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The Static Age
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26
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
£23.31
Love Was My Lord and King!: 3. Crossing the Bar (Downloadable TTBB Chamber Orchestra Score)
Love Was My Lord and King!: 3. Crossing the Bar (Downloadable TTBB Chamber Orchestra Score)
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Gwyneth W
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Love Was My Lord and King!: 3.
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Choir and various instruments - SKU: MQ.6506-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6506-E. Published by E. ...
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Choir and various instruments - SKU: MQ.6506-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6506-E. Published by E. C. Schirmer Music Company - Digital (MQ.6506-E). Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king. *Sound recording provided by the High School Mens's Honor Choir, Robert Ward, conductor (Southwestern ACDA Conference 2014)
$13.15 ≈
£10.24
Crossing the Bar from Love Was My Lord and King! (Downloadable TTBB Choral Score)
Crossing the Bar from Love Was My Lord and King! (Downloadable TTBB Choral Score)
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Gwyneth W
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Crossing the Bar from Love Was
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, chamber orchestra (strings: 5-5-3-3-3) or piano - Medium - SKU: MQ.6373-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Comp...
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TTBB choir, chamber orchestra (strings: 5-5-3-3-3) or piano - Medium - SKU: MQ.6373-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #6373-E. Published by E. C. Schirmer Music Company - Digital (MQ.6373-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
$2.65 ≈
£2.06
Other Echoes Inhabit the Garden
Other Echoes Inhabit the Garden
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Contemporain
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William Grosvenor Neil
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Other Echoes Inhabit the Garde
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Small Ensemble Bass Clarinet,Pipa - Level 5 - SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStu...
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Small Ensemble Bass Clarinet,Pipa - Level 5 - SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536). Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time. I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powersof music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN
$35.00 ≈
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Responsory: O felix anima, from the Anonymous 4 album "The Origin of Fire" - Score Only
Responsory: O felix anima, from the Anonymous 4 album "The Origin of Fire" - Score Only
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Anonymous 4
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Susan Hellauer
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Responsory: O felix anima, fro
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Susan Hellauer
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SheetMusicPlus
SKU: A0.878619 By Anonymous 4. By Hildegard Von Bingen. Arranged by Susan Hellauer. Early Music,Medieval,New Age,Religious,Sacred. 4 pages. Susan Hellau...
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SKU: A0.878619 By Anonymous 4. By Hildegard Von Bingen. Arranged by Susan Hellauer. Early Music,Medieval,New Age,Religious,Sacred. 4 pages. Susan Hellauer #6264447. Published by Susan Hellauer (A0.878619). Plainchant Responsory by Hildegard of Bingen from Anonymous 4's recording The Origin of Fire:Â 2005, harmonia mundi 907327). Duration: 6' 40. This chant was written for the Divine Office in honor of the 7th-century Irish missionary St. Disibod, who founded a monastery near Bingen. It features the ecstatic spirituality and rhapsodic musical gesture that mark the longer works of this 12th-century German nun, author, mystic and musician. Includes translation, performance note, and detailed description of the transcription procedures.
$1.99 ≈
£1.55
The Beach (Samba) by Roger Davidson
The Beach (Samba) by Roger Davidson
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Roger Davidson
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The Beach
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Musica Universalis Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985898 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 3...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985898 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 3 pages. Musica Universalis Publishing #3009335. Published by Musica Universalis Publishing (A0.985898). From the CD Brazilian Love Song by Roger Davidson Quintet (Soundbrush Records)Featuring eighteen original compositions, including bossa novas, sambas and chorinhos, Brazilian Love Song, is an exhilarating showcase for one of the most versatile composers in music today.The generous sampling of 18 songs (all composed by Davidson) range form the ecstatic to the most intimate Latin statements about the vagaries of the emotion of love. This is music to dance to, to sit and absorb in a quiet place, or to stir your emotions to overload. Grady Harp AMAZON.COMwww.soundbrush.com/album/brazilian-love-song/
$1.99 ≈
£1.55
Prayer For The World (Bossa Nova) by Roger Davidson
Prayer For The World (Bossa Nova) by Roger Davidson
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Roger Davidson
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Prayer For The World
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Musica Universalis Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985892 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 2...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985892 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 2 pages. Musica Universalis Publishing #3009315. Published by Musica Universalis Publishing (A0.985892). From the CD Brazilian Love Song by Roger Davidson Quintet (Soundbrush Records)Featuring eighteen original compositions, including bossa novas, sambas and chorinhos, Brazilian Love Song, is an exhilarating showcase for one of the most versatile composers in music today.The generous sampling of 18 songs (all composed by Davidson) range form the ecstatic to the most intimate Latin statements about the vagaries of the emotion of love. This is music to dance to, to sit and absorb in a quiet place, or to stir your emotions to overload. Grady Harp AMAZON.COMwww.soundbrush.com/album/brazilian-love-song/
$1.99 ≈
£1.55
Piano Trio No 1
Piano Trio No 1
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Contemporain
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David F Golightly
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Piano Trio No 1
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Modrana Music Publishers Ltd
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers Ltd #3002975. Published by Modrana Music Publishers Ltd (A0.966297). The Piano Trio no 1 was commissioned, premiered and recorded by the Fenice Trio in 2002. This substantial piano trio contained much of Golightly's symbolism and is festooned with the composers use of DFG codes. Stylistically, it represents a landmark in the genre development of Golightly, linked as it is to much of the melodic and harmonic language of his first symphony. I highly personal work it is only for the most advanced piano trios. The duration is 26 minutes. Score and parts.Review. Piano Trio Letters of Regret. (2001/2)David Golightly's piano trio Letters of Regret was commissioned by The Fenice Trio, composed during the summer of 2001 and completed in February 2002. The first performance took place at the Middlesbrough Theatre in June 2002. The work is in three movements (Demon, Angel and Regrets). Demon, the shortest movement of the work, opens with a rhythmical gesture from the piano, soon joined by the strings. This moderately fast movement is actually some sort of whimsical Allegretto sometimes of Russian flavour. Reviewing David's First Symphony, the composerArthur Butterworth remarked that Golightly might well be a British Shostakovich.Indeed, the Piano Trio calls the Russian composer to mind, particularly so in this slightly ironic movement that rises up to a short-lived ghostly climax abruptly cut short. Angel opens mysteriously with ethereal static string textures softly punctuated by the piano. Later, the string's sustained notes are gently accompanied by piano arpeggios. Then the strings, and later the piano, make some unsuccessful attempts at a tune, hesitantly so and with some glissandi contradicting the attempted melody. Eventually, the cello, followed by the violin, launches a sorrowful lyrical song, still disrupted by nervous interjections eventually short-lived.The Angel movement, though remains emotionally and harmonically ambiguous throughout. It too ends unobtrusively. The Demon and Angel movements actually act as a twofold introduction to the last movement. Regrets that is some sort of theme and seven variations, a series of letters, written but not sent,as the composer remarks. This predominantly lyrical, often nostalgic movement is the emotional heart of what is obviously a deeply personal statement on the composer's part. Golightly's Piano Trio is a superbly crafted, beautifully moving work, not unworthy its models(Shostakovich or John Ireland), and a highly personal, quite accessible work of substance that deserves wider recognition and that should be eagerly picked-up by trios willing to add a new substantial work to their repertoire.Hubert Culot. British Music Society
$40.00 ≈
£31.14
Another Day
Another Day
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Pilar Miralles
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Sten Kallman
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Another Day
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBarBarBB chorus - SKU: BJ.1428 Hatten ramlade av. I lost my hat. Composed by Pilar Miralles. Arranged by Sten Kallman. Award-winner! Secular. O...
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TTBarBarBB chorus - SKU: BJ.1428 Hatten ramlade av. I lost my hat. Composed by Pilar Miralles. Arranged by Sten Kallman. Award-winner! Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1428. Published by Bo Ejeby Forlag - Digital (BJ.1428). 8.27 x 11.7 inches.Winner of the 1st prize in Linkopings Studentsangare Composition Award 2020! This four-minutes piece for male voice choir in six parts opposes chords with the darkest and the brighter sound in different moments, as well as static and dynamic sections throughout the entire work, all of this due to the contraposition that the lyrics present: the text can be understood as an irony related to the current situation of reality observed from our usually comfortable lifes. - Maria de Pilar Miralles Castillo.
$3.60 ≈
£2.80
Static Ripples
Static Ripples
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Margaret Brandman
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Static Ripples
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Jazzem Enterprises
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.939241 Composed by Margaret Brandman. 20th Century,Contemporary. Score and parts. 12 pages. Jazzem E...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.939241 Composed by Margaret Brandman. 20th Century,Contemporary. Score and parts. 12 pages. Jazzem Enterprises #3618661. Published by Jazzem Enterprises (A0.939241). Piano Duet for one piano – four hands A contemporary, yet tuneful, minÂÂimalist piece. Features of the piece are 1) the rippling effect created by a slight phasing using irregular rhythmic units between the parts 2) various interesting harmonic effects created by the use of Pentatonic and Lydian scales, the fifth mode of the harmonic minor scale and bi-tonality. 3) A more rhapsodic contrasting section with a rippling figure in one part, over which a rhythmically free counter-melody floats. This meditative section allows for freedom of interpretation.
$5.95 ≈
£4.63
The Ritual - A Folk Fantasia (score and parts)
The Ritual - A Folk Fantasia (score and parts)
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Aris Antoniades
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The Ritual - A Folk Fantasia
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Aris Antoniades
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SheetMusicPlus
Large Ensemble Celesta,Cello,Clarinet,Double Bass,Flute,Guitar,Hand Percussion,Harp,Violin - Level 3 - SKU: A0.942952 Composed by Aris Antoniades. Conte...
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Large Ensemble Celesta,Cello,Clarinet,Double Bass,Flute,Guitar,Hand Percussion,Harp,Violin - Level 3 - SKU: A0.942952 Composed by Aris Antoniades. Contemporary,Folk,World. Score and parts. 92 pages. Aris Antoniades #4996771. Published by Aris Antoniades (A0.942952). The Ritual - A Folk Fantasia (2015) for Chamber Ensemble Composed by Aris AntoniadesInstrumentation: Flute, Clarinet, Bendir, Guitar, Harp, Celesta, Violin, Violoncello, ContrabassRunning time: approx. 10'The Ritual is a fantasia based on Greek folk rhythms and idioms. The piece tries to musically depict the experience of a traveler who witnesses a pagan ritual. The strange ceremony takes place around a bonfire at a cold and distant mountain settlement. Masked people burst into a frenzy of dance and ecstatic priests pray to their gods. As the ritual progresses, the traveler’s mind becomes misty. Soon he transcends reality and enters a strange world-a world of dreams, a world of fantasy. There he discovers hidden spiritual treasures that will change his life forever. Finally, his spirit gets pulled back into his body while the natives continue their dance and end the ritual. The piece combines heterophonic dance elements (representing the secular part of the ritual) with strict contrapuntal writing, including a double canon (representing transcendence to the spiritual world).Cover Design - Dimitris I. StivarosWebsite: www.arisantoniades.com
$40.00 ≈
£31.14
Let It Be
Let It Be
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Noël
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99 ≈
£3.11
Firefly Elegy
Firefly Elegy
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Contemporain
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Gilad Cohen
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Firefly Elegy
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Gilad Cohen
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Harp,Viola,Violin - Level 5 - SKU: A0.898932 Composed by Gilad Cohen. Contemporary. Score and parts. 148 pages. Gilad Cohe...
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Small Ensemble Cello,Clarinet,Harp,Viola,Violin - Level 5 - SKU: A0.898932 Composed by Gilad Cohen. Contemporary. Score and parts. 148 pages. Gilad Cohen #4286339. Published by Gilad Cohen (A0.898932). Firefly Elegy uses a 12-note melodic theme, which through the course of the piece undergoes a series of transformations - mirroring the metamorphosis that takes place over a firefly's brief life span. The piece comprises four sections that reflect the four life stages of the firefly. During the motionless egg stage, some types of fireflies glow dimly; the opening section of the piece (following a short fanfare of flashing-light) is likewise static and calm, while at the same time features an internal motion hinting at subdued energy. The following groovy section is at times aggressive, not unlike the firefly during its larva stage, when it is hunting and digesting insects using special enzymes. The firefly hibernates through the pupa stage - reflected in the third section of the piece by seemingly everlasting sustained chords in the strings. Like a flash of light, each new phrase begins with an ascending scale, while the harp provides groups of repeated notes, recalling the synchronized flashes that are found in groups of tropical fireflies. Firefly Elegy ends with an elegy in which the now mature firefly looks back at its life. It has gone through such an extensive journey but only long enough to mate and lay eggs, sometimes without feeding during its adult stage. In the summertime, I often watch the firefly in his lonely flutter, flashing about and looking for a mate so he can complete the sole purpose of his short life before dying away. He must sometimes look back and wonder: was it all worth it?
$20.00 ≈
£15.57
Momentum - For Vibraphone & Electronics
Momentum - For Vibraphone & Electronics
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Paul Emmett
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Momentum - For Vibraphone &
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Paul Emmett
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SheetMusicPlus
Instrumental Duet,Synthesizer,Vibraphone - Level 4 - SKU: A0.1235343 By Paul Emmett. By Paul Emmett. 21st Century,Contemporary. 8 pages. Paul Emmett #83...
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Instrumental Duet,Synthesizer,Vibraphone - Level 4 - SKU: A0.1235343 By Paul Emmett. By Paul Emmett. 21st Century,Contemporary. 8 pages. Paul Emmett #830880. Published by Paul Emmett (A0.1235343). Momentum takes us on a journey to explore the hidden potential of the fixed metallic bars of the vibraphone in a live electroacoustic performance. Composed for the extraordinarily talented multi-percussionist Rosie Clark, currently studying performance at the University of Nottingham, and in demand across the country with a variety of ensembles and collaborating with Rosie to bring this composition to life has been an exciting and educational experience.The inspiration for Momentum came while watching a video of the Frankfurt based percussionist, composer, and lecturer, Max Gaertner. In the footage, Gaertner demonstrated the art of pitch bending a note on a vibraphone, and in that moment the idea for this composition was born.In Momentum, we delve into the intriguing concept that seemingly static metallic bars possess the ability to move and transform within this musical context. This can occur either through the physical manipulation of the performer, or by the technical wizardry of the technician. These bars which are often viewed as fixed entities thus reveal their hidden dynamism, allowing for a world of musical possibilities.Enhancing this idea of motion, Momentum incorporates a further extended technique of bowing causing the bars to resonate with an ethereal vibrancy. Pairing this effect with spectral effects through plugins by Michael Norris in Ableton Live amplify the kinetic energy of the composition. The performer also moves a handheld microphone over the bars, capturing their sounds in real-time motion.Paul Emmett - May 2023.
$15.00 ≈
£11.68
Seven Serapés for Six Pianos (Parts only)
Seven Serapés for Six Pianos (Parts only)
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Igor Korneitchouk
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Seven Serapés for Six P
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at...
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Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at the Post (A0.1124743). Parts only (see A725494 for Score). Duration: 22 – 24 minutes, Six Parts between 12 – 16 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$5.02 ≈
£3.91
Seven Serapés for Six Pianos - Score Only
Seven Serapés for Six Pianos - Score Only
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Igor Korneitchouk
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Seven Serapés for Six P
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio a...
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Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio at the Post (A0.1125661). Score only (see A725501 for Parts). Duration: 22 – 24 minutes, 217 pp. reduced to 108 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$9.03 ≈
£7.03
Piece for Flute, Clarinet, Violin and Cello
Piece for Flute, Clarinet, Violin and Cello
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Contemporain
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Scott Anthony Shell
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Piece for Flute, Clarinet, Vio
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Tikadori Music
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Violin - Level 4 - SKU: A0.976439 Composed by Scott Anthony Shell. 20th Century,Contemporary. Score and parts. 29 pa...
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Small Ensemble Cello,Clarinet,Flute,Violin - Level 4 - SKU: A0.976439 Composed by Scott Anthony Shell. 20th Century,Contemporary. Score and parts. 29 pages. Tikadori Music #548961. Published by Tikadori Music (A0.976439). Full score with parts. Composition date 2014 -- Approx duration = 8:15 -- PROGRAM NOTES: -- This piece explores and combines various composition techniques that are of interest to me. One is the interruption of expectation in regards to the perception of time and timelessness, where the listener is expecting something to happen, and when it appears like something is about to change, it is only a tease and it goes back to a static state. Another is my interest in utilizing tonality and dissonance as equal in the palette of sound options. Another interest is showcasing the virtuosity of the performers with interesting and challenging solos, that not only require individual dexterity, but also a tightness among the performers. And finally, just the joy of the sounds these four instruments create together. Contact me: info@scottanthonyshell.com.
$10.00 ≈
£7.78
Chamber Symphony
Chamber Symphony
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Publish...
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Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00 ≈
£42.82
Hello
Hello
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Pop musique
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Adele
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Nick Halsey
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Hello
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Nick Halsey
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SheetMusicPlus
Small Ensemble Cello - Level 4 - SKU: A0.815225 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Nick Halsey. Pop. Score and parts. 17 pages. Nic...
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Small Ensemble Cello - Level 4 - SKU: A0.815225 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Nick Halsey. Pop. Score and parts. 17 pages. Nick Halsey #5030193. Published by Nick Halsey (A0.815225). for Cello Ensemble (4 parts) This arrangement features the first cello part as the soloist, so double that part last. The first verse should be played with only one cellist per part, with the entire ensemble joining for the first chorus at bar 23. It is imperative that the ensemble balance blends so that cello 1 part is considerably louder than the other parts. Every part is in the middle register during the verses while the choruses showcase the cello's upper register. The lower register is used sparingly to maintain a relatively static atmosphere in the music.This arrangement includes a nine-page score and four two-page parts. Duration is approximately 4:20 at the indicated tempo. More cello ensemble sheet music by Nick Halsey is available at https://celloexpressions.com/music/
$12.99 ≈
£10.11
In A Garden Of Orchids (Bossa Nova) by Roger Davidson
In A Garden Of Orchids (Bossa Nova) by Roger Davidson
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Musica Universalis Publishing
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In A Garden Of Orchids
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Musica Universalis Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985890 Composed by Musica Universalis Publishing. Jazz,Latin,World. Sco...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985890 Composed by Musica Universalis Publishing. Jazz,Latin,World. Score and parts. 2 pages. Musica Universalis Publishing #3009309. Published by Musica Universalis Publishing (A0.985890). From the CD Brazilian Love Song by Roger Davidson Quintet (Soundbrush Records)Featuring eighteen original compositions, including bossa novas, sambas and chorinhos, Brazilian Love Song, is an exhilarating showcase for one of the most versatile composers in music today.The generous sampling of 18 songs (all composed by Davidson) range form the ecstatic to the most intimate Latin statements about the vagaries of the emotion of love. This is music to dance to, to sit and absorb in a quiet place, or to stir your emotions to overload. Grady Harp AMAZON.COMwww.soundbrush.com/album/brazilian-love-song/
$1.99 ≈
£1.55
Dream (Samba) by Roger Davidson
Dream (Samba) by Roger Davidson
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Roger Davidson
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Dream
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Musica Universalis Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985887 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 3...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985887 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 3 pages. Musica Universalis Publishing #3009303. Published by Musica Universalis Publishing (A0.985887). From the CD Brazilian Love Song by Roger Davidson Quintet (Soundbrush Records)Featuring eighteen original compositions, including bossa novas, sambas and chorinhos, Brazilian Love Song, is an exhilarating showcase for one of the most versatile composers in music today.The generous sampling of 18 songs (all composed by Davidson) range form the ecstatic to the most intimate Latin statements about the vagaries of the emotion of love. This is music to dance to, to sit and absorb in a quiet place, or to stir your emotions to overload. Grady Harp AMAZON.COMwww.soundbrush.com/album/brazilian-love-song/
$1.99 ≈
£1.55
Sonhos Verdadeiros (Bossa Nova) by Roger Davidson
Sonhos Verdadeiros (Bossa Nova) by Roger Davidson
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Roger Davidson
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Sonhos Verdadeiros
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Musica Universalis Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985896 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 2...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985896 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 2 pages. Musica Universalis Publishing #3009331. Published by Musica Universalis Publishing (A0.985896). From the CD Brazilian Love Song by Roger Davidson Quintet (Soundbrush Records)Featuring eighteen original compositions, including bossa novas, sambas and chorinhos, Brazilian Love Song, is an exhilarating showcase for one of the most versatile composers in music today.The generous sampling of 18 songs (all composed by Davidson) range form the ecstatic to the most intimate Latin statements about the vagaries of the emotion of love. This is music to dance to, to sit and absorb in a quiet place, or to stir your emotions to overload. Grady Harp AMAZON.COMwww.soundbrush.com/album/brazilian-love-song/
$1.99 ≈
£1.55
Sua Dança (Samba) by Roger Davidson
Sua Dança (Samba) by Roger Davidson
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Roger Davidson
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Sua Dança
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Musica Universalis Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985897 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 3...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985897 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 3 pages. Musica Universalis Publishing #3009333. Published by Musica Universalis Publishing (A0.985897). From the CD Brazilian Love Song by Roger Davidson Quintet (Soundbrush Records)Featuring eighteen original compositions, including bossa novas, sambas and chorinhos, Brazilian Love Song, is an exhilarating showcase for one of the most versatile composers in music today.The generous sampling of 18 songs (all composed by Davidson) range form the ecstatic to the most intimate Latin statements about the vagaries of the emotion of love. This is music to dance to, to sit and absorb in a quiet place, or to stir your emotions to overload. Grady Harp AMAZON.COMwww.soundbrush.com/album/brazilian-love-song/
$1.99 ≈
£1.55
Samba Da Sarah (Samba) by Roger Davidson
Samba Da Sarah (Samba) by Roger Davidson
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Roger Davidson
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Samba Da Sarah
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Musica Universalis Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985893 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 3...
(+)
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985893 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 3 pages. Musica Universalis Publishing #3009321. Published by Musica Universalis Publishing (A0.985893). From the CD Brazilian Love Song by Roger Davidson Quintet (Soundbrush Records)Featuring eighteen original compositions, including bossa novas, sambas and chorinhos, Brazilian Love Song, is an exhilarating showcase for one of the most versatile composers in music today.The generous sampling of 18 songs (all composed by Davidson) range form the ecstatic to the most intimate Latin statements about the vagaries of the emotion of love. This is music to dance to, to sit and absorb in a quiet place, or to stir your emotions to overload. Grady Harp AMAZON.COMwww.soundbrush.com/album/brazilian-love-song/
$1.99 ≈
£1.55
Longing For You (Bossa Nova) by Roger Davidson
Longing For You (Bossa Nova) by Roger Davidson
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Roger Davidson
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Longing For You
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Musica Universalis Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985888 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 2...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985888 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 2 pages. Musica Universalis Publishing #3009311. Published by Musica Universalis Publishing (A0.985888). From the CD Brazilian Love Song by Roger Davidson Quintet (Soundbrush Records)Featuring eighteen original compositions, including bossa novas, sambas and chorinhos, Brazilian Love Song, is an exhilarating showcase for one of the most versatile composers in music today.The generous sampling of 18 songs (all composed by Davidson) range form the ecstatic to the most intimate Latin statements about the vagaries of the emotion of love. This is music to dance to, to sit and absorb in a quiet place, or to stir your emotions to overload. Grady Harp AMAZON.COMwww.soundbrush.com/album/brazilian-love-song/
$1.99 ≈
£1.55
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The Static Age
