Partitions Numériques de We Are Called pour Violon et Piano

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We Are Called
Non classifié 64

Piano & claviers
Piano seul 69
Piano, Voix 15
Piano, Voix et Guitare 14
Piano Facile 5
Orgue 4

Orgue, Piano (duo) 1
Piano Quatuor: piano, violon, alto, violoncelle 1
Piano Trio: piano, violon, violoncelle 1
2 Pianos, 4 mains 1
Piano grosses notes 1

+ 5 instrumentations

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Guitares
Guitare notes et tablatures 14
Guitare 5
Mandoline 1
Mandoline, Guitare (duo) 1
Banjo 1

Voix
Chorale SATB 46
Chorale TTBB 5
Chorale 3 parties 5
Chorale Unison 5
Chorale 2 parties 3

Voix haute 2
Chorale SSAA 2
Voix Tenor 1

+ 3 instrumentations

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Vents
2 Saxophones (duo) 8
Flûte traversière et Piano 7
Hautbois, Piano (duo) 6
Clarinette et Piano 5
Saxophone Tenor et Piano 5

Clarinette, Trompette (duo) 4
Saxophone Alto et Piano 4
2 Flûtes traversières (duo) 4
Saxophone Soprano et Piano 4
Cor anglais, Piano 4
Saxophone, Clarinette (duo) 3
Clarinette, Guitare (duo) 3
Clarinette, Violon (duo) 3
Flûte, Clarinette (duo) 2
2 Clarinettes (duo) 2
Saxophone Baryton, Piano 2
Clarinette et Alto 2
Flûte, Alto (duo) 2
Clarinette Basse, Piano 2
2 Hautbois (duo) 2
Flûte à bec Alto, Piano 1
Flûte à bec Soprano, Piano 1
Quintette de Clarinettes: 5 clarinettes 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Flûte, Saxophone (duo) 1
Hautbois, Flûte 1

+ 21 instrumentations

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Cuivres
Trompette, Saxophone (duo) 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Cor anglais, Piano 4
Euphonium, Piano (duo) 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3

Cor et Piano 3
Trombone et Piano 3
Trompette, Trombone (duo) 2
Tuba 2
Trompette 1
2 Trompettes (duo) 1
Quatuor de cuivres: 4 trombones 1
Trompette, Euphonium (duo) 1
Quatuor de cuivres: 4 cors 1
Trompette, Piano 1

+ 10 instrumentations

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Cordes
Violon, Alto (duo) 5
Alto, Piano 5
Violoncelle, Piano 5
Quatuor à cordes: 2 violons, alto, violoncelle 4
Violon et Piano 4

2 Violoncelles (duo) 3
2 Violons (duo) 3
2 Harpes (duo) 2
Violon, Violoncelle (duo) 2
Violon 1
4 Violoncelles 1
Trio à Cordes: 2 violons, violoncelle 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Alto seul 1
Harpe 1

+ 10 instrumentations

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Percussions & orchestre
Orchestre 7
Orchestre d'harmonie 7
Orchestre à Cordes 4
Orchestre de chambre 3
Ensemble de Percussions 3

Ensemble de cuivres 2
Ensemble Jazz 2
Jazz combo 1

+ 3 instrumentations

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We Are Called

Violon et Piano

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4 partitions trouvées

Scriabin: Prelude Op. 11 No. 2 for Violin & Piano

Scriabin: Prelude Op. 11 No. 2 for Violin & Piano #Violon et Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Piano,Violin - Level 3 - SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacre...(+)

Piano,Violin - Level 3 - SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.44€

18 Gospel Hymns Vol.2 for Solo Violin and Piano

18 Gospel Hymns Vol.2 for Solo Violin and Piano #Violon et Piano #FACILE #Musique Sacrée #Gospel Spirituel #Various #David McKeown # #18 Gospel Hymns Vol.2 for Solo #David McKeown #SheetMusicPlus

Piano,Violin - Level 2 - SKU: A0.592609 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 49 pages. Da...(+)

Piano,Violin - Level 2 - SKU: A0.592609 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 49 pages. David McKeown #6404427. Published by David McKeown (A0.592609). 18 Easy Gospel Hymns Vol.2 for Solo Violin and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.The standard is early intermediate. Players with a year or twoâ€™s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as followsÂ· O Mary Donâ€™t You Weep, Â· O When the Saints, Â· Old Time Religion, Â· Onward Christian Soldiers, Â· Rock of Ages, Â· Shall We Gather at the River, Â· Stand Up, Stand Up for Jesus, Â· Standing in the Need of Prayer, Â· Swing Low Sweet Chariot, Â· Steal Away, Â· There is a Fountain Filled with Blood, Â· There is Power in the Blood, Â· This Little Light of Mine, Â· Wade in the Water, Â· Were You There? Â· What a Friend We Have in Jesus, Â· When the Roll Is Called Up Yonder, Â· When We All Get to Heaven. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Violin and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$8.49 ≈ 7.85€

O Come All Ye Faithful for Violin & Piano

O Come All Ye Faithful for Violin & Piano #Violon et Piano #DÉBUTANT #Noël #Wade #James M #O Come All Ye Faithful for Vio #jmsgu3 #SheetMusicPlus

Piano,Violin - Level 1 - SKU: A0.548518 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 4 pages. Jmsgu3 #3388143. Published by jmsgu3 ...(+)

Piano,Violin - Level 1 - SKU: A0.548518 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 4 pages. Jmsgu3 #3388143. Published by jmsgu3 (A0.548518). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page.O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.

$26.95 ≈ 24.91€

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