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Ensemble Jazz
Partitions à imprimer
5 partitions trouvées
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1
Charade
Charade
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Ensemble Jazz
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AVANCÉ
#
Contemporain
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Sammy Kaye
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Tony Benade
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Charade
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Tony Benade
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.809147 By Sammy Kaye. By Henry Mancini. Arranged by Tony Benade. Contemporary. Score and parts. 127 page...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.809147 By Sammy Kaye. By Henry Mancini. Arranged by Tony Benade. Contemporary. Score and parts. 127 pages. Tony Benade #6565461. Published by Tony Benade (A0.809147). This is not the Charade that is normally heard as a waltz. This arrangement is a fast moving, swinging chart similar to the Buddy Rich, Woody Herman big bands of the 1960s. It may look like a long arrangement when you first look at the parts but its performance time is 4 min 40 sec. if performed at the metronome marking of 216bpm at the top of the arrangement.  It has featured solos for the 2nd trumpet, tenor sax and trombone as well as a shout section. There are various types of interludes between the choruses which create an interesting change for each section. This is an arrangement that will require above average performers of a university or professional type player to perform. It is truly a showpiece for a jazz ensemble that is at the higher level of performance. A score is also available for this piece.
$49.99
Hop Off
Hop Off
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Ensemble Jazz
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AVANCÉ
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th ...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
Yardbird Suite
Yardbird Suite
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Ensemble Jazz
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AVANCÉ
#
Jazz
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Charlie Parker
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Jim Vedda
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Yardbird Suite
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Jim Vedda
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1458014 By Charlie Parker. By Charlie Parker. Arranged by Jim Vedda. Jazz,Standards. 65 pages. Jim Vedda...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1458014 By Charlie Parker. By Charlie Parker. Arranged by Jim Vedda. Jazz,Standards. 65 pages. Jim Vedda #1036987. Published by Jim Vedda (A0.1458014). This up-tempo crowd pleaser features solos for alto sax and trumpet, along with plenty of interesting ensemble work for the rest of the band. A chorus from Charlie Parker's recorded solo is transcribed and harmonized Supersax-style. Shows the audience that big bands can do be-bop licks!
$49.99
New Tango No. 1: Movement
New Tango No. 1: Movement
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Ensemble Jazz
#
AVANCÉ
#
Roger Aldridge
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New Tango No. 1: Movement
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #1...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #119381. Published by Roger Aldridge (A0.979627). New Tango No. 1: Movement (for jazz soloist, 5 wind instruments, and rhythm section) is an abstract piece. Inspired by the tango, it invokes dance movement as well as explores movement in and out of time in the music. The soloist's part is entirely improvised. The rhythm section goes between time and free-time. The soloist cues the rhythm section on when to make time and harmonic changes. The background ensemble is in free-time with each note conducted. During solos the background ensemble can improvise interactions with the soloist. This piece is highly dependent upon the soloist and ensemble to bring the music to life and take the audience on a journey. Space and understatement are important features of this music. The open, floating free-time melody and the space between its phrases enable the rhythm section to have a prominent role in playing layers of lines, textures, and colors. Using accordion and guitar (along with piano, bass, and drums) is highly recommended. A string instrument(s) such as violin or cello can improvise additional layers with the rhythm section. One of my essential concepts in this piece is for the ensemble to have the sound of a tango band (as closely as possible); however, the music has a great amount of freedom. The score was originally conceived for woodwind quintet (with alto flute). Alternate parts are provided for an assortment of commonly-used wind instruments. In this way, the piece can be performed by various combinations of instruments. As another possibility, two (or more) musicians can be used on each wind instrument part. This option of having doubled parts -- with either same or different instruments on a part -- is an easy way for larger ensembles to perform this music. PARTS: The set of parts is available at NEW TANGO NO. 1: MOVEMENT PARTS (S0.84827). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
Theme From Family Guy
Theme From Family Guy
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Ensemble Jazz
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AVANCÉ
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David Zuckerman, Seth MacFarla
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Patrick Sheehan
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rock selections
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Theme From Family Guy
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Patrick Sheehan
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1284986 Composed by David Zuckerman, Seth MacFarlane, and Walter Murphy. Arranged by Patrick Sheehan. Br...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1284986 Composed by David Zuckerman, Seth MacFarlane, and Walter Murphy. Arranged by Patrick Sheehan. Broadway,Film/TV,Musical/Show. Score and Parts. 28 pages. Patrick Sheehan #876113. Published by Patrick Sheehan (A0.1284986). Transcribed as recorded for television.INSTRUMENTATION: Alto Saxophone I (Eb), Alto Saxophone II (Eb), Tenor Saxophone II (Bb), Tenor Saxophone II (Bb), Baritone Saxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV (Bb), Trombone I, Trombone II, Trombone III, Bass Trombone (IV), Character Vocalists, SATB Chorus,Violin I, Violin II, Viola, Violoncello, Piano, Electric Guitar, Electric Bass, Drumset.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
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