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Vous avez sélectionné:
Four Winds
Orchestre à Cordes
Partitions à imprimer
5 partitions trouvées
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1
Four Songs Without Words (Mendelssohn), for chamber orchestra
Four Songs Without Words (Mendelssohn), for chamber orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Bob Delfausse
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Four Songs Without Words
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Robert Delfausse
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.766986 Composed by Felix Bartholdy Mendelssohn. Arranged by Bob Delfausse. Concert,Romantic Period. Score and parts...
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String Orchestra - Level 4 - SKU: A0.766986 Composed by Felix Bartholdy Mendelssohn. Arranged by Bob Delfausse. Concert,Romantic Period. Score and parts. 101 pages. Robert Delfausse #5324223. Published by Robert Delfausse (A0.766986). Mendelssohn's Songs Without Words is collection of short piano pieces. I chose four of these that seemed orchestral In character, and arranged them for chamber orchestra (strings, piano, and seven winds). While arranging is often an exercise in reducing music originally written for a large ensemble, the challenge here was to expand Mendelssohn's piano miniatures into music for a chamber orchestra that sounds as it were written specifically for that ensemble. Level: advanced intermediate. Duration: 8 minutes, 50 seconds.
$20.00
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts...
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String Orchestra - Level 4 - SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698). INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$24.65
In paradisum from Requiem Songs (Downloadable Choral/Full Score)
In paradisum from Requiem Songs (Downloadable Choral/Full Score)
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Orchestre à Cordes
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INTERMÉDIAIRE
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David Conte
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In paradisum from Requiem Song
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funera...
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Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at l’Église de la Sainte-Trinité, Paris, on October 24, 2013 by Alexis Galpérine, violin, Magali Léger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of three Latin texts from the Requiem Mass. The first, Exaudi, is in “Larghetto†tempo and serves as a prelude. The second, Dies Iræ, marked “Allegro agitato,†is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the “Lacrymosa†text in a slower tempo, leading to the song’s only serene moment: “Pie Jesu Domine.†The “Dies Irae†music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text “habeas eternam,†and the song slowly winds down to its end, having laid to rest life’s struggles in the eternity of heaven. Duration: 12:30.
$2.25
Pelleas et Mélisande Suite, Op. 80
Pelleas et Mélisande Suite, Op. 80
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Orchestre à Cordes
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AVANCÉ
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Classique
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Gabriel Faure
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Kenneth Atkins
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Pelleas et Mélisande Su
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RÄ“sFacta Editions
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1389128 Composed by Gabriel Faure. Arranged by Kenneth Atkins. 19th Century,Classical,Romantic Period. 90 pages. R...
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String Orchestra - Level 5 - SKU: A0.1389128 Composed by Gabriel Faure. Arranged by Kenneth Atkins. 19th Century,Classical,Romantic Period. 90 pages. RēsFacta Editions #972651. Published by RēsFacta Editions (A0.1389128). Gabriel Fauré's Pelléas et Mélisande, Op. 80, is a suite of incidental music composed in 1898 for Maurice Maeterlinck's play of the same name. Fauré's composition is renowned for its delicate and evocative portrayal of the mysterious and tragic atmosphere of Maeterlinck's symbolist drama.The suite consists of four movements:  Prélude: The Prelude sets the mood for the entire piece, introducing listeners to the ethereal and melancholic world of Pelléas et Mélisande. Fauré's masterful orchestration creates an otherworldly atmosphere, with shimmering strings, delicate woodwinds, and haunting harmonies.  Fileuse: This movement, often translated as Spinning Song, depicts Mélisande at her spinning wheel. The music captures the hypnotic rhythm of spinning, with gentle, flowing melodies and a sense of introspection.  Sicilienne: The Sicilienne is perhaps the most famous movement of the suite. Its graceful melody, accompanied by a gentle dance-like rhythm, evokes a sense of nostalgia and longing. Fauré's use of the Sicilian rhythm lends the piece a timeless quality, transporting listeners to a world of beauty and sorrow.  Mort de Mélisande: The suite concludes with the Death of Mélisande. This movement is a powerful culmination of the emotional journey depicted throughout the music. Fauré's music reflects the tragic climax of Maeterlinck's play, with poignant melodies and rich harmonies conveying a sense of grief and finality.Overall, Fauré's Pelléas et Mélisande Op. 80 is a masterpiece of impressionistic music, capturing the emotional depth and beauty of Maeterlinck's timeless tale.
$65.00
John Field, Sonata I (Movement II) arranged for string orchestra by Scott Fields Davis
John Field, Sonata I (Movement II) - string orchestra by Scott Fields Davis
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1229707 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 38 pages. Scott F...
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String Orchestra - Level 4 - SKU: A0.1229707 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 38 pages. Scott Fields Davis #825478. Published by Scott Fields Davis (A0.1229707). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer.This is an arrangement, for string orchestra, of the first of four piano sonatas written by John Field.This download contains the second of the two movements of Field's first piano sonata.Approximate duration is 4 minutes and 10 seconds.This download contains the conductor’s score and all of the parts.More music, including an alternative version of this piece arranged for (strings and woodwinds), and contact information can be found at: compositionsbyscottfieldsdavis.com.Please follow me on Facebook and Youtube.
$14.00
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