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In the Light of the Cross
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Vous avez sélectionné:
In the Light of the Cross
Guitare notes et tablatures
Partitions à imprimer
6 partitions trouvées
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1
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
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Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Musique Sacrée
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Traditional English Carol
#
Antony Cull
#
I Saw Three Ships
#
Antony Cull
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Ta...
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Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49 ≈
2.26€
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitare notes et tablatures
#
DÉBUTANT
#
Dan Jones
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Three Pieces for Beginner Guit
#
DanJonesGuitarist
#
SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJones...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95 ≈
4.49€
Gospel Guitar Treasures (100+ pages; spiritual music for fingerstyle guitar)
Gospel Guitar Treasures (100+ pages; spiritual music for fingerstyle guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Gospel Spirituel
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Ellsworth McMeen
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Ellsworth McMeen
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Gospel Guitar Treasures
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Ellsworth McMeen
#
SheetMusicPlus
Guitar Tab, Acoustic Guitar - Intermediate - Digital Download Composed by Ellsworth McMeen. Arranged by Ellsworth McMeen. Christian, Gospel, Spiritual,...
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Guitar Tab, Acoustic Guitar - Intermediate - Digital Download Composed by Ellsworth McMeen. Arranged by Ellsworth McMeen. Christian, Gospel, Spiritual, Sacred, Folk. Set of Parts. 112 pages. Published by Ellsworth McMeen
FORMATTED FOR TWO-SIDED PRINTING: Internationally acclaimed acoustic guitarist Ellsworth ("El") McMeen has been arranging hymns and other spiritual music for guitar for over 30 years. He started in standard guitar tuning, but moved away from that tuning into various so-called "open" tunings. He has been called the "King of CGDGAD tuning," in light of his prolific arrangements and compositions in that lush and evocative tuning. This major work of spiritual music contains 26 guitar settings of hymns, spirituals, and gospel songs, all lovingly arranged for solo fingerstyle guitar in the CGDGAD tuning. This book contains a chord chart for the aid of the reader. El is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitarists Many of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeen
The audio sampler contains excerpts from these 10 songs, all in CGDGAD tuning:
1. Alleluia, Sing to Jesus
2. In Christ There is No East or West
3. Jacob's Ladder
4. Joshua Fit the Battle of Jericho
5. Kingsfold (Tune: "Star of the County Down")
6. Poor Wayfaring Stranger
7. Praise to the Lord
8. Simple Gifts
9. This Is My Father's World
10. When I Survey the Wondrous Cross (Tune:
"Water is Wide")
El's double-length recording called "Gospel Guitar Treasures" can be found here: https://store.cdbaby.com/cd/elmcmeen7
$30.00 ≈
27.20€
Complete Fingerstyle Gospel Guitar Solo Collection
Complete Fingerstyle Gospel Guitar Solo Collection
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Complete Fingerstyle Gospel Gu
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.96321MEB Folk. Gospel/Sacred. Ebook and online audio. 169 pages. Mel Bay Publications - Digital Sheet Music #96321MEB. P...
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Guitar - Intermediate - SKU: M0.96321MEB Folk. Gospel/Sacred. Ebook and online audio. 169 pages. Mel Bay Publications - Digital Sheet Music #96321MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.96321MEB). ISBN 9781610655712. 8.75x11.75 inches.This definitive volume of gospel music arranged for fingerstyle guitar is sure to become a classic. Duck Baker has applied his expertise as a guitarist and musicologist to produce a labor of love and scholarship that will delight performers and audiences alike. Various facets of religious folk music are presented with generous performance/historical notes and vintage photographs. More than 50 tunes are presented in both notation and tablature with the majority of arrangements in standard guitar tuning. The online audio consists of performances of 24 of the arrangements in the book. One song features guitar and voice and the rest are guitar solos. The tunes represent a cross-section of the different guitar styles covered in the book. Includes access to online audio.
$24.99 ≈
22.65€
Scottish 18th-Century Guitar Tunes
Scottish 18th-Century Guitar Tunes
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Celtique/Irlandais
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Fingerstyle/Fingerpicking
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Rob Mackillop
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Scottish 18th-Century Guitar T
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Intermediate - Digital Download Composed by Rob Mackillop. Classical. Baroque. E-book and online audio. 72 pages. Mel Bay Pu...
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Guitar (fingerpicking) - Intermediate - Digital Download Composed by Rob Mackillop. Classical. Baroque. E-book and online audio. 72 pages. Mel Bay Publications - Digital Sheet Music #30764MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119499.
In this unique collection, multi-instrumentalist Rob MacKillop presents 30 airs and dances from Scotland, Ireland and England transcribed for the modern guitar in open-D tuning (DADFa-AD). Although conceived for fingerstyle playing, most of these traditional, Classical and Baroque pieces are also playable with a pick. During the mid to late 18th century, a wire-strung instrument which could be described as a cross between a guitar and a cittern appeared in Britain. With the exception of the publications in Edinburgh by Robert Bremmer (c. 1713 a 89), most period writings refer to this instrument as the guittar. In providing extensive historical and performance notes on this music, the author has adopted this spelling. While derived principally from the publications by Scottish guittarists Robert Bremmer and James Oswald (1710 a 69), MacKillop discovered additional Scottish publications and manuscripts in The National Library of Scotland and even more manuscripts in the uncatalogued library of Blair Castle in Perthshire, Scotland. Written in standard notation and tablature, this book brings a particularly uncommon repertoire to light with an exceptional downloadable recording. Includes access to online audio.
$17.99 ≈
16.31€
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