Partitions Numériques de Only in Your Head pour Ensemble Jazz

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Only in Your Head
Non classifié 32

Piano & claviers
Piano seul 7
Piano, Voix 4
1 Piano, 4 mains 4
Piano Facile 4
Piano, Voix et Guitare 3

Orgue 3
Instruments en Do 1
2 Pianos, 4 mains 1
Piano Trio: piano, violon, violoncelle 1

+ 4 instrumentations

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Guitares
Guitare notes et tablatures 3
Basse electrique 2
Guitare 1
Ukulele 1

Voix
Chorale SATB 5
Chorale 2 parties 2
Chorale 3 parties 1
Chorale TTBB 1
Chorale SSATTB 1

Vents
Flûte, Hautbois, Clarinette, Basson 2
Quatuor de Saxophones: 4 saxophones 1
Ensemble de Flûtes 1
2 Flûtes traversières (duo) 1

Cuivres
Quatuor de Cuivres 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Trombone et Piano 1
Trombone basse 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 3
Harpe 1

Percussions & orchestre
Orchestre d'harmonie 3
Orchestre 3
Ensemble Jazz 2

Ensemble de Percussions 2
Ensemble de cuivres 1

Cloches 1
Orchestre à Cordes 1
Percussion 1

+ 3 instrumentations

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Only in Your Head

Ensemble Jazz

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2 partitions trouvées

They Came Here to Dance (Swing Band Arrangement)

They Came Here to Dance (Swing Band Arrangement) #Ensemble Jazz #INTERMÉDIAIRE/AVANCÉ #Mike Strand, ASCAP

T #Mike Strand #They Came Here to Dance #Michael M. Strand #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...(+)

Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the playerâ€™s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there arenâ€™t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tuneâ€™s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All thatâ€™s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, thatâ€™s all good, but hereâ€™s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge â€“ Instrumental section, followed by: Our bandâ€™s in the groove â€“ hereâ€™s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they donâ€™t care if their feet get sore. 3. Bustinâ€™ our conks, we cats are hot, She is a wren who rocks him a lot! And they donâ€™t care if we light up or not. They came here to dance!4. Bridge again, then:Bustinâ€™ our conks, we cats are hot, She is a wren who rocks him a lot! And they donâ€™t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up â€“ smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustinâ€™ our conks â€“ breaking our necks (applying ourselves diligently) Wren â€“ a chick, a queen (beautiful girl) Cat â€“ musician in swing band Togged to the bricks â€“ dressed to kill, from head to toe Licks â€“ hot musical phrases In the groove â€“ perfect, down the alley .

$8.00 ≈ 7.41€

Spirit of 7 to 6

Spirit of 7 to 6 #Ensemble Jazz #INTERMÉDIAIRE #Jazz #George West #Spirit of 7 to 6 #Dubba C Music #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1257042 Composed by George West. Arranged by George West and edited by CHRIS MAGEE. Jazz. Score and Part...(+)

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1257042 Composed by George West. Arranged by George West and edited by CHRIS MAGEE. Jazz. Score and Parts. 92 pages. Dubba C Music #850377. Published by Dubba C Music (A0.1257042). Spirit of 7 to 6 is a modal jazz tune by George West. Composed in the 1970s around the time of the American bicentennial celebration, the title also refers to meter changes between 7/4 (written as 4/4+3/4) and 6/4. Your soloists only need to know two scales to solo on this tune: C dorian minor and Ab mixolydian. Range and technical demands are moderate. After the statement of the melody, an open solo section leads to a sax soli, then a great shout chorus. If you are looking for a change of pace for your concert or assessment program, this is an excellent choice!Grade: 3+Ranges:Trumpet: C6Trombone: G4 About George West: Trombonist and educator George West (1931-2013) was founder and head of the jazz program at James Madison University for 25 years, from 1971 until his retirement in 1996. He served as bass trombonist and arranger with the U.S. Air Force Airmen of Note from 1953 until 1958, and performed with the Kai Winding trombone Group from 1959 through 1960. George completed his undergraduate degree at Oberlin Conservatory, and earned his masters and Ph.D. from Michigan State University. He founded the jazz programs at both schools while he was a student. George also founded the jazz program at Blue Lake Fine Arts Camp (Muskegon, MI) in 1971 and led that program through 2004. After his retirement from James Madison University, he relocated to Deland, Florida, and led the jazz program at Stetson University until his passing in 2013.

$60.00 ≈ 55.61€

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