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Vous avez sélectionné:
Elle King
avancé
Violon et Piano
Partitions à imprimer
8 partitions trouvées
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1
All Creatures of Our God and King
All Creatures of Our God and King
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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Peter Hilliard
#
Peter Hilliard
#
All Creatures of Our God and K
#
Shaw Music
#
SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1195532 Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. 8 pages. Shaw Music #794702. Published by Shaw ...
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Piano,Violin - Level 4 - SKU: A0.1195532 Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. 8 pages. Shaw Music #794702. Published by Shaw Music (A0.1195532). This well-known hymn is tastefully arranged for violin with piano accompaniment. An excellent selection for use in worship throughout the year. Excerpted from VIOLIN MUSIC FOR WORSHIP by Peter Hilliard.
$4.95 ≈
4.58€
Digital Sheet Music By Nat "King" Cole
By Nat "King" Cole
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Violon et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Nat "King" Cole
#
Fishel Pustilnik
#
By Nat "King" Cole
#
F and N Enterprise
#
SheetMusicPlus
By Nat "King" Cole. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 12 pages. Published by F and N Enterprise ...
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By Nat "King" Cole. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 12 pages. Published by F and N Enterprise
"2016 Arranging Contest Entry" An excellent arrangement of famous Song "L-O-V-E" for Violin and Piano. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books "Jazz and Pop Piano Paradise" have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. ?This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8.? Lore Ruschiensky, Editor, (from review in ?The Canadian Music Teacher?) ?Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume?. Mark Carlstein, Hal Leonard, Keyboard Publications.?.
$4.99 ≈
4.61€
Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sér&eac
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
11.97€
Liebesleid for Solo Violin and Pianoforte
Liebesleid for Solo Violin and Pianoforte
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Friedrich Fritz Kreisler
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Keith Terrett
#
Liebesleid for Solo Violin and
#
Keith Terrett
#
SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1446731 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terre...
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Piano,Violin - Level 4 - SKU: A0.1446731 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Historic,Instructional,Multicultural,Romantic Period,World. 13 pages. Keith Terrett #1026497. Published by Keith Terrett (A0.1446731). Liebesleid for Solo Violin and Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
$8.99 ≈
8.31€
Nature Boy
Nature Boy
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Nat King Cole
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Fishel Pustilnik
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Nature Boy
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F & N Enterprise
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.634813 By Nat King Cole. By Eden Ahbez. Arranged by Fishel Pustilnik. Jazz. 8 pages. F & N Enterprise #4351053. Publish...
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Piano,Violin - Level 4 - SKU: A0.634813 By Nat King Cole. By Eden Ahbez. Arranged by Fishel Pustilnik. Jazz. 8 pages. F & N Enterprise #4351053. Published by F & N Enterprise (A0.634813). An excellent arrangement of the famous Song Nature Boy for Violin and Piano-Jazz/Pop Version.
$4.99 ≈
4.61€
Someone You Loved
Someone You Loved
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Lewis Capaldi
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David Kocijan
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violin transcription
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Someone You Loved
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David Kocijan
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.772827 By Lewis Capaldi. By Benjamin Alexander Kohn, Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Peter Norman Cullen ...
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Piano,Violin - Level 4 - SKU: A0.772827 By Lewis Capaldi. By Benjamin Alexander Kohn, Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Peter Norman Cullen Kelleher, Sam Romans, Samuel Elliot Roman, Samuel Roman, Thomas Barnes, and Tom Andrew Searle Barnes. Arranged by David Kocijan. Pop. 6 pages. David Kocijan #6334057. Published by David Kocijan (A0.772827). Piano & violin transcription.Sheet music available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone accompanied by a Piano.Backing track available!https://www.facebook.com/davidkocijan
$9.99 ≈
9.24€
Turning Page
Turning Page
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sleeping At Last
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K
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Turning Page
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K L Phillips
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1457942 By Sleeping At Last. By Ryan Curtis O'neal. Arranged by K.L. Phillips. Contemporary,Film/TV,Pop,Singer/Songwrit...
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Piano,Violin - Level 4 - SKU: A0.1457942 By Sleeping At Last. By Ryan Curtis O'neal. Arranged by K.L. Phillips. Contemporary,Film/TV,Pop,Singer/Songwriter,Wedding. 5 pages. K L Phillips #1036937. Published by K L Phillips (A0.1457942). This beautiful melody, arranged for solo violin and a simply delicate piano accompaniment, is an excellent selection for wedding, cocktail hour and dinner music. It is particularly lovely as a bridal processional. Turning Page was featured in the movie The Twilight Saga: Breaking Dawn.Performance time - 2:10.
$4.99 ≈
4.61€
I Am The Doctor
I Am The Doctor
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Murray Gold
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Edna J
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I Am The Doctor
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Bloom Musicnotes
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.836197 Composed by Murray Gold. Arranged by Edna J. Bloom. Contemporary. 9 pages. Bloom Musicnotes #4581077. Published ...
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Piano,Violin - Level 4 - SKU: A0.836197 Composed by Murray Gold. Arranged by Edna J. Bloom. Contemporary. 9 pages. Bloom Musicnotes #4581077. Published by Bloom Musicnotes (A0.836197). Clocking in at about 1:30, this energetic arrangement makes an excellent focal point or encore piece for the upper intermediate to early advanced violinist. Dr. Who enthusiasts will immediately be drawn to the quirky meter in 7 which can also play a leading role to introduce advanced time signatures. The high energy motifs develop crisp technique while simplifying memorization. Two options are given for an exciting conclusion. .
$6.50 ≈
6.01€
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