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Classical Finale for Brass Quintet
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Vous avez sélectionné:
Classical Finale for Brass Quintet
avancé
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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Classical Finale for Brass Quintet
Classical Finale for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Bob Delfausse
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Classical Finale for Brass Qui
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Robert Delfausse
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.766947 Composed by Bob Delfausse. Concert,Contemporary,Standards. Score and parts. 38 pages. Robert Delfausse #234337...
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Brass Ensemble - Level 4 - SKU: A0.766947 Composed by Bob Delfausse. Concert,Contemporary,Standards. Score and parts. 38 pages. Robert Delfausse #2343373. Published by Robert Delfausse (A0.766947). This piece could be subtitled Homage to Haydn, as I found myself using many aspects of his musical language: clear phrasing and form, unexpected turns, ideas that develop into new ideas, sections of fugue, etc. I call it a finale because it has the same energy as most of his symphonies' final movements. It is suitable for advanced intermediate and professional quintets. It would work well anywhere in a recital, but especially at the end. Duration: 4 minutes, 39 seconds. .
$20.00 ≈
£15.48
Valor (for Brass Quintet & Percussion)
Valor (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gi...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95 ≈
£15.44
Miscellaneous: Valentine Collection (parts) for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Miscellaneous
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Virtualsheetmusic
This is an exclusive arrangements for brass quintet of MEDIUM/HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: love songs, spanish romance, canon in d, moonlight sonata, air on g, the swan, clair de lune, claire de lu...
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This is an exclusive arrangements for brass quintet of MEDIUM/HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: love songs, spanish romance, canon in d, moonlight sonata, air on g, the swan, clair de lune, claire de lune, nocturne,liebestraume, jeux interdits, giochi proibiti, morning mood, pathetique, swan lake finale / classical,french
$19.99 ≈
£15.47
Variations on a Theme of Josef Haydn (arr. for Brass Quintet)
Variations on a Theme of Josef Haydn (arr. for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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P
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Variations on a Theme of Josef
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Pete Strohm Music
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SheetMusicPlus
Level 4 - SKU: A0.928135 Composed by Johannes Brahms. Arranged by P. F. Strohm. Chamber,Classical,Contest,Festival,Romantic Period. 68 pages. Pete Stroh...
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Level 4 - SKU: A0.928135 Composed by Johannes Brahms. Arranged by P. F. Strohm. Chamber,Classical,Contest,Festival,Romantic Period. 68 pages. Pete Strohm Music #5041117. Published by Pete Strohm Music (A0.928135). Variations on a Theme of Josef Haydn is one of Brahms' most popular works, expertly arranged here for Brass Quintet by American composer P. F. Strohm. Brahms wrote this piece (Op. 56) in the summer of 1873, first for two pianos then as an orchestral work. It is well-known for its unique five-measure phrasing of the chorale, which is used throughout the piece. Brahms kept this basic structure while developing the material in each variation, creating ten related-but-separate musical gems. This works out well for brass players, as individual variations range from just under a minute to just over three minutes for the finale. The piece is a joy to perform. The variations can be combined at will to fit performer skills for recitals, concerts and contests. Played in its entirety, Variations on a Theme of Josef Haydn is a striking concert showpiece with a typical performance time of 17:50. This third edition of the arrangement has uses a new font, clarifies some accidentals, and improves the part layouts. Difficulty level for the piece varies between Medium and Medium-Advanced. Member, ASCAP.
$18.95 ≈
£14.67
FINALE from MAHLER's 2nd SYMPHONY (Resurrection Symphony)
FINALE from MAHLER's 2nd SYMPHONY (Resurrection Symphony)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gustav Mahler
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Mark F
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FINALE from MAHLER's 2nd SYMPH
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Mark Adler Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1215722 Composed by Gustav Mahler. Arranged by Mark F. Adler. Chamber,Classical,Easter. 30 ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1215722 Composed by Gustav Mahler. Arranged by Mark F. Adler. Chamber,Classical,Easter. 30 pages. Mark Adler Music #812449. Published by Mark Adler Music (A0.1215722). Starting with the brass choral from the last movement of Mahler's 2nd Symphony, this arrangement builds to Mahler's magnificent conclusion. Timed at about 4:30, this arrangement is ideal for a Sunday morning prelude....especially at Easter! This arrangement is scored for brass quintet, organ and timpani.
$25.00 ≈
£19.35
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