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Peg Trombone 1
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Vous avez sélectionné:
Peg Trombone 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
6 partitions trouvées
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1
PEG O' MY HEART - Trumpet, Trombone & tuba (unaccompanied)
PEG O' MY HEART - Trumpet, Trombone & tuba (unaccompanied)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Fred Fisher
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Glen Poehlmann
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PEG O' MY HEART - Trumpet, Tro
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arrangements by GPoehlmann
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1137002 Composed by Fred Fisher. Arranged by Glen Poehlmann. Broadway,Musical/Show,Standards,Tr...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1137002 Composed by Fred Fisher. Arranged by Glen Poehlmann. Broadway,Musical/Show,Standards,Traditional. Score and parts. 5 pages. Arrangements by GPoehlmann #736993. Published by arrangements by GPoehlmann (A0.1137002). PEG O' MY HEART - for Trumpet, Trombone & Tuba (unaccompanied) Popular Song from 1913 arranged for a Brass Trio (unaccompanied) Medium in Difficulty (Grade 3) 35 measures. Performance Time approx. 1:45 Key: C. Meter: 4/4 Instrument Ranges (C4=middle C): Bb Trumpet E4 - F#5 (written) Trombone A2 - F#4 Tuba C2 - E3 Parts included (PDF): Score, Bb Trumpet, Trombone, tuba.
$4.75 ≈
$6.48
Symphony for Organ No. 5 - Toccata: For Brass Octet
Symphony for Organ No. 5 - Toccata: For Brass Octet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Charles Marie Widor
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Chris Blankenship
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Symphony for Organ No. 5 - Toc
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C Blankenship
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.899600 Composed by Charles Marie Widor. Arranged by Chris Blankenship. Classical,Graduation,Rom...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.899600 Composed by Charles Marie Widor. Arranged by Chris Blankenship. Classical,Graduation,Romantic Period,Wedding. Score and parts. 41 pages. C Blankenship #3578365. Published by C Blankenship (A0.899600). The Symphony for Organ No. 5 in F minor, Op. 42, No. 1, was composed by Charles-Marie Widor in 1879, with numerous revisions published by the composer in later years. The fifth movement, in F major, is often referred to as just Widor's Toccata because it is his most famous piece. It lasts around six minutes. Its fame in part comes from its frequent use as recessional music at festive Christmas and wedding ceremonies. The melody of Widor's Toccata is based upon an arrangement of rapid staccato arpeggios which form phrases, initially in F, moving in fifths through to C major, G major, etc. Each phrase consists of one bar. The melody is complemented by syncopated chords, forming an accented rhythm against the perpetual arpeggio motif. The phrases are contextualized by a descending bass line, often beginning with the 7th tone of each phrase key.Blankenship's arrangement for brass octet takes advantage of the trumpets' ranges by voicing the arpeggiated motif in only these parts and allowing it to be passed back and forth (this also means that it can be customized to be performed by as few as 1 or as many as 4 trumpeters). As a tubist, Blankenship has written a very demanding bass part that is not for the faint of heart; it can be played 8va but does not present the same effect.
$25.00 ≈
$34.08
Voices of Spring Waltz op. 410 by J. Strauss II
Voices of Spring Waltz op. 410 by J. Strauss II
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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Alessandro Macrì
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1881)
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Voices of Spring Waltz op. 410
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,F...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 38 pages. Music Macri Editions #5871333. Published by Music Macri Editions (A0.931268). Voices of Spring (Voci di Primavera) op. 410, è un valzer di Johann Strauss (figlio).Nell'inverno del 1882-83 il compositore fu invitato a comporre un valzer vocale per il celebre soprano austriaco Bianca Bianchi (il cui vero nome era Bertha Schwarz), al tempo un acclamato membro del Wiener Hopfoperntheater (Teatro dell'opera reale di Vienna).Il valzer fu eseguito per la prima volta al Theater an der Wien il 1º marzo 1883 ad un concerto di beneficenza per la fondazione degli indigenti dell'Impero austro-ungarico fondata dall'imperatore Francesco Giuseppe e dall'imperatrice Elisabetta.Strauss, dopo il successo che aveva ottenuto con i suoi valzer corali, fu felice di scrivere un brano per sola voce e il librettista Richard Genée, che aveva già collaborato con il compositore nell'operetta Eine Nacht in Venedig (Una notte a Venezia) del 1883, scrisse anche il testo per il nuovo valzer.L'autunno del 1882 vide Strauss impegnato a Budapest per curare la prima rappresentazione dell'operetta Der lustige Krieg (L'allegra Guerra; 1881). Durante lo svolgimento di una delle serate in onore della visita del musicista viennese, fu Strauss stesso ad esibirsi al pianoforte con un altro degli illustri ospiti della serata: Franz Liszt. I due compositori si conoscevano già molto bene da almeno 30 anni (Strauss aveva dedicato il suo valzer Abschieds-Rufe op. 179 a Liszt nel gennaio del 1856) e si incontrarono in numerose altre occasioni. Fu questa visita che fornì l'ispirazione per la scrittura del valzer Frühlingsstimmen.Successivamente il valzer venne arrangiato da Johann in versione solamente orchestrale e fu eseguito in questa forma, oggi celeberrima, da Eduard Strauss durante uno dei suoi concerti al Musikverein nel 1883.Nel 1934 il valzer fu riutilizzato per l'operetta postuma (con musiche di Strauss jr.) Die Tänzerin Fanny Elßler.Durante il Concerto di Capodanno del 1987, Herbert von Karajan, inserì nel programma il valzer Frühlingsstimmen eseguendolo nella versione vocale originale con il soprano Kathleen Battle.
$15.00 ≈
$20.45
Rosen aus dem Süden op. 388 waltz
Rosen aus dem Süden op. 388 waltz
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Classique
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Johann Strauss Jr
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Alessandro Macrì
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Rosen aus dem Süden op. 3
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931272 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,F...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931272 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 47 pages. Music Macri Editions #6076475. Published by Music Macri Editions (A0.931272). Rosen aus dem Süden (Rose del Sud) op. 388, è un valzer di Johann Strauss (figlio).«È stata una serata movimentata, la sala era gremita e tutti erano in attesa di poter ascoltare il nuovo lavoro del nostro Strauss, che oggi può godere del raro titolo di nostro, il massimo superlativo per un artista!»(Fremdenblatt)Così scrisse il giornale Fremdenblatt (3 ottobre) in sede di riesame del grande successo alla prima dell'operetta di Johann Strauss Das Spitzentuch der Königin (Il fazzoletto di pizzo della regina), che ebbe la sua prima al Theater an der Wien di Vienna il 1º ottobre 1880.Il compositore stesso, nonostante il favore con il quale la sua operetta venne accolta da pubblico e critica, era convinto che non avrebbe goduto di un successo duraturo. Ma Strauss non aveva alcun dubbio al riguardo del valzer, Rosen aus dem Süden, che aveva frettolosamente assemblato da motivi dell'operetta. L'edizione per pianoforte venne pubblicata dal suo editore, Cranz, appena quattro giorni dopo la prima del lavoro.L'onore di condurre la prima rappresentazione di Rosen aus dem Süden toccò al fratello Johann, Eduard Strauss, ancora impegnato in un tour di concerti in Germania quando vi fu la prima dell'operetta, che il 7 novembre lo eseguì durante uno dei concerti della domenica pomeriggio diretti da Eduard al Musikverein.Il valzer racchiude al suo interno alcune delle più belle arie dell'operetta, due arie che già avevano ricevuto la lode alla prima rappresentazione furono quella del re nel primo atto Stets kommt mir wieder in den Sinn (il ritornello che Strauss sostenne di aver dovuto riscrivere per ben 12 volte) e la romanza di Cervantes del secondo atto Wo die Wilde erblht Rose.
$17.00 ≈
$23.18
The Shadow Of Your Smile
The Shadow Of Your Smile
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Johnny Mandel
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Diego Marani
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The Shadow Of Your Smile
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527613 Composed by Johnny Mandel. Arranged by Diego Marani. Contemporary,Film/TV,Instructi...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527613 Composed by Johnny Mandel. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Jazz,Pop. Score and parts. 9 pages. Diego Marani #3019143. Published by Diego Marani (A0.527613). The Shadow of Your Smile, also known as Love Theme from The Sandpiper, is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. In 2004 the song finished at #77 in AFI's 100 Years...100 Songs poll of the top tunes in American cinema.Well-known versions of the song were recorded by Barbra Streisand (on her 1965 album My Name Is Barbra, Two...), singer Shirley Bassey (on her 1966 album I've Got a Song for You), Andy Williams, Chris Montez, Percy Faith, Rita Reys, Al Martino, Perry Como, Nancy Sinatra, Astrud Gilberto, Peggy Lee, Sammy Davis, Jr., Sarah Vaughan and Frank Sinatra.This arrangement for brass quartet includes the followings parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba. It is suitable for repertoire, classroom and recital.
$19.99 ≈
$27.25
Moonlight Sonata by Beethoven for Brass Quartet
Moonlight Sonata by Beethoven for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quartet - Level 3 - SKU: A0.1261906 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 1...
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Brass Quartet - Level 3 - SKU: A0.1261906 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 14 pages. Woods Only, Arrangements #854990. Published by Woods Only, Arrangements (A0.1261906). This arrangement adapted for brass quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
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