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Vous avez sélectionné:
Who Am I
intermédiaire
Orchestre à Cordes
Partitions à imprimer
5 partitions trouvées
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1
I Am Holding You: Spacewalk
I Am Holding You: Spacewalk
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Orchestre à Cordes
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INTERMÉDIAIRE
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Shelley Rink
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I Am Holding You: Spacewalk
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Shelley Rink
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.850797 Composed by Shelley Rink. 20th Century,Concert,Contemporary,Standards. Score and parts. 21 pages. Shelley Ri...
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String Orchestra - Level 3 - SKU: A0.850797 Composed by Shelley Rink. 20th Century,Concert,Contemporary,Standards. Score and parts. 21 pages. Shelley Rink #5803223. Published by Shelley Rink (A0.850797). I Am Holding You: Spacewalk is an intermediate piano and strings piece, which can also be performed as a solo piano piece. Arranged by the composer for piano and strings (string quartet or string orchestra), this piece was inspired by the October 2019 first all-female spacewalk. With an ethereal and expansive quality, this soaring piece honors the special nature of this historic achievement, and the female astronauts who have inspired women all around the world. Another original from Shelley Rink Music. .
$17.99 ≈
16.60€
Irish Tunes for Young at Heart Fiddlers, Book 1
Irish Tunes for Young at Heart Fiddlers, Book 1
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Orchestre à Cordes
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INTERMÉDIAIRE
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Celtique/Irlandais
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Scott Walker
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Scott Walker
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Irish Tunes for Young at Heart
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S'got Possiblities
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.749240 By Scott Walker. By Scott Walker. Arranged by Scott Walker. Celtic,Irish. Score and parts. 29 pages. S'got P...
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String Orchestra - Level 3 - SKU: A0.749240 By Scott Walker. By Scott Walker. Arranged by Scott Walker. Celtic,Irish. Score and parts. 29 pages. S'got Possiblities #355150. Published by S'got Possiblities (A0.749240). I am very proud to offer this remake of Irish Tunes for Young @ Heart Fiddlers, Book 1! I am very thankful for the response I have had from students, teachers, and families, who have enjoyed these tunes over the years! Included in this volume are the following tunes: The Ballydesmond Polka and Matt Teehan’s Polka, CaptainO’Kane, The Cliffs of Moher, in Dm and Am, Sally Gardens, The Eagle’s Whistle, Dunmore Lasses, in Am and Em, Harvest Home, The Foggy Dew, Maira’s Wedding, George Brabizon, Hewlett’s, Tobins into The Irish Washerwoman, Southwind, Lanigan’s Ball, Mary Mack, Planxty Fanny Power, The Rights of Man, Slane, Walker Street into Silver Spear. The tunes in this book are very well known traditional Irish tunes, good at any Irish session! There is a link to the first tune of the book to give you an idea of what the music sounds like. They make a very good supplemental resource for growing fiddlers, are fun to play, and can be used with the Cello book of the same name. Please enjoy! Included here is a youtube link to a playlist of these tunes, playedin their entirety by Scott Walker on fiddle, cello and guitar: https://youtube.com/playlist?list=PL1QxSodsD2nH6EPY-NIvVnJfcAMs2LPQW.
$15.00 ≈
13.84€
Draagyns Sunset
Draagyns Sunset
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Johnathan Wales
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Draagyns Sunset
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Spotlight Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1027735 Composed by Johnathan Wales (ASCAP). Contemporary. Score and parts. 29 pages. Spotlight Music #2916899. Pub...
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String Orchestra - Level 3 - SKU: A0.1027735 Composed by Johnathan Wales (ASCAP). Contemporary. Score and parts. 29 pages. Spotlight Music #2916899. Published by Spotlight Music (A0.1027735). In December 2009, one of my heroes past away. I am pretty sure that he never saw himself as a hero or even knew how many lives he changed. It is because of him that I stayed involved with music. There were many times that I almost put down my trumpet and walked out but every time I started to I would hear his voice telling me Dammit, get back in your spot! Well, over twenty four years later, I am not only playing, but I have learned how to write down the music that I have always heard in my head. He was the First in a long line of Professors, who taught me not only about music but about life and its real meaning. Mr. Robert Nygaard, this is what I heard as the sun set at your memorial service.
$29.99 ≈
27.68€
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards....
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String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00 ≈
16.61€
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