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Vous avez sélectionné:
Original Theme Song
intermédiaire
Orchestre à Cordes
Partitions à imprimer
9 partitions trouvées
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1
Loki Green Theme
Loki Green Theme
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Natalie Holt
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Xess
#
Loki Green Theme
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Xess
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1431580 Composed by Natalie Holt. Arranged by Xess. 21st Century,Film/TV. 10 pages. Xess #1012055. Published by Xes...
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String Orchestra - Level 3 - SKU: A0.1431580 Composed by Natalie Holt. Arranged by Xess. 21st Century,Film/TV. 10 pages. Xess #1012055. Published by Xess (A0.1431580). This piece, originally by Natalie Holt, is an arrangement of the main theme song from the TV series, Loki. This arrangment captures the entirety of the epicness and suspense that the original work had, but compacted entirely into a five-piece string orchestra. Whether you are a fan of the Marvel franchise, or just a fan of awesome and powerful music, this piece is perfect for you and your string orchestra.
$59.99 ≈
¥435.01
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards....
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String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00 ≈
¥130.52
I Love Lucy
I Love Lucy
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Contemporain
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music ...
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String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6676835. Published by Chicory Music (A0.734620). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for String Orchestra plus optional Drum Set part remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99 ≈
¥94.20
The Lynmouth Variations
The Lynmouth Variations
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Orchestre à Cordes
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INTERMÉDIAIRE
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Rupert Kirby
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The Lynmouth Variations
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Rupert Geoffrey Kirby
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.945141 Composed by Rupert Kirby. Contemporary,Standards. Score and parts. 21 pages. Rupert Geoffrey Kirby #5359861....
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String Orchestra - Level 3 - SKU: A0.945141 Composed by Rupert Kirby. Contemporary,Standards. Score and parts. 21 pages. Rupert Geoffrey Kirby #5359861. Published by Rupert Geoffrey Kirby (A0.945141). Variations on an original theme for String Orchestra. Based on a song about the Lynmouth Flood of 1952.
$5.99 ≈
¥43.44
Chaconne from "Fêtes Venitiennes"
Chaconne from "Fêtes Venitiennes"
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Orchestre à Cordes
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INTERMÉDIAIRE
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Campra, André
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Yves Bouillot
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Chaconne from "Fête
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Yves Bouillot
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1269267 Composed by Campra, André. Arranged by Yves Bouillot. Baroque,Opera. Score and Parts. 16 pages. Yves Bou...
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String Orchestra - Level 3 - SKU: A0.1269267 Composed by Campra, André. Arranged by Yves Bouillot. Baroque,Opera. Score and Parts. 16 pages. Yves Bouillot #861805. Published by Yves Bouillot (A0.1269267). Les Fêtes vénitiennes (or, in the original spelling, Les Festes vénitiennes) is an opera-ballet by French composer André Campra. The opera-ballet consists of a prologue and three entries. It was performed for the first time at the Royal Academy of Music on June 17, 1710, in the Salle du Palais-Royal. According to the usage of the time, the work is described as ballet, but it is one of the most important examples of a new genre that specialists will later agree to call opera-ballet. . The chaconne is a popular dance song, in three beats of lively character, originating in America, during the Vice-Kingdom of New Spain and brought to Spain by sailors. Transplanted then in other European countries at the beginning of the XVIIth century, it becomes a dance of noble character there then is approached by the instruments, in orchestra or soloists. It is then a piece of large proportions, in triple time, slow and solemn, based on the repetition and variation of a theme.
$25.00 ≈
¥181.28
Things We Lost In The Fire
Things We Lost In The Fire
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Orchestre à Cordes
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INTERMÉDIAIRE
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Rock
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Bastille
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Paul Trapkus
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Things We Lost In The Fire
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Paul Trapkus
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.911152 By Bastille. By Daniel Campbell Smith. Arranged by Paul Trapkus. Rock. Score and parts. 22 pages. Paul Trapk...
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String Orchestra - Level 3 - SKU: A0.911152 By Bastille. By Daniel Campbell Smith. Arranged by Paul Trapkus. Rock. Score and parts. 22 pages. Paul Trapkus #6287901. Published by Paul Trapkus (A0.911152). A meticulous arrangement of Things We Lost in the Fire as recorded by Bastille for string orchestra, piano, and optional drum set without vocals. The arrangement is a karaoke version so that you can add a singer for a performance closely resembling the original song. The included optional drum set part is not shown in the score. Bowings have been carefully added in all parts.More string orchestra arrangements by Paul Trapkus available at https://www.sheetmusicplus.com/publishers/paul-trapkus/19286 including:Take On Me • Africa • Never Gonna Give You Up • Ghostbusters • Secrets • Final Countdown • Darude Sandstorm • Dancing Queen • Undisclosed Desires • Some Nights • The Office Theme • Seal Lullaby • Only Time • Pompeii • Radioactive • Paradise • May It Be • Laughter Lines • Things We Lost in the Fire • All I Ever Wanted • La Valse d'Amelie • Young and Beautiful • Raging Fire
$49.99 ≈
¥362.50
Bill
Bill
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Jerome Kern
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Robert Renshaw
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Bill
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Taggart Press
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1017599 Composed by Jerome Kern. Arranged by Robert Renshaw. Contemporary. Score and Parts. 21 pages. Taggart Press...
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String Orchestra - Level 3 - SKU: A0.1017599 Composed by Jerome Kern. Arranged by Robert Renshaw. Contemporary. Score and Parts. 21 pages. Taggart Press #6167729. Published by Taggart Press (A0.1017599). The groundbreaking Broadway Musical Showboat arguably changed the Broadway theater forever when it premiered in 1927. With music by Jerome Kern and a book and lyrics by Oscar Hammerstein II, the show deals with themes of racism, alcoholism, and spousal desertion at a time when social ills were not even a remote part of the typical Broadway fare. Kern's score was well received and contains many familiar songs like Ol' Man River. Make Believe, and Why do I love you?. But after Ol' Man River, It is probably the charming and poignant Bill that is most familiar to modern audiences. This arrangement gives the melody to a solo Alto Saxophone with a string accompaniment that preserves the early 20th-century feel of the original. It will work great on a pops concert, or as a lighter encore to a more serious saxophone concerto.
$49.99 ≈
¥362.50
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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