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Vous avez sélectionné:
Daniel C
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Five Miniatures for the Aspiring Brass Quintet, Op. 134
Five Miniatures for the Aspiring Brass Quintet, Op. 134
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Dr
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Five Miniatures for the Aspiri
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https://gildedmusicpress.com/
#
SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages. Https://gildedm...
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Brass Quintet - Level 2 - SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages. Https://gildedmusicpress.com/ #1066349. Published by https://gildedmusicpress.com/ (A0.1489486). This collection of short compositions for brass quintet was conceived specifically to supplement a dearth of appropriate and artistic original compositions for the young aspiring brass quintet. These pieces are most fitting for a good high school quintet or a beginning college ensemble that wants a conquerable challenge. With a variety of keys, styles, and tempos, they lend themselves well for deep work on the core ensemble skills of rhythmic accuracy, intonation, and dynamic balance. These brief works are also quite enjoyable for the professional quintet to perform for ever-popular school shows, or simply to read as a warmup with the focus of improving ensemble skills. Performance time for all five pieces is approximately five minutes.“Blackhawk” (duration 0:45) was originally composed in D-sharp minor as a melody to be used in Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 39). The quintet version is in concert D minor for more manageable execution. This brisk four-four work is perhaps the most difficult in the collection, with demands of multiple tonguing for all the instruments as well as fairly advanced intervallic jumps. “Lamb of God” (duration 1:00) is one of many hymn tunes originally composed by Dr. Thrower for use in Comprehensive Trumpet Skills, Book 7: Ensemble Skills (p. 54), intended to be used to tune unisons and octaves. As a tuning study it was published in the key of F major for B-flat trumpet, or concert E-flat major. The quintet version retained the original key of concert E-flat. The reverently subdued four-four tempo makes this the easiest piece in the collection, technically, though the three core ensemble skills listed in the introductory paragraph (rhythm, intonation, and balance) must still be extensively addressed. The horn part is perhaps the most demanding in “Lamb of God,” with arpeggiated discant lines toward the end.“Summer Solstice” (duration 1:10) was started on June 21, 2023, which was the summer solstice. It is a bright, cheerful piece in concert F major with a lot of interest in all the parts. One source of the title’s inspiration came from my family’s new situation living in Tokyo, Japan, where the dawn sky brightens around 4:00 AM on the longest days of the year, which obviously coincide with the summer solstice. The 70-second piece was completed four days after conception while the long days started at their earliest.“Triumph: Children’s March” (duration 1:00) was the catalyst for this collection. It started as a cute little brass quintet piece in the key of concert B-flat major, to be performed for children, such as for school concerts. The cut-time tempo is very brisk for a march, but animated little legs (or a more manageable audience activity of clapping hands) can easily handle the task. Although the first trumpet part ends up on a high C, there is an alternate note for a more comfortable ending.“Waltzing Puma” (duration 0:30) is an evocative title for an evocative piece. Like “Blackhawk,” this melody was composed as a melody for Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 36). The melodies in that series took on titles of military aircraft, and this one was the helicopter “Puma.” Since this tune is in a fast three-four, it became the “Waltzing Puma.” The quintet version retains the original key of concert F minor.
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Wedding March
Wedding March
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Classique
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Felix Jakob Ludwig
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Peet du Toit
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Wedding March
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1393426 Composed by Felix Jakob Ludwig (dp) Mendelssohn Bartholdy and Gary Loyd Boren. Arra...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1393426 Composed by Felix Jakob Ludwig (dp) Mendelssohn Bartholdy and Gary Loyd Boren. Arranged by Peet du Toit. Romantic Period. 14 pages. Peet du Toit #976937. Published by Peet du Toit (A0.1393426). Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.At weddings in many Western countries, this piece is commonly used as a recessional, though frequently stripped of its episodes in this context. It is frequently teamed with the Bridal Chorus from Richard Wagner's opera Lohengrin, or with Jeremiah Clarke's Prince of Denmark's March, both of which are often played for the entry of the bride.The first time that Mendelssohn's Wedding March was used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.An organ on which Mendelssohn gave recitals of the Wedding March, among other works, is housed in St Ann's Church in Tottenham.
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