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You Can't Take It With You
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Vous avez sélectionné:
You Can't Take It With You
Partitions à imprimer
65 partitions trouvées
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1
26
51
Can't Take My Eyes Off Of You
Can't Take My Eyes Off Of You
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Frankie Valli
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Cristian Ordoñez
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Can't Take My Eyes Off Of You
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Cristian Ordonez
#
SheetMusicPlus
Small Ensemble Cello,Drums,Flute,Viola,Violin - Level 3 - SKU: A0.935267 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Cristian Ordoñez....
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Small Ensemble Cello,Drums,Flute,Viola,Violin - Level 3 - SKU: A0.935267 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Cristian Ordoñez. Oldies. Score and parts. 13 pages. Cristian Ordonez #6091153. Published by Cristian Ordonez (A0.935267). The best way to play a song is with these arrangements. I take care of reviewing each note and that it sounds excellent when you play.You can subscribe to my YouTube Channel. https://www.youtube.com/channel/UCuNZR396zEgqdZzBbEzdcIgYou can also get access to my Patreon-only feed supporting my work and be the first to find out when I post new arrangements. https://www.patreon.com/CristianDavid.
$12.99 ≈
11.72€
They Can't Take That Away From Me from THE BARKLEYS OF BROADWAY from SHALL WE DANCE
They Can't Take That Away From Me from THE BARKLEYS OF BROADWAY from SHALL WE DANCE
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Contemporain
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Frank Sinatra
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Robert E
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They Can't Take That Away From
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R. E. Proctor
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Double Bass,Drum Set,Flute,Guitar,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Double Bass,Drum Set,Flute,Guitar,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - SKU: A0.809829 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Robert E. Proctor. 20th Century. Score and parts. 44 pages. R. E. Proctor #3483669. Published by R. E. Proctor (A0.809829). An arrangement of They Can't Take That Away From Me for Jazz or Dance band with or without vocalist. This arrangement contains optional parts for additional configuration for your ensemble (optional parts are oboe, 4 horns in F, violins 1 and 2, viola, cello, double bass). Duration is 3:43. It can be preformed with or without vocalist. The score is configured for jazz band. The accompanying recording uses an oboe for the vocal solo. None of the optional parts are included in the recording.
$17.95 ≈
16.19€
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
(+)
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.51€
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
(+)
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50 ≈
6.76€
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.51€
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.51€
Can't Take My Eyes Off Of You
Can't Take My Eyes Off Of You
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Rock
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Frankie Valli
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DIXON mus-IC
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Can't Take My Eyes Off Of You
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Rammy Music
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SheetMusicPlus
Instrumental Duet,Piano,Voice - SKU: A0.793772 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by DIXON mus-IC. Rock. 3 pages. Rammy Music #4579...
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Instrumental Duet,Piano,Voice - SKU: A0.793772 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by DIXON mus-IC. Rock. 3 pages. Rammy Music #4579409. Published by Rammy Music (A0.793772). This is a lead sheet based on the Andy Williams version. It is in C major throughout.The chart includes a notated vocal line with lyrics and a piano accompaniment line. The piano part consists of a simple notated accompaniment as well as chord symbols if you wish to create your own accompaniment.The part is laid out very clearly and includes form indicators - verse / chorus etc. as well as rehearsal letters for ease of reference.The chart follows the Andy Williams version very closely with the addition of a simple ending, instead of the fade out, to facilitate live performance. The chart could also be used by other rhythm section instruments as a guide part.
$4.99 ≈
4.50€
Can't Stop The Feeling from TROLLS
Can't Stop The Feeling from TROLLS
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Justin Timberlake
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Gary D
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Can't Stop The Feeling from TR
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DR GARY D BELSHAW
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.796737 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Ga...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.796737 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Gary D. Belshaw (ASCAP). Dance,Pop. 40 pages. DR GARY D BELSHAW #4301061. Published by DR GARY D BELSHAW (A0.796737). For Advanced Intermediate Flute Choir. 40 pages, including one sample part page for display here. Duration: 3 minutes.This uptempo, disco- and soul-pop number with punk influences debuted as Justin Timberlake's fifth U. S. No. 1 single and is one of the top 20 longest running No. 1 singles on the Adult Contemporary chart. This arrangements spreads the almost uncontrollable joy among all the players in your ensemble, and its appeal will be to young and old alike. It's difficult enough to wow and yet accessible enough for pop-music lovers and arts aficionados alike. An optional cut from Rehearsals C to I makes this an ideal encore on a recruiting or publicity tour: short, but...wow!Look for opportunities for percussive and/or beatbox sounds throughout.Thank you for considering this work; your reviews of my work are really important to me. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus). A like on this Sheet Music Plus page will be deeply appreciated.Take pride in your copy of this work. 1. Avoid cheap 20-lb office supply paper. Invest a couple extra bucks in some 22- or 24-lb. paper. 2. Avoid bright white sheets: look for beige, tan, or natural paper. 3. Always use a smooth-finish paper stock. 4. One final thought: if you have access to a printer or copier that will take 9 x 12 stock, your pages will be more like traditional printed music in size. Obtaining paper stock with the other elements listed above will result in music sheets that would look startling similar to products from long-established publishing houses.
$14.99 ≈
13.52€
The Stars and Stripes Forever - xylophone cue for You Can't Take it With You John Philip Sousa Xylophone Performance Broadway,Patriotic,Americana
The Stars and Stripes Forever - xylophone cue for You Can't Take it With You John Philip Sousa Xylophone Performance Broadway,Patriotic,Americana
1.99
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The Stars and Stripes Forever
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SheetMusicPlus
- SamuelStokesMusic.com - -
- SamuelStokesMusic.com - -
$1.99 ≈
1.79€
All The Things You Are
All The Things You Are
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - SKU: A0.1101492 By Jack Leonard with Tommy Dorsey Orchestra. By Jerom...
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A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - SKU: A0.1101492 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Chamber,Film/TV,Instructional,Jazz,Musical/Show. 10 pages. Davi Rocha Campos #704858. Published by Davi Rocha Campos (A0.1101492). All the Things You Are for voice, Bb clarinet, A clarinet, guitar, accordion. Words & music by Oscar Hammerstein li and Jerome Kern. Como ler os acidentes na Partitura How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.
$12.99 ≈
11.72€
The Dying Swan/March Funèbre (basic version) - xylophone cue for You Can't Take it With You Camille Saint-Saëns, Frédéric Chopin
The Dying Swan/March Funèbre (basic version) - xylophone cue for You Can't Take it With You Camille Saint-Saëns, Frédéric Chopin
Performance
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The Dying Swan/March Funèbre
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SheetMusicPlus
- Romantic Period,Broadway - Available Instantly -
- Romantic Period,Broadway - Available Instantly -
$1.99 ≈
1.79€
Für Elise - xylophone cue for You Can't Take it With You Ludwig van Beethoven Xylophone Performance Classical Period,Broadway
Für Elise - xylophone cue for You Can't Take it With You Ludwig van Beethoven Xylophone Performance Classical Period,Broadway
1.99
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Für Elise - xylophone cue for
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SheetMusicPlus
- SamuelStokesMusic.com - -
- SamuelStokesMusic.com - -
$1.99 ≈
1.79€
Entry of the Gladiators - xylophone cue for You Can't Take it With You Julius Fucik Xylophone Performance Broadway,European
Entry of the Gladiators - xylophone cue for You Can't Take it With You Julius Fucik Xylophone Performance Broadway,European
1.99
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Entry of the Gladiators - xylo
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SheetMusicPlus
- SamuelStokesMusic.com - -
- SamuelStokesMusic.com - -
$1.99 ≈
1.79€
Over the Waves Waltz (Sobre las Olas) - xylophone cue for You Can't Take it With You Juventino Rosas Xylophone Performance Folk,Old-time
Over the Waves Waltz (Sobre las Olas) - xylophone cue for You Can't Take it With You Juventino Rosas Xylophone Performance Folk,Old-time
1.99
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Over the Waves Waltz
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SheetMusicPlus
- SamuelStokesMusic.com - -
- SamuelStokesMusic.com - -
$1.99 ≈
1.79€
Ode to Joy (intermediate version) - xylophone cue for You Can't Take it With You Ludwig van Beethoven Xylophone Performance Classical Period,Broadway
Ode to Joy (intermediate version) - xylophone cue for You Can't Take it With You Ludwig van Beethoven Xylophone Performance Classical Period,Broadway
1.99
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Ode to Joy
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SheetMusicPlus
- SamuelStokesMusic.com - -
- SamuelStokesMusic.com - -
$1.99 ≈
1.79€
The Dying Swan/March Funèbre (intermediate version) - xylophone cue for You Can't Take it With You Camille Saint-Saëns, Frédéric Chopin
The Dying Swan/March Funèbre (intermediate version) - xylophone cue for You Can't Take it With You Camille Saint-Saëns, Frédéric Chopin
Performance
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The Dying Swan/March Funèbre
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SheetMusicPlus
- Romantic Period,Broadway - Available Instantly -
- Romantic Period,Broadway - Available Instantly -
$1.99 ≈
1.79€
Big Girls Don't Cry
Big Girls Don't Cry
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Fergie
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Amphibia Cultural Legacy
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Big Girls Don't Cry
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Acoustic Guitar,Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn...
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Strings Acoustic Guitar,Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium-High Voice,Oboe,Piano and Keyboard,Steel Guitar,String Synthesizer,Trumpet,Tuba - SKU: A0.1179134 By Fergie. By Stacy Ferguson and Toby Gad. Arranged by Amphibia Cultural Legacy. Broadway,Comedy,Musical/Show,New Age,Pop,Spiritual. 13 pages. Amphibia Cultural Legacy #779105. Published by Amphibia Cultural Legacy (A0.1179134). Big Girls Don't Cry one of the most iconic tracks from Fergie's solo career. The song has been remixed and covered countless times, but Amphibia Cultural Legacy's version stands out. The group has put its spin on this classic track by adding additional instruments that take it to a new level.Amphibia Cultural Legacy's version of Big Girls Don't Cry starts with a beautiful guitar intro that sets the tone for the rest of the song. As soon as the vocals kick in, you can feel the emotion pouring out of every note. Adding strings and piano throughout the track adds depth and texture not present in Fergie's original version.Overall, Amphibia Cultural Legacy has done an incredible job with its rendition of Big Girls Don't Cry.
$80.00 ≈
72.15€
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)
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Edwin Penhorwood
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You Are Not Dying, Madame from
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Solo voices, piano - Medium - SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Pu...
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Solo voices, piano - Medium - SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$50.00 ≈
45.09€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bass Trombone
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bass Trombone
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1018890 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjam...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1018890 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056111. Published by Benjamin Sajo (A0.1018890). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Timpani
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Timpani
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018893 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018893 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056117. Published by Benjamin Sajo (A0.1018893). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Triangle, Cymbals, Bass Drum
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Triangle, Cymbals, Bass Drum
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Multi-Percussion,Percussion Solo - Level 5 - SKU: A0.1018892 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benja...
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Multi-Percussion,Percussion Solo - Level 5 - SKU: A0.1018892 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056119. Published by Benjamin Sajo (A0.1018892). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
With You
With You
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Bruce Joel Rubin, David Allan
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Harry Haden-Brown
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With You
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Harry Haden-Brown
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SheetMusicPlus
Small Ensemble Cello,Piano,Voice - Level 2 - SKU: A0.781244 Composed by Bruce Joel Rubin, David Allan Stewart, and Glen Ballard. Arranged by Harry Haden...
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Small Ensemble Cello,Piano,Voice - Level 2 - SKU: A0.781244 Composed by Bruce Joel Rubin, David Allan Stewart, and Glen Ballard. Arranged by Harry Haden-Brown. Film/TV,Pop. Score and parts. 3 pages. Harry Haden-Brown #2991331. Published by Harry Haden-Brown (A0.781244). Cello accompaniment to the gorgeous song from 'Ghost' the musical. To be played with the piano accompaniment and a singer, this cello melody takes reference from the original cast recording, and also helps to thicken the texture and add more depth to any performance of With You.The part has clear vocal cues to ensure a smooth performance, and is simple - it can be performed by a beginner cellist, or an experienced musician will make the simple but beautiful counter-melodies sing along with the performer.If you are performing this song, and know a cellist, don't miss this opportunity to make it even more special!To request this accompaniment for other instruments, more strings and larger custom ensembles, e-mail harryhadenbrown@gmail.com
$4.99 ≈
4.50€
Seven Days Without Prayer
Seven Days Without Prayer
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David Kai
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,C...
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99 ≈
1.79€
Take The Long Way Home
Take The Long Way Home
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Rock
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Supertramp
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Derek Hasted
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Take The Long Way Home
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. Score and parts. ...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. Score and parts. 24 pages. Derek Hasted #6345113. Published by Derek Hasted (A0.797818). TAKE THE LONG WAY HOME (Supertramp) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is an arrangement for 4 guitars (or a large ensemble) of Supertramp’s 'Take The Long Way Home'.The original is nothing less than spectacular, running for a full 5 minutes with verse, chorus and instrumental breaks, and utilising rich orchestration and texture. I’ve captured all of the material in my arrangement, changing the key just slightly so that the shapes and melody are comfortable, and simplifying one or two non-guitar-friendly progressions in the breaks. The bass-line and harmony are close to the original. Guitar 4 could be played an octave lower on a contra guitar, although I’ve used subharmonics in the opening to give the illusion of a deeper bass than a guitar can manage.In order to make the piece music-stand-friendly, I’ve needed to use repeat marks meaning that the second verse has the same bass-line as the first, but a simple change in volume will provide a suitable feeling of building as the piece progresses. The opening section needs to imitate the indefinite sustain of high-pitched violins. By using harmonics across all four parts, and interleaving the repetitions, we can get a convincing sustain (or plucking at random times across the parts, or even a tremolo would also create the illusion of indefinite sustain). But if it doesn’t work in your ensemble, simply start the piece at A and omit all harmonics from that point onwards.My arrangement will suit an intermediate ensemble. Parts 3 and 4 are slightly easier, but skilled players on these lines can make magic happen by a confident use of articulation to shape the music’s texture.I hope you enjoy performing this!
$4.99 ≈
4.50€
Won't You Take Care of Me
Won't You Take Care of Me
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Holiyo
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Won't You Take Care of Me
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Holyone Tombari Dodoh
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SheetMusicPlus
Rhythm Section 2-Part Chorus,Voice - Level 5 - SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul. Vocal Jazz Ens...
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Rhythm Section 2-Part Chorus,Voice - Level 5 - SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul. Vocal Jazz Ensemble. 35 pages. Holyone Tombari Dodoh #1007362. Published by Holyone Tombari Dodoh (A0.1426660). Lyrics:I see you don't care, You don't care. I see you don't care. Won't you take care of me? Won't you take care of me? Won't you take care of me? I used to be your keeper,Was always there for you all time,And if you cried,I'd hold you,Close to my heart and whisper,You are the best thing in this world,My little sweet,Cry no more.Now, won't you take care of me? Won't you take care of me? Won't you take care of me? You needed me,I was there,I could not leave you there alone.My little love,You got me.You called to me;Teach me all,I was so glad to show you all,My little dear,Know it all.And when you're scared,I held you,I said, My baby, I'm right here.I prayed to God,Keep my love!But now, won't you take care of me?Won't you take care of me?Won't you take care of me?My little sweet,My happiness,I will never forget.Now a grown-up,Now you don't care,Never remember me? I just need you here with me.I cannot do it on my own,My little best,You've so grown.I need you to understand;I will not be here for so long,My little sweet,I need you now!So now, won't you take care of me? Won't you take care of me? Won't you take care of me?
$6.90 ≈
6.22€
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You Can't Take It With You
