Partitions Numériques de She Wasn pour Violon et Piano

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She Wasn
Non classifié 45

Piano & claviers
Piano, Voix et Guitare 90
Piano seul 53
Piano, Voix 47
2 Pianos, 4 mains 21
Piano Facile 11

Instruments en Do 7
Piano grosses notes 3
Piano (partie séparée) 1
Accompagnement Piano 1
Orgue 1

+ 5 instrumentations

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Guitares
Guitare notes et tablatures 14
Paroles et Accords 12
Ligne De Mélodie, (Paroles) et Accords 12
Basse electrique 9
Guitare 6

Ukulele 5
Guitare (partie séparée) 1
Banjo 1

+ 3 instrumentations

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Voix
Chorale SATB 18
Chorale 3 parties 5
Chorale 2 parties 3
Chorale Unison 3
Voix duo, Piano 3

Voix seule 2
Chorale SSAA 2
Chorale TTBB 2
Voix Alto, Piano 1
Voix, Guitare 1
Chorale 1
Voix moyenne, Piano 1

+ 7 instrumentations

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Vents
Quatuor de Saxophones: 4 saxophones 8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 7
Flûte, Hautbois, Clarinette, Basson 6
2 Saxophones (duo) 6
Saxophone (partie séparée) 5

Ensemble de Clarinettes 4
Saxophone, Clarinette (duo) 3
2 Clarinettes (duo) 3
Flûte, Clarinette (duo) 3
Clarinette 3
Clarinette, Violon (duo) 2
Quatuor de Clarinettes: 4 clarinettes 2
Flûte, Saxophone (duo) 2
Clarinette, Trompette (duo) 2
Ensemble de Flûtes 2
2 Flûtes traversières (duo) 2
3 Saxophones (trio) 2
Hautbois, Flûte 2
Flûte à bec Tenor 1
Clarinette et Piano 1
Quintette de Clarinettes: 5 clarinettes 1
Quatuor de Flûtes à bec 1
Flûte à Bec 1
Saxophone Tenor 1
2 Hautbois (duo) 1
Quatuor de Flûtes : 4 flûtes 1
Clarinette et Alto 1
Flûte traversière 1
Hautbois, Clarinette (duo) 1
Flûte, Violon 1
Flûte, Hautbois, Clarinette (trio) 1
Saxophone Soprano et Piano 1
Saxophone Alto 1

+ 28 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9
Trompette (partie séparée) 5
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Trombone (partie séparée) 4
Trompette, Saxophone (duo) 2

2 Trompettes (duo) 2
Quatuor de cuivres: 4 trombones 2
Trompette, Trombone (duo) 1
Trompette, Piano 1
2 Trombones (duo) 1
Trombone 1

+ 6 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 15
Trio à Cordes: 2 violons, violoncelle 4
Trio à Cordes: violon, alto, violoncelle 4
Violon 3
Violon et Piano 3

Violon, Alto (duo) 3
Violon, Violoncelle (duo) 3
Contrebasse (partie séparée) 1
2 Altos (duo) 1
Trio à Cordes: 3 violoncelles 1
2 Violoncelles (duo) 1
Alto, Piano 1
2 Contrebasses (duo) 1

+ 8 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 28
Batterie 12
Orchestre 5
Ensemble Jazz 2
Cloches 2

Jazz combo 2
Ensemble de Percussions 1
Ensemble de cuivres 1
Batterie (partie séparée) 1
Marimba 1
Orchestre à Cordes 1

+ 6 instrumentations

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Vous avez sélectionné:

She Wasn

Violon et Piano

Partitions à imprimer

3 partitions trouvées

Be Still, My Soul: Elegy

Be Still, My Soul: Elegy #Violon et Piano #FACILE #Justin K #Justin K #Be Still, My Soul: Elegy #Justin Kenlon Reeve #SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1001500 Composed by Justin K. Reeve. Arranged by Justin K. Reeve. 20th Century,Chri...(+)

Instrumental Duet Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1001500 Composed by Justin K. Reeve. Arranged by Justin K. Reeve. 20th Century,Christian,Contemporary,Sacred. Score and parts. 6 pages. Justin Kenlon Reeve #6620113. Published by Justin Kenlon Reeve (A0.1001500). In the late 1600s and early 1700s, Germany was predominantly Lutheran and experiencing a religious movement known as the Pietistic Revival. The Pietists emphasized living a virtuous Christian life, and encouraged their followers to express their devotion by writing hymns.Katharina Amalia Dorothea von Schlegel was part of this movement, and likely came from an aristocratic family. She also may have belonged to an evangelical womenâ€™s seminary. Born in 1697, Katharina was a talented published poet and penned at least 20 hymns, including Be Still, My Soul. The text was sung to many different tunes, but it wasnâ€™t until the 20th century that it was paired with its current melody.Johann Julius Christian Sibelius, later known as Jean Sibelius, was a Finnish composer and violinist credited with having helped Finland create a national identity in the early 20th century during its struggle for independence from Russia. In 1899, he wrote a symphonic poem as a covert protest against Russian censorship. While much of the piece is energetic, representing the Finnish peopleâ€™s national struggle, toward the end the serene melody of Finlandia is introduced. Finlandia became a national favorite when Sibelius reworked it into a standalone piece. Sibelius composed prolifically, but he also spent time reworking many of his old compositions. In 1927, Katharinaâ€™s hymn text was paired with Finlandia, and it remains the most well-known musical melody for the hymn today.

$1.99 ≈ 1.79€

Waltz for Martha for Violin (with optional Clarinet)

Waltz for Martha for Violin (with optional Clarinet) #Violon et Piano #INTERMÉDIAIRE/AVANCÉ #Philip R Buttall #Waltz for Martha for Violin #PRB Music #SheetMusicPlus

Piano,Violin - Level 4 - SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Publi...(+)

Piano,Violin - Level 4 - SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Published by PRB Music (A0.1382422). After being locked down by Covid, I had almost lost the will to live, let alone go on holiday again outside the UK. Two years before I had had a lovely time in Italy, visiting Rome, Pisa, Puccini's House, Florence, Sienna, and more. Almost at the end of the trip I stayed a couple of days with my dear musical friends in Perugia, where their then 8-year-old daughter, Martha, was making great strides forward on the violin (mum is a concert pianist and teacher, similarly dad, but on the clarinet. I had booked to stay in Cesena where they had moved two, and I had a lovely time here, two, adding Bologna, Rossini's Museum, Rimini and some of the Adriatic coast to my list of places visited. They, too, had had lockdowns, and cancellations, but quite by chance, the weekend I had planned to be in Cesena, was the rearranged date of a special outside concert in the imposing surroundings of Rocca Malatestiana, a medieval fortress than dominates the town. Martha was going to be performing a violin concerto by Rode, and her dad had adapted the orchestral accompaniment, so that the large clarinet ensemble could take its place on the night. It was a wonderful, moving evening, and Martha played so well. I don't think there was a dry eye in the house! When I knew I was visiting them this year, I wrote Martha a little fun piece, with piano accompaniment, that she might have been able to play while I was there. But because of the rescheduled concerto performance, there just wasn't enough time for her to learn and practise the piece with her violin teacher in Bologna. I even added an optional part for clarinet, so dad would not feel left out. Hopefully, one day, I might still hear Waltz for Martha played by its dedicatees! It's a kind of schmalzy Viennese Waltz, in the style of Kreisler and others! You can purchase the piano score and violin part here. The optional clarinet part is available FREE OF CHARGE - by emailing info@philiprbuttall.co.uk.

$10.95 ≈ 9.88€

The High Line: Sonata for Violin and Piano

The High Line: Sonata for Violin and Piano #Violon et Piano #AVANCÉ #Contemporain #Andrew Shapiro #The High Line: Sonata for Viol #Airbox Music Publishing #SheetMusicPlus

Piano,Violin - Level 5 - SKU: A0.987912 Composed by Andrew Shapiro. 20th Century,Classical,Contemporary. 21 pages. Airbox Music Publishing #2157881. Pub...(+)

Piano,Violin - Level 5 - SKU: A0.987912 Composed by Andrew Shapiro. 20th Century,Classical,Contemporary. 21 pages. Airbox Music Publishing #2157881. Published by Airbox Music Publishing (A0.987912). Sonata Violin/Piano: THE HIGH LINE (2015)Commissioned by Gregory Fulkerson, Professor of Music, The Oberlin Conservatory of Music. Gregory Fulkerson writes: Andrew Shapiro is a composer and songwriter living in Brooklyn. I first met him during his senior year at Oberlin when he acted as an audio assistant for my 1998 Merkin Hall concert in New York. I reconnected with him by chance in 2012, and we discussed working together to develop a violin sonata. I love the forthright and amiable spirit that permeates the piece; it is definitely in a pop style, yet he handles the standard acoustic sonorities deftly and there is a wealth of detail in the patterns of the violin. I donâ€™t know anything else quite like it.Andrew Shapiro writes: In 2011 I fell into a job as a High Line Park Ranger so as to be able to spend considerable time at this new, rather bizarre park. When there werenâ€™t huge mobs of people around (and it wasnâ€™t absolutely freezing), during my year working there I often found myself near the top of the Gansevoort stairs contemplating the view of the river. After a while I got the idea to write a few sweet and simple pieces of music about it at different times of the day.

$22.00 ≈ 19.84€

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