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Orchestre à Cordes
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Vivaldi "La Follia" for 2 violins, cello, string orchestra
Vivaldi "La Follia" for 2 violins, cello, string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Marco Nason
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Vivaldi "La Follia"
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Marco Nason
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.845828 Composed by Antonio Vivaldi. Arranged by Marco Nason. Baroque,Concert,Graduation,Instructional,Standards. Sc...
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String Orchestra - Level 4 - SKU: A0.845828 Composed by Antonio Vivaldi. Arranged by Marco Nason. Baroque,Concert,Graduation,Instructional,Standards. Score and parts. 57 pages. Marco Nason #6871977. Published by Marco Nason (A0.845828). String orchestra (or string ensemble) arrangement (vl1 tutti, vl2 tutti, vla, continuo). Score and parts included. Violin solo 1, violin solo 2 and cello solo parts NOT INCLUDED: you can use the original solo parts and play them with this arrangement.There are 6 sample pages, then score and parts.
$14.99 ≈
£11.41
Paganini La Streghe Op. 8 for Violin String Orchestra
Paganini La Streghe Op. 8 for Violin String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Nicolo Paganini
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Paul Wood
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Paganini La Streghe Op. 8 for
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1321823 Composed by Nicolo Paganini. Arranged by Paul Wood. Romantic Period. 57 pages. MyMusicScores.com #910269. P...
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String Orchestra - Level 4 - SKU: A0.1321823 Composed by Nicolo Paganini. Arranged by Paul Wood. Romantic Period. 57 pages. MyMusicScores.com #910269. Published by MyMusicScores.com (A0.1321823). Paganini's 'Le Streghe,' composed in 1813, showcases his virtuosity for the violin, inspired by the ballet 'Le nozze di Benevento.' This enchanting set of variations is based on a theme by the opera composer Gioachino Rossini. Published in 1819 as 'Le Streghe, Op. 8,' it captivates with its intricate passages and demanding technical prowess, earning its reputation as a challenging piece for violinists. Paganini's fusion of folklore and musical brilliance within this composition exemplifies his mastery, elevating it as a celebrated and enduring work within the classical violin repertoire, echoing the charm and allure of its supernatural inspiration.â€Here is an arrangement for violin and string orchestra.The PDF file contains the score and all parts.
$19.99 ≈
£15.22
Overture for Strings No. 6 - Score Only
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
£7.61
SUITE NO. 5 BY J.S. BACH ARRANGED FOR STRING ORCHESTRA
SUITE NO. 5 BY J.S. BACH ARRANGED FOR STRING ORCHESTRA
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Garth M
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SUITE NO. 5 BY J.S. BACH ARRAN
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Garth M. Williams
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.837312 Arranged by Garth M. Williams (Socan). Baroque,Concert,Instructional,Standards. Score and parts. 57 pages. G...
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String Orchestra - Level 4 - SKU: A0.837312 Arranged by Garth M. Williams (Socan). Baroque,Concert,Instructional,Standards. Score and parts. 57 pages. Garth M. Williams (Socan) #6052681. Published by Garth M. Williams (Socan) (A0.837312). This arrangement was taken from Bach Suites originally written for piano. It contains seven movements: Allemande, Courante, Sarabande, Gavotte, Bourree, Loure, and Gigue. This piece is very suitable for Intermediateand Senior high school musicians and Amateur adult performers.
$35.00 ≈
£26.65
Concerto for Oboe and Bassoon in C minor.
Concerto for Oboe and Bassoon in C minor.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00 ≈
£22.84
Danse (Tarantelle Styrienne)
Danse (Tarantelle Styrienne)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Adrien de Croy
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Danse
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Adrien de Croy
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1028327 Composed by Claude Debussy. Arranged by Adrien de Croy. Romantic Period. Score and parts. 57 pages. Adrien ...
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String Orchestra - Level 4 - SKU: A0.1028327 Composed by Claude Debussy. Arranged by Adrien de Croy. Romantic Period. Score and parts. 57 pages. Adrien de Croy #3478969. Published by Adrien de Croy (A0.1028327). Debussy originally wrote this piece in 1890 (L.69). It was first published as Tarantelle Styrienne in 1891. He later revised it and republished it in 1903 as Danse. After Debussy's death, the great Maurice Ravel arranged it for full orchestra.This arrangement is for String Orchestra, based mostly off Ravel's orchestration, but also the piano part in some places where the harp that Ravel wrote in is unplayable by strings, whereas the piano part isn't. Overall the intention is to retain as much as possible the texture and dynamic of the orchestral version in a string orchestra setting.
$8.99 ≈
£6.84
Bésame Mucho
Bésame Mucho
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Oliver Payàn
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Bésame Mucho
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Introito Music
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SheetMusicPlus
Chamber Orchestra - Advanced Intermediate - Digital Download Arranged by Oliver Payàn. Score, Set of Parts. 57 pages. Published by Introito Mu...
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Chamber Orchestra - Advanced Intermediate - Digital Download Arranged by Oliver Payàn. Score, Set of Parts. 57 pages. Published by Introito Music
$49.99 ≈
£38.06
All Is Found
All Is Found
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Kristen Anderson-Lopez and Rob
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Jayden Gaskins
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All Is Found
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Jayden Gaskins
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1251882 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Jayden Gaskins. Broadway,Folk,Musical/Show...
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String Orchestra - Level 4 - SKU: A0.1251882 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Jayden Gaskins. Broadway,Folk,Musical/Show. Score and Parts. 13 pages. Jayden Gaskins #846099. Published by Jayden Gaskins (A0.1251882). Immerse yourself in a wonderful journey with this arrangement of All Is Found. This piece is inspired by the original melodies from Disney's Frozen II. Let your imagination wander and experience the sheer beauty of this piece. **Please note that both percussion parts are on one page. You may cut one page and give the halves to performers, share one page between performers, or print two separate pages for performers.Level: 3.5Duration: 1:57.
$52.00 ≈
£39.59
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