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Vous avez sélectionné:
Being Me
Orchestre à Cordes
Partitions à imprimer
11 partitions trouvées
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1
You Call Me Yours
You Call Me Yours
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Orchestre à Cordes
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FACILE
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Musique Sacrée
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Christian contemporain
#
NotePerformer Orchestra
#
Bryan M
#
You Call Me Yours
#
Composer Bryan M. Powell's Music
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1249473 By NotePerformer Orchestra. By Bryan M. Powell. Arranged by Bryan M. Powell. Chamber,Christian,Contemporary...
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String Orchestra - Level 2 - SKU: A0.1249473 By NotePerformer Orchestra. By Bryan M. Powell. Arranged by Bryan M. Powell. Chamber,Christian,Contemporary,Praise & Worship,Sacred. Score and Parts. 21 pages. Composer Bryan M. Powell's Music #843894. Published by Composer Bryan M. Powell's Music (A0.1249473). Being called a child of God is one of the most precious truths in the Bible. In the moving piece, composer, and arranger Bryan M. Powell reminded us of our position in Christ. He calls us blessed, He calls us righteous, He calls us worthy of His Son's precious blood. He calls us, holy, He calls us strong when we are weakest; forgiven, and pure, You call us yours. Link
$20.00 ≈
18.13€
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Orchestre à Cordes
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419...
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String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95 ≈
23.53€
The American Seasons (double basses part – violin and string orchestra)
The American Seasons (double basses part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
#
Mark O'Connor
#
The American Seasons
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Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik International #6208117. Published by Mark O'Connor Musik International (A0.861933). The American Seasons (double basses part – violin and string orchestra) MO148HDouble Basses Part (score and parts available)Music by Mark O’Connor40 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148HCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Me.
$15.00 ≈
13.60€
Harvest Dance
Harvest Dance
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Orchestre à Cordes
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FACILE
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Marcia Stockton
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Harvest Dance
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Imagine Music - Digital
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SheetMusicPlus
String orchestra - Grade 2 - SKU: IZ.OMW144 Composed by Marcia Stockton. Score and Parts. 21 pages. Imagine Music - Digital #OMW144. Published by Imagin...
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String orchestra - Grade 2 - SKU: IZ.OMW144 Composed by Marcia Stockton. Score and Parts. 21 pages. Imagine Music - Digital #OMW144. Published by Imagine Music - Digital (IZ.OMW144). 9 x 12 in inches.Harvest Dance was originally written in 1995 as a piece for small orchestra (strings plus woodwinds and french horns). It is a dance of unbridled joy to celebrate a rich harvest of nature's bounty. In 2013, I transcribed it from my private archive of old dusty audio tapes no one had ever heard, and with the CarsonValley Sinfonia in mind, revised it for string orchestra without winds.1995 was a low period in my life. The pressure from my job in the technology industry was relentless, and personal relationships at that time sometimes brought emotional pain instead of solace and comfort. Grasping for any ray of hope to illuminate the gloom, I turned back to my original love: music.Immersing myself deeply in the process of music creation, I rediscovered not only a talent for composition, but even more importantly tapped into the creative source of uplift, joy, and energy, the source of all gifts, that is available to every sincere person. During those years, composing music was a vital lifeline. Like the powerful beam of the rescuer's flashlight guiding you toward the daylight when you are emerging from a dark cave. Like a new baby being born. Now a great many years later, life now brimming with music and friends, and having put old sorrows far behind me, music from that time of troubles still fills me with the same joy as when I composed it, and I hope it uplifts you.Harvest Dance is dedicated to my friend, composer John O'Neill, with profound appreciation for his encouragement, as well as helping me learn the practicalities of arranging for a string orchestra.
$40.00 ≈
36.27€
Mr. Thinn, Waltz for Strings (Standard Arrangement)
Mr. Thinn, Waltz for Strings (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Mr. Thinn, Waltz for Strings
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298603 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 42 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298603 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 42 pages. Geraldine (Denny) Green at Oakmountmusic #888482. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298603). ALL PURCHASES COME WITH SCORE AND PARTSSeptember 2011-Duration 4 minutes 30 seconds.  Written for Gary Woolf and the Banda Di Musica.This short waltz is named after an imaginary, childhood character of mine – a magic toy-maker. Its 2 melodies span 36 years. The first tune came to me when I was 8 years old and on holiday in the Co.Donegal town of Buncrana, west Ireland. Back then there was a small shop on Buncrana’s high street that sold everything from milk to DIY tools. And the name of the shop was “John Thinn And Sonâ€. I thought this was an awesome name and I remember the shop owner, the real Mr. Thinn, being a lovely kindly, rather shy and gentle man. And this inspired my childhood mind’s character of Mr.Thinn the magic-toy maker.  The 2nd theme arrived in September 2011 as soon as I had decided that Mr.Thinn’s first tune had waited long enough and now needed to find a permanent home. Once again writing for the wonderful Banda di musica has given me a unique chance to release an old and very special melody that has lain neglected and home-less for over 3 decades. The resulting piece is light hearted, fun and in a simple ABA form.There are 2 arrangements;No. 1 – School Arrangement ; Violins 1, 2 and 3, Cellos 1 and 2No. 2 – Standard Arrangement ; Violins 1 and 2, Viola, Cello and Double BassThere are a few violin and cello solos throughout which are to be played by the section leaders. These are of moderate difficulty.
$25.00 ≈
22.67€
Mr. Thinn, Waltz for Strings (School Arrangement)
Mr. Thinn, Waltz for Strings (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Mr. Thinn, Waltz for Strings
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298601 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 43 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298601 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 43 pages. Geraldine (Denny) Green at Oakmountmusic #888480. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298601). ALL PURCHASES COME WITH SCORE AND PARTSSeptember 2011-Duration 4 minutes 30 seconds.  Written for Gary Woolf and the Banda Di Musica.This short waltz is named after an imaginary, childhood character of mine – a magic toy-maker. Its 2 melodies span 36 years. The first tune came to me when I was 8 years old and on holiday in the Co.Donegal town of Buncrana, west Ireland. Back then there was a small shop on Buncrana’s high street that sold everything from milk to DIY tools. And the name of the shop was “John Thinn And Sonâ€. I thought this was an awesome name and I remember the shop owner, the real Mr. Thinn, being a lovely kindly, rather shy and gentle man. And this inspired my childhood mind’s character of Mr.Thinn the magic-toy maker.  The 2nd theme arrived in September 2011 as soon as I had decided that Mr.Thinn’s first tune had waited long enough and now needed to find a permanent home. Once again writing for the wonderful Banda di musica has given me a unique chance to release an old and very special melody that has lain neglected and home-less for over 3 decades. The resulting piece is light hearted, fun and in a simple ABA form.There are 2 arrangements;No. 1 – School Arrangement ; Violins 1, 2 and 3, Cellos 1 and 2No. 2 – Standard Arrangement ; Violins 1 and 2, Viola, Cello and Double BassThere are a few violin and cello solos throughout which are to be played by the section leaders. These are of a more advanced difficulty.
$25.00 ≈
22.67€
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Grant Gilman
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Scheherazade - I. The Sea and
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Dr. Grant Gilman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99 ≈
27.19€
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Maestoso and Fugue in D minor
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages...
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String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00 ≈
26.29€
River Rhapsody
River Rhapsody
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Orchestre à Cordes
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FACILE
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Daniel Baldwin
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River Rhapsody
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Imagine Music - Digital
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SheetMusicPlus
String orchestra - Grade 2 - SKU: IZ.OMS1510 Composed by Daniel Baldwin. Pathways. Score and Parts. 26 pages. Imagine Music - Digital #OMS1510. Publishe...
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String orchestra - Grade 2 - SKU: IZ.OMS1510 Composed by Daniel Baldwin. Pathways. Score and Parts. 26 pages. Imagine Music - Digital #OMS1510. Published by Imagine Music - Digital (IZ.OMS1510). 9 x 12 in inches.River Rhapsody was written as a piece for youth string orchestra at the request of my son, Brett. He wanted a piece from me for his sixth grade orchestra.The piece is in two movements (an excellent introduction to multi movement compositions) with each of the two movements being progressive, meaning the second is a bit more difficult than the first. The first movement, River Song, is an original folk song with beautiful harmonies and melodies. This is a wonderful way to introduce minor key to your ensemble. The second movement, River Dance, is a rhythmic barn dance framing a lyrical chorale section. This movement is in the more comfortable key of B-flat and serves as an excellent introduction to syncopation.
$40.00 ≈
36.27€
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