Partitions Numériques de Liszt Liszt advanced pour Violon et Piano

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Liszt Liszt advanced
Non classifié 5

Piano & claviers
Piano seul 64
1 Piano, 4 mains 4
Orgue 3
Accompagnement Piano 2
Orgue, Piano (duo) 2

Piano Facile 2

+ 1 instrumentations

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Guitares
Guitare notes et tablatures 3
Banjo 1
Guitare 1

Voix
Chorale 3 parties 1
Chorale 2 parties 1
Chorale SATB 1

Vents
Saxophone Alto et Piano 2
Flûte traversière et Piano 2
Hautbois, Piano (duo) 2
2 Clarinettes (duo) 2
Saxophone Tenor et Piano 1

2 Flûtes traversières (duo) 1
Saxophone Baryton, Piano 1
Saxophone Soprano et Piano 1
Harmonica 1
Clarinette Basse, Piano 1
2 Hautbois (duo) 1
Ensemble de Clarinettes 1
Cor anglais, Piano 1

+ 8 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Euphonium, Piano (duo) 2
Quatuor de cuivres: 4 trombones 2
Trombone et Piano 1
Ensemble de Trombones 1

Tuba et Piano 1
Trompette, Piano 1
Cor anglais, Piano 1

+ 3 instrumentations

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Cordes
Violon et Piano 3

Violoncelle, Piano 2
Harpe, Violon (duo) 1
Alto, Piano 1
Violon 1

Violoncelle 1
Ensemble de Violoncelles 1

+ 2 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 1
Ensemble de cuivres 1

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Liszt Liszt advanced

Violon et Piano

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3 partitions trouvées

Romance

Romance #Violon et Piano #Classique #Anton Rubinstein #Gustave SandrÃ© #Romance #Schott Music - Digital #SheetMusicPlus

Violin and piano - intermediate to advanced - SKU: S9.Q53347 Op. 10/5. Composed by Anton Rubinstein. Edited by Wolfgang Birtel. Arranged by Gusta...(+)

Violin and piano - intermediate to advanced - SKU: S9.Q53347 Op. 10/5. Composed by Anton Rubinstein. Edited by Wolfgang Birtel. Arranged by Gustave SandrÃ©. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 10/5. 8 pages. Schott Music - Digital #Q53347. Published by Schott Music - Digital (S9.Q53347). English â€¢ German.This Romance by Anton Rubinstein is in the same genre. He too was known both as a composer and performer, ranking as one of the greatest pianists of his time. Educated in Moscow, this child prodigy gave his first public performance at the age of nine and then embarked on his first foreign tour. He travelled to Paris, where he met Franz Liszt, who offered advice and encouragement. International appearances made Rubinstein increasingly well-known both as a pianist and composer. His musical legacy is vast, encompassing stage works, chamber music and symphonic works, vocal pieces and piano music. His Romance, originally for piano solo, comes from the collection Kamennoi-ostrow (â€˜Rocky Islandsâ€™) with the subtitle â€˜Album of portraits for pianoâ€™, op. 10 dating from 1854. Like his more famous Melody in F, this Romance is a charming character piece. Edition based on plate nos. 02382 (piano part) and 02381 (violin part), first published in 1896 as plate no. 25957.

$3.99 ≈ $5.52

Plaintes arabes

Plaintes arabes #Violon et Piano #Classique #Jeno Hubay #Plaintes arabes #Schott Music - Digital #SheetMusicPlus

Violin and piano - intermediate to advanced - SKU: S9.Q53352 Arabian Lament. Composed by Jeno Hubay. Edited by Wolfgang Birtel. This edition: She...(+)

Violin and piano - intermediate to advanced - SKU: S9.Q53352 Arabian Lament. Composed by Jeno Hubay. Edited by Wolfgang Birtel. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53352. Published by Schott Music - Digital (S9.Q53352). English â€¢ German.Hungarian composer and violinist JenÃ¶ Hubay, born Eugen Huber, received his musical training in Budapest and made his concert dÃ©but with Viottiâ€™s Violin Concerto No. 22 in A minor. He spent three years in Berlin, where he studied violin with Joseph Joachim. After his return he met Franz Liszt, who recommended that he travel to Paris. In that city he was a welcome guest at musical salons; he also formed a friendship with Henri Vieuxtemps. Hubay taught groups of violin students first in Brussels, then for a long time in Budapest. For twenty-five years he toured Europe as a virtuoso violinist, settling in Switzerland for a while before returning to Budapest for the rest of his life. His chamber compositions include a series of little pieces very probably written for his own use at musical salons, along with character pieces reminiscent of his Hungarian homeland and exotic pieces such as Plaintes arabes (Arabian Lament), an expressive and mournful lament on the violin. Plate no. 23388, published in 1882.

$3.99 ≈ $5.52

Scriabin: Prelude Op. 11 No. 2 for Violin & Piano

Scriabin: Prelude Op. 11 No. 2 for Violin & Piano #Violon et Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Piano,Violin - Level 3 - SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacre...(+)

Piano,Violin - Level 3 - SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ $27.62

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