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Vous avez sélectionné:
Duke Ellington
intermédiaire
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
10 partitions trouvées
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It Don't Mean A Thing for Brass Quintet
It Don't Mean A Thing for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Diego Marani
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It Don't Mean A Thing for Bras
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Diego Marani
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SheetMusicPlus
By Duke Ellington. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani (H0.142903-409150). - Score,Set of Parts - - Diego Marani...
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By Duke Ellington. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani (H0.142903-409150). - Score,Set of Parts - - Diego Marani
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington, with lyrics by Irving Mills, now accepted as a jazz standard, characterized by jazz historian Gunther Schuller as "now legendary", "a prophetic piece and a prophetic title". The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra for Brunswick Records (Br 6265) on February 2, 1932. This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone and Tuba. It is suitable for repertoire, classroom and recital.
$22.99
Mood Indigo for Brass Quintet
Mood Indigo for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Diego Marani
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Mood Indigo for Brass Quintet
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Diego Marani
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SheetMusicPlus
By Duke Ellington. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani (H0.141981-557400). - Score,Set of Parts - - Diego Marani...
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By Duke Ellington. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani (H0.141981-557400). - Score,Set of Parts - - Diego Marani
The marvelous jazz composition of Duke Ellington's mastery transcribed for Brass Quintet (set of parts includes Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba). This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$18.90
Duke Ellington: Do Nothin' Till You Hear from Me (COMPLETE) - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Virtualsheetmusic
Instantly printable sheet music by Duke Ellington for brass quintet of MEDIUM skill level. / jazz,standards
Instantly printable sheet music by Duke Ellington for brass quintet of MEDIUM skill level. / jazz,standards
$13.99
C Jam Blues for Brass Quintet
C Jam Blues for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
In A Sentimental Mood
In A Sentimental Mood
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Gary Fladmoe (ASCAP)
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In A Sentimental Mood
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Gary Fladmoe
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.831286 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Gary Fladmoe (ASCAP). Jazz. S...
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Brass Ensemble - Level 3 - SKU: A0.831286 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Gary Fladmoe (ASCAP). Jazz. Score and parts. 13 pages. Gary Fladmoe #3538179. Published by Gary Fladmoe (A0.831286). A setting of the Duke Ellington classic for brass quintet. Duration: 4:22. Playable by intermediate musicians. Both Bb and C trumpet parts are included.
$15.00
In A Sentimental Mood
In A Sentimental Mood
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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John Groves
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In A Sentimental Mood
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John Groves
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.783541 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arra...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.783541 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by John Groves. Jazz. Score and parts. 10 pages. John Groves #6400833. Published by John Groves (A0.783541). In A Sentimental Mood - arranged for Brass Quintet2 Bb TrumpetsHorn in FTromboneTubaIncludes Score and parts.
$16.99
Don?t Get Around Much Anymore (for Brass Quintet)
Don?t Get Around Much Anymore (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Kenneth Abeling
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Don?t Get Around Much Anymore
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
By Duke Ellington. Arranged by Kenneth Abeling. Score, Set of Parts. 19 pages. Published by LINCOLN MUSIC PUBLICATIONS (H0.324275-200875). - Score,Set of Parts ...
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By Duke Ellington. Arranged by Kenneth Abeling. Score, Set of Parts. 19 pages. Published by LINCOLN MUSIC PUBLICATIONS (H0.324275-200875). - Score,Set of Parts - - LINCOLN MUSIC PUBLICATIONS
$14.99
Swing Along! for Brass Quintet
Swing Along! for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Will Marion Cook
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Charles Decker
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Swing Along! for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99
The Charleston (1923) for Brass Quintet
The Charleston (1923) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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James P
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Charles Decker
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The Charleston
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1276031 Composed by James P. Johnson. Arranged by Charles Decker. 20...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1276031 Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Ragtime. 21 pages. Charles Decker Music Press #867780. Published by Charles Decker Music Press (A0.1276031). From the Music of Black Composers Series at Charles Decker Music Press is the “The Charleston†which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild†to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a brass quintet of two B-flat trumpets with alternate C trumpet parts, horn in F with a substitute flugelhorn part, trombone or euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.â€Â Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.99
Don't Get Around Much Anymore for Brass Quintet ''Jazz for 5 Brass Series''
Don't Get Around Much Anymore for Brass Quintet ''Jazz for 5 Brass Series''
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Duke Ellington
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Keith Terrett
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Don't Get Around Much Any
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Casio
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SheetMusicPlus
By Duke Ellington. Arranged by Keith Terrett. For Brass Quintet. 20th Century,Jazz,Swing. Intermediate. Score,Set of Parts. 8 pages. Published by Casio ...
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By Duke Ellington. Arranged by Keith Terrett. For Brass Quintet. 20th Century,Jazz,Swing. Intermediate. Score,Set of Parts. 8 pages. Published by Casio
$14.99
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