars 4-11 should be played in a languid, lilting manner to represent the mind-set of the protagonist sitting beside the lake. This mood should be imbued with a hint of foreboding at bar 12, before returning to its former lilting tranquillity at bar 18. The opening phrase should combine these two moods, if possible. The vocal line is echoed in the guitar part in bars 19-24; these phrases should be performed with great delicacy so that they reflect the voice. The middle section, which begins at bar 29, should be played slightly faster than the previous sections, and with a brighter feel. The accompanist needs to set up the transition back to the original tempo in bar 77, after which, the same languid, lilting playing style as the first verse should be applied.This classic Schubert song has been arranged for voice and acoustic guitar in order to provide an alternative accompaniment option for singers who want to perform Schubert’s lieder with guitar instead of piano.
$5.50 ≈
$7.42
Kleine Sonne - My little sun - Waltz - Brass Quartet
Kleine Sonne - My little sun - Waltz - Brass Quartet
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Thomas Graf
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Thomas Graf
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Instrumentation:
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Kleine Sonne - My little sun -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.567656 Composed by Thomas Graf. Arranged by Thomas Graf. Children,Concert,Jazz,Musica...
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Brass Ensemble Euphonium,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.567656 Composed by Thomas Graf. Arranged by Thomas Graf. Children,Concert,Jazz,Musical/Show,Pop. Score and parts. 12 pages. Thomas Graf - the-hit-factory.com #34547. Published by Thomas Graf - the-hit-factory.com (A0.567656). This gentle melody is dedicated to Little Sun – the protagonist and main character of the german children's musical Sternentanz http://www.the-hit-factory.com/sternentanz.html. While it is full of warmth and love this chamber music brings out its melancholy and yearning. Instrumentation: Tpt 1/2 in Bb, Trombone, Tuba Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/ - no video .
$8.99 ≈
$12.14
Der junge Törless
Der junge Törless
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Hans Werner Henze
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Der junge Törless
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Schott Music - Digital
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SheetMusicPlus
3 violins, 2 violas and cello - SKU: S9.Q561026 Fantasia for string sextet. Composed by Hans Werner Henze. Music Of Our Time. Downloadable, Study...
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3 violins, 2 violas and cello - SKU: S9.Q561026 Fantasia for string sextet. Composed by Hans Werner Henze. Music Of Our Time. Downloadable, Study score. Duration 15 minutes. Schott Music - Digital #Q561026. Published by Schott Music - Digital (S9.Q561026). Hans Werner Henze has composed several film scores for Volker Schlöndorff's literary adaptations. 'In 1966 I wrote the music of Volker Schlöndorff's first film Der junge Törless. I then thought the sound of the old early instruments that I chose could be understood as a metaphor for the early immature, almost childishly youthful and endangered of the protagonists of Musil's novella. Later I arranged several pieces from the score for string sextet and even made a string orchestra version of it.' (Hans Werner Henze).
$13.99 ≈
$18.89
La Bourrée
La Bourrée
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Michael Praetorius
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Alberto Mandarini
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La Bourrée
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Alm@music
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1491035 Composed by Michael Praetorius. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Ins...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1491035 Composed by Michael Praetorius. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Instructional,Renaissance. 18 pages. Alm@music #1067793. Published by Alm@music (A0.1491035). Brass Ensemble: 3 Trumpets and 2 Trombones - Grade 2.This is also a transcription and a small adaptation of the original score.I chose “La Bourrée” by Michael Praetorius mainly for educational purposes thanks to the not excessive difficulty, but perfect for students with an intermediate level of preparation. Furthermore, the skillful writing of Praetorius and the beauty of this short composition of his, make the piece absolutely suitable to be included in any concert program.Starting from the 4 canonical parts, I focused above all on the redistribution of the voices bringing them to 5 and intervening on the reorganization of the refrains. Always with the utmost respect for the original score, I simply imagined two opposing choirs that alternate, responding to each other and becoming protagonists from time to time, thus replacing the mere repetition of the refrains.The themes, in turn and to the extent possible, were distributed across all the voices using, in some cases, even simple doubling.As in the adaptation of Contrapunctus I by J. S. Bach, ( https://www.sheetmusicplus.com/en/product/contrapunctus-i-from-the-art-of-the-fugue-bwv-1080-22828292.html ) the choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the formation for which I made the transcription.Finally, on a didactic level, this piece was fundamental to consolidate a formation at the first experiences and allowed me to deepen the salient aspects of ensemble music such as listening, musical breathing and interplay in its broadest sense.To the individual parts, as usual, I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, to decide whether to replace it or double it directly.The total duration is about 2 minutes and 20 seconds and the midi audio should be useful to get an idea of the arrangement and to be able to study the individual parts.Good Music!am.
$4.99 ≈
$6.74
Slip-stream
Slip-stream
4 Percussions
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Contemporain
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Howard Skempton
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Slip-stream
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Oxford University Press Digital
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SheetMusicPlus
Percussion ensemble (4 players) - SKU: OX.9780193202740 Composed by Howard Skempton. Score. 8 pages. Oxford University Press Digital #9780193202740. Pub...
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Percussion ensemble (4 players) - SKU: OX.9780193202740 Composed by Howard Skempton. Score. 8 pages. Oxford University Press Digital #9780193202740. Published by Oxford University Press Digital (OX.9780193202740). ISBN 9780193202740.For percussion ensemble (4 players). Slip-stream was composed for Ensemble Bash. The vibraphone is the protagonist, opening the work with a melodic idea which serves as a refrain. Elsewhere, the glockenspiel and vibraphone are held together in a ghostly dance to the accompaniment of the gentle wash of three suspended cymbals.
$19.99 ≈
$26.99
Eurydice to Orpheus
Eurydice to Orpheus
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Robert A
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Eurydice to Orpheus
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Robert A. Howard
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.998870 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pag...
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High Voice,Vocal Solo - Level 3 - SKU: A0.998870 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Robert A. Howard #6348473. Published by Robert A. Howard (A0.998870). This short song for soprano and piano sets a poem by Robert Browning. The work principally uses the octatonic scale in a series of scalic semiquaver figurations, mainly in the right hand of the piano part. They seek to depict the sense of panic in the protagonist Eurydice as she seeks to see the face of her beloved, Orpheus. The declamatory vocal line develops a small number of key phrases and motifs. Meanwhile, the left hand of the piano part provides rhythmic interplay and interjects with occasional staccato bare fifths and octaves. The piece is appropriate for most standards of solo female voice whilst the piano accompaniment is best suited to advanced players.
$5.99 ≈
$8.09
Schubert- Morgengruss for voice and guitar
Schubert- Morgengruss for voice and guitar
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Classique
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Franz Schubert
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Evans, Jack
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Schubert- Morgengruss for voic
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Jack Stanley Evans
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SheetMusicPlus
Small Ensemble Guitar,High Voice - Level 4 - SKU: A0.964297 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 2 pag...
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Small Ensemble Guitar,High Voice - Level 4 - SKU: A0.964297 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 2 pages. Jack Stanley Evans #5899359. Published by Jack Stanley Evans (A0.964297). Morgengruss (Morning Greetings) Die Schone Mullerin was Schubert’s first song cycle and an essential cornerstone in the genre of art songs. It tells the story of a young miller who is on a journey in search of work after completing his apprenticeship. He follows a brook flowing through the countryside, which leads him to a mill where he can seek employment. However, upon meeting the daughter of the mill’s owner, he quickly falls in love with her. This is the eighth song in the cycle and serves as an interlude. It shows the protagonist serenading the miller’s daughter, but he is concerned that his greetings might disturb her because she turns away from him. The narrative does not make clear if this exchange between the two characters is real, or if it all takes place inside the protagonist’s head. Despite his misgivings, the mood of this song is serene and fairly joyful. The triplets at the end of each verse represent the brook, which is present throughout the entire song cycle.This classic Schubert song has been arranged for voice and acoustic guitar in order to provide an alternative accompaniment option for singers who want to perform Schubert’s lieder with guitar instead of piano.
$5.30 ≈
$7.15
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Co...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95 ≈
$26.93
Debussy: Piano Preludes Bk.2 No 9. Hommage à S. Pickwick Esq. P.P.M.P.C. - symphonic wind dectet
Debussy: Piano Preludes Bk.2 No 9. Hommage à S. Pickwick Esq. P.P.M.P.C. - symphonic wind dectet
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Classique
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Claude Debussy
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RayThompsonMusic
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Debussy: Piano Preludes Bk.2 N
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.662443 Composed by Claude Debussy. Arranged by RayThompsonMusic. 20th Century. Score and parts. 16 pages. RayThompson...
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Large Ensemble - Level 3 - SKU: A0.662443 Composed by Claude Debussy. Arranged by RayThompsonMusic. 20th Century. Score and parts. 16 pages. RayThompsonMusic #271338. Published by RayThompsonMusic (A0.662443). 9..Hommage à S. Pickwick Esq. P.P.M.P.C. Debussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres. The prelude's title refers to the protagonist of Charles Dickens' The Pickwick Papers – P.P.M.P.C. stands for Perpetual President Member of the Pickwick Club. The piece is characteristic for its eccentric shifts in expression and often melancholy or sentimental tone. It is also notable for incorporating the opening refrain from God Save the Queen. A performance lasts approximately two and a half minutes.
$14.95 ≈
$20.18
Aura Lee
Aura Lee
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Folklorique/Traditionel
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George R
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Alex Nunes Rodrigues
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Aura Lee
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Alex Rodrigues
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SheetMusicPlus
Choral Choir - Level 2 - SKU: A0.1264034 Composed by George R. Poulton. Arranged by Alex Nunes Rodrigues. Folk. Octavo. 7 pages. Alex Rodrigues #856944....
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Choral Choir - Level 2 - SKU: A0.1264034 Composed by George R. Poulton. Arranged by Alex Nunes Rodrigues. Folk. Octavo. 7 pages. Alex Rodrigues #856944. Published by Alex Rodrigues (A0.1264034). Aura Lee is an American folk song that gained popularity in the 19th century. With a sweet and romantic melody, the song evokes a feeling of love and nostalgia. The lyrics describe a beloved person as a celestial aura that brightens the protagonist's life. The beauty and simplicity of the melody have made Aura Lee a beloved song that has been frequently performed by musicians over the years. Its enchanting melody and sentimental lyrics continue to captivate listeners and convey a sense of tenderness and affection.
$1.99 ≈
$2.69
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The Protagonist
