Partitions Numériques de Come Back To Erin pour Orchestre à Cordes

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Come Back To Erin
Non classifié 107

Piano & claviers
Piano seul 17
Piano, Voix 15
Piano Facile 13
Piano, Voix et Guitare 8
Accordéon 1

Accompagnement Piano 1
Orgue 1
Instruments en Do 1
Piano grosses notes 1
Ligne De Mélodie, Piano 1

+ 5 instrumentations

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Guitares
Guitare notes et tablatures 27
Guitare 5
Paroles et Accords 4
Ligne De Mélodie, (Paroles) et Accords 3
2 Guitares (duo) 1

Banjo 1

+ 1 instrumentations

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Voix
Chorale SATB 13
Chorale 3 parties 3
Chorale TTBB 2
Chorale SSAA 1
Chorale SSATB 1

Chorale 2 parties 1

+ 1 instrumentations

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Vents
Ocarina 6
Trio de Flûtes: 3 flûtes 4
Flûte à bec Soprano 2
Clarinette et Piano 2
Flûte traversière 2

Saxophone Alto et Piano 2
Hautbois, Piano (duo) 2
Saxophone Tenor et Piano 2
Flûte à bec Alto 2
2 Clarinettes (duo) 1
Flûte traversière et Piano 1
Ensemble de Clarinettes 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Clarinette 1
Flûte, Clarinette (duo) 1
Flûte, Hautbois, Clarinette, Basson 1
Quatuor de Saxophones: 4 saxophones 1
Ensemble de Flûtes 1
2 Flûtes traversières (duo) 1
Saxophone Alto 1
Flûte irlandaise 1
Saxophone (partie séparée) 1
Cor anglais, Piano 1
Saxophone Baryton, Piano 1
Saxophone Soprano et Piano 1
Saxophone 1

+ 21 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4
Tuba 3
Tuba et Orgue 1
Trombone et Piano 1
4 Tubas 1

Euphonium, Piano (duo) 1
Cor anglais, Piano 1
Cor et Piano 1
Trompette, Piano 1

+ 4 instrumentations

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Cordes
Violon et Piano 3
2 Violons (duo) 2
Violoncelle, Piano 2
Harpe 1
Quatuor à cordes: 2 violons, alto, violoncelle 1

4 Contrebasses 1
Alto, Piano 1
Contrebasse, Piano (duo) 1

+ 3 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 5
Orchestre 4
Ensemble Jazz 4
Orchestre à Cordes 3

Ensemble de cuivres 2

Jazz combo 2
Orchestre de chambre 1

+ 2 instrumentations

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Come Back To Erin

Orchestre à Cordes

Partitions à imprimer

3 partitions trouvées

The Abduction of Persephone (for String Orchestra)

The Abduction of Persephone (for String Orchestra) #Orchestre à Cordes #INTERMÉDIAIRE #Aaron Fonzi # #The Abduction of Persephone #Aaron Fonzi #SheetMusicPlus

String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...(+)

String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi

$20.00

The Bedouin of Wyrms

The Bedouin of Wyrms #Orchestre à Cordes #INTERMÉDIAIRE #Jonathon Erickson #The Bedouin of Wyrms #J. Erickson Compositions #SheetMusicPlus

String Orchestra - Level 3 - SKU: A0.1324947 Composed by Jonathon Erickson. 21st Century,Contemporary. 61 pages. J. Erickson Compositions #913165. Publi...(+)

String Orchestra - Level 3 - SKU: A0.1324947 Composed by Jonathon Erickson. 21st Century,Contemporary. 61 pages. J. Erickson Compositions #913165. Published by J. Erickson Compositions (A0.1324947). Continuing the tradition of pieces based on characters in the Dungeons and Dragons game that I run, The Bedouin of Wyrms follows a young ranger who struggles to find a place in the world, trying to find out how to deal of moral quandaries with no correct answer. Despite this, Sylveon Jastire keeps a kind heart and solemn sense of purpose. The Passionate Sylveon Jastire is young and adventurous, with the naivete to match. With this outlook, she cares about only one thing; protecting her family by entering the wilds and taking care of any threats before they even have the chance to become problems.Â The Lamented and The Headstrong Sylveon, known colloquially as Silver, learns the difficulties of the world, and that nothing is as straight-forward as it was at her desert temple home. In the second movement, Silver learns the consequences actions have on the world, both good and bad. In the third, her resolve tightens as she doubles down on her ideals. This proves to be a good thing, as her tenacity eventually leads to her liberation. The Free Silvers work has paid off. Through a strong belief in her ideals and a little flexibility in her methods, Silver has Met countless friends, slain countless evils, and saved the brother she never knew she had from an evil that lurked beneath. Now nothing holds her back and Silver has grown to be one of the strongest people in Verdai.

$14.99

Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel

Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel #Orchestre à Cordes #INTERMÉDIAIRE #Martin Lass #Five Australian Scenes for Str #MA Lass & I Lass #SheetMusicPlus

String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Publ...(+)

String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Published by MA Lass & I Lass (A0.1368923). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Glowworm Tunnel, is about a day trip in Newnes in the state of NSW. Newnes is a former shale mining site, now abandoned. A railway once ran from the entry of the site to the mine itself. A tunnel was bored through a low mountain to gain access. Since then, the railway itself now removed but the path of it remaining, the tunnel has become the home of thousands of glowworms - a magical and awe-inspiring experience to witness. The piece depicts the journey along the former rail line, the experience of the glowworm tunnel, and the journey back.

$39.00

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