Partitions Numériques de Trip Or Die pour Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

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Trip Or Die
Non classifié 85

Piano & claviers
Piano seul 19
Piano, Voix et Guitare 3
1 Piano, 4 mains 2
Piano, Voix 2
Accompagnement Piano 1

2 Pianos, 4 mains 1
2 Accordéons 1
Orgue 1

+ 3 instrumentations

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Guitares
Guitare 2
Basse electrique 1
3 Guitares (trio) 1
Ligne De Mélodie, (Paroles) et Accords 1
Guitare notes et tablatures 1

Voix
Chorale SATB 9
Chorale 2 parties 4
Chorale Unison 2
Voix haute 1

Vents
Quintette de Saxophone: 5 saxophones 6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 5
Flûte traversière 4
Quatuor de Clarinettes: 4 clarinettes 3
Quatuor de Flûtes : 4 flûtes 2

Quintette de Flûte : 5 flûtes 2
Ensemble de Clarinettes 2
Saxophone Alto 2
Flûte, Clarinette et Basson 2
Flûte, Hautbois, Clarinette, Basson 2
Saxophone Alto et Piano 2
Ensemble de saxophones 1
Ensemble de Flûtes 1
Flûte traversière et Piano 1
Saxophone (partie séparée) 1
Cor Anglais 1
Hautbois, Piano (duo) 1
2 Flûtes traversières (duo) 1
Quatuor de Saxophones: 4 saxophones 1
3 Saxophones (trio) 1
Clarinette et Piano 1
2 Saxophones (duo) 1
Hautbois (partie séparée) 1
Saxophone Soprano et Piano 1

+ 19 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 9
Ensemble de Trompettes 3
Trompette 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2

2 Trombones (duo) 2

Trombone et Piano 2
Ensemble de Trombones 2
Cor 1
Trompette, Trombone (duo) 1
Cor Anglais 1
2 Euphoniums et 2 Tubas 1
2 Tubas (duo) 1
Trompette, Piano 1
Tuba 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Quatuor de cuivres: 4 trombones 1

+ 11 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 13
Violon 4
Violon, Violoncelle (duo) 4
Trio à Cordes: 2 violons, violoncelle 4
Ensemble de Violons 2

Violoncelle 2
Harpe 2
Trio à Cordes: violon, alto, violoncelle 2
Violoncelle, Piano 1
Alto seul 1
Alto, Piano 1
Violoncelle (partie séparée) 1
Violon (partie séparée) 1
Violoncelle , Guitare (duo) 1

+ 9 instrumentations

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Percussions & orchestre
Orchestre à Cordes 12
Orchestre 9
Orchestre d'harmonie 8
Orchestre de chambre 4
Ensemble de cuivres 2

Ensemble de Percussions 2
Piano et Orchestre 1
Percussion (partie séparée) 1
Fanfare 1

+ 4 instrumentations

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Trip Or Die

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

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2 partitions trouvées

Mozart: Requiem in D Minor K626 III.Sequenz No.4 Recordare - brass quintet

Mozart: Requiem in D Minor K626 III.Sequenz No.4 Recordare - brass quintet #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE/AVANCÉ #Classique #Wolfgang Amadeus Mozart #Ray Thompson #Mozart: Requiem in D Minor K62 #RayThompsonMusic #SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1110352 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 21 pag...(+)

Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1110352 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 21 pages. RayThompsonMusic #712690. Published by RayThompsonMusic (A0.1110352). Arranged standard brass quintet. Alt alto hn in Eb provided for Horn, and Euphonium in Treble Clef for trombone. The music has been spread throughout, to avoid a constant tutti! Using A euphonium instead of a trombone will give a smoother sound! The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756â€“1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver SÃ¼ssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is no 4 of the Sequenz Recordare At 130 measures, the Recordare (Remember) is the work's longest movement, as well as the first in triple meter the movement is a setting of no fewer than seven stanzas of the Dies irae. The form of this piece is somewhat similar to sonata form, with an exposition around two themes (mm. 1â€“37), a development of two themes (mm. 38â€“92) and a recapitulation (mm. 93â€“98). It suits the brass quintet. Section III of the requiem is titled â€œSequenzâ€ (sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet â€œAve Verum Corpusâ€ K618.

$4.95 ≈ £3.70

The Fightin' 55th (for Brass Quintet & Percussion)

The Fightin' 55th (for Brass Quintet & Percussion) #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE/AVANCÉ #Dr #The Fightin' 55th #https://gildedmusicpress.com/ #SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Http...(+)

Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wingâ€”â€œThe Fightinâ€™ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the â€œAir Force Songâ€ most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the â€œTrioâ€ section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of â€œAnchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the â€œMarch Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of â€œsonata formâ€, and even the modern formal designation of â€œrecapitulating marchâ€ alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, â€œThe Fightinâ€™ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including Americaâ€™s beloved â€œStars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes â€œThe Fightinâ€™ 55thâ€ an appropriate and even artistic concert march.

$24.95 ≈ £18.66

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