Partitions Numériques de Instrument en Do pour Violon et Piano

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Instrument en Do
Non classifié 46

Piano & claviers
Instruments en Do 113
Piano seul 10
Piano, Voix 2
2 Pianos, 4 mains 2
Orgue 1

Guitares
Guitare 1

Voix
Chorale SATB 2

Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Hautbois, Piano (duo) 1
Quatuor de Clarinettes: 4 clarinettes 1
Flûte, Hautbois, Clarinette, Basson 1
Saxophone 1

Ensemble de Clarinettes 1
Ensemble de Flûtes 1
Saxophone Tenor et Piano 1
Clarinette 1
Flûte traversière et Piano 1
Flûte, Saxophone (duo) 1
2 Saxophones (duo) 1
Harmonica, Piano 1
Saxophone et Guitare 1
Hautbois (partie séparée) 1
2 Clarinettes (duo) 1
Saxophone Alto 1
Saxophone (partie séparée) 1

+ 13 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Cor 1
Trombone, Orgue 1
Trompette 1

Trombone 1

+ 1 instrumentations

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Cordes
Violon, Violoncelle (duo) 4
Violon et Piano 3

Violon 2
Alto seul 1
Violoncelle, Piano 1

Alto et Harpe 1
Quatuor à cordes: 2 violons, alto, violoncelle 1
Violon, Guitare (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Alto, Violoncelle (duo) 1
Piano Trio: Violon, Alto, Piano 1

+ 6 instrumentations

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Percussions & orchestre
Orchestre 11
Ensemble de cuivres 4
Orchestre de chambre 4
Ensemble Jazz 1
Orchestre d'harmonie 1

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Instrument en Do

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Violon et Piano

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3 partitions trouvées

Opus 127a, Concerto for Violin & Orchestra in C-do (Piano Score)

Opus 127a, Concerto for Violin & Orchestra in C-do (Piano Score) #Violon et Piano #AVANCÉ #Contemporain #Henry Pool #Opus 127a, Concerto for Violin #Viola Editions #SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.976305 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 66 pages...(+)

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.976305 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 66 pages. Viola Editions #3225157. Published by Viola Editions (A0.976305). This is the piano score of this very fine concerto for the violin, melodious and virtuoso with a brilliant cadenza in the end.

$13.20 ≈ 12.19€

The Spear of Destiny

The Spear of Destiny #Violon et Piano #AVANCÉ #Contemporain #Jesus J #The Spear of Destiny #Jesus Martinez Music #SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesu...(+)

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.

$32.99 ≈ 30.47€

South Bay Angle for violin and piano

South Bay Angle for violin and piano #Violon et Piano #AVANCÉ #Contemporain #Robert M #South Bay Angle for violin and #Robert M. Greenberg #SheetMusicPlus

Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 page...(+)

Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringoâ€™s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didnâ€™t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.

$28.00 ≈ 25.86€

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