Partitions Numériques de C Studies pour Orchestre à Cordes

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C Studies
Non classifié 68

Piano & claviers
Piano seul 79
Piano Facile 7
Instruments en Do 5
2 Pianos, 4 mains 2

Guitares
Guitare 23
Guitare notes et tablatures 20
Piano, Guitare (duo) 1
Paroles et Accords 1

Voix
Chorale SATB 3
Chorale Unison 1
Voix Soprano, Piano 1

Vents
Hautbois 8
Flûte traversière et Piano 5
Clarinette 4
Flûte traversière 4
Quatuor de Clarinettes: 4 clarinettes 3

Ensemble de Clarinettes 3
Hautbois (partie séparée) 3
Clarinette et Piano 2
Saxophone Alto et Piano 2
Flûte à bec Alto 2
Hautbois, Piano (duo) 2
Cor Anglais 2
Flûte à bec Alto, Piano 1
2 Saxophones (duo) 1
Quatuor de Flûtes : 4 flûtes 1
Flûte, Violon 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Quatuor de Saxophones: 4 saxophones 1
Saxophone 1
Flûte, Hautbois, Clarinette, Basson 1
Clarinette Basse, Piano 1
Saxophone Alto 1
Saxophone Tenor et Piano 1
Saxophone Baryton, Piano 1
Piccolo 1
Saxophone (partie séparée) 1

+ 21 instrumentations

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Cuivres
Trompette 15
Cor 6
Trompette, Piano 2
Trombone et Piano 2
Cor Anglais 2

Tuba 2
2 Trombones (duo) 1
Trompette (partie séparée) 1
2 Tubas (duo) 1
Trombone (partie séparée) 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Trombone 1

+ 7 instrumentations

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Cordes
Violon 12
Violon et Piano 7
Violoncelle, Piano 6
Harpe 5
Violoncelle 4

Alto seul 3
Contre Basse 1
Alto, Piano 1
Quatuor à cordes: 2 violons, alto, violoncelle 1
2 Violoncelles (duo) 1
Contrebasse, Piano (duo) 1

+ 6 instrumentations

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Percussions & orchestre
Orchestre de chambre 12
Jazz combo 4
Orchestre d'harmonie 4
Orchestre 4
Orchestre à Cordes 2

Ensemble de Percussions 2
Ensemble de cuivres 1
Marimba 1
Ensemble Jazz 1

+ 4 instrumentations

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C Studies

Orchestre à Cordes

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2 partitions trouvées

Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31

Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31 #Orchestre à Cordes #Classique #Ludwig van Beethoven, Cees Nie #Upstream Music #Prelude and Fugue in C major f #Upstream Music #SheetMusicPlus

String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages...(+)

String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethovenâ€™s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethovenâ€™s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.

$29.00 ≈ $39.39

Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra

Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra #Orchestre à Cordes #INTERMÉDIAIRE #Methodes #Joshua Hauser # #Donut Etudes vol. 3: Don&rsquo #Slide Ride #SheetMusicPlus

String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slid...(+)

String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.

$15.00 ≈ $20.37

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