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Vous avez sélectionné:
I Found A Way
Orchestre à Cordes
Partitions à imprimer
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1
Sway (quien Sera)
Sway (quien Sera)
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Latin/Musique du monde
#
Dean Martin
#
Tim Crooks
#
Sway
#
STR:UK String Arrangements
#
SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.1083640 By Dean Martin. By Luis Demetrio Traconis Molina, Norman Gimbel, and Pablo Beltran Ruiz. Arranged by Tim Cro...
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String Ensemble - Level 3 - SKU: A0.1083640 By Dean Martin. By Luis Demetrio Traconis Molina, Norman Gimbel, and Pablo Beltran Ruiz. Arranged by Tim Crooks. Latin,Pop. Score and parts. 26 pages. STR:UK String Arrangements #687847. Published by STR:UK String Arrangements (A0.1083640). ‘Sway (Quien Sera)’, as sung by Nelson Pineda, arranged for String Orchestra with optional percussion by Tim Crooks. This flexible arrangement is suitable for intermediate level groups (ABRSM grade 3-4) and includes easier parts for Violin, Viola and Cello (grade 1-2 level). This download contains (instruments marked* are essential for performance): Full score Violin I* and II* Viola * Cello* Easy Violin, Viola and Cello Double Bass * Piano * Congas Cow Bell About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings #Sway # Deanmartin #Quiensera #strings #stringensemble #stringorchestra #strukstrings.
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Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Patriotique
#
trad
#
Keith Terrett
#
Irish National Anthem
#
Music for all Occasions
#
SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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Un Poco Loco
Un Poco Loco
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Orchestre à Cordes
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FACILE
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Film Walt Disney
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Adrian Molina and Germaine Fra
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Michael Linert
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https://youtu
#
Un Poco Loco
#
Michael Linert
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1233596 Composed by Adrian Molina and Germaine Franco. Arranged by Michael Linert. Film/TV,Mariachi,Multicultural,W...
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String Orchestra - Level 2 - SKU: A0.1233596 Composed by Adrian Molina and Germaine Franco. Arranged by Michael Linert. Film/TV,Mariachi,Multicultural,World. Score and Parts. 81 pages. Michael Linert #829179. Published by Michael Linert (A0.1233596). Play and Sing Un Poco Loco from Disney's Coco!  This Multi-Level Masterpiece arrangement is scored for mariachi and string orchestral ensembles in a festival arrangement with a variety of levels from first-year players and beyond! Watch and Listen on YouTube! --> https://youtu.be/V1wBfV9cxFYEach purchase of this score/parts allows for 40 musicians to use this sheet music for one calendar year from purchase date.Here is some information to help make this arrangement work best! 1.    All parts in this arrangement can be played simultaneously in a festival-style performance. 2.    The most basic way to play this piece and have it sound like the piece would be to have the violin or viola part (normal or advanced) and a bass instrument (guitarrón, bass, or cello) playing while one or more singers play. 3.    Instruments could play the vocal parts, if necessary. 4.    Adding the foundational, normal, or advanced armonia (guitar, vihuela, or other chordal instruments) would enhance quite a bit. 5.    Adding the normal or advanced trumpet parts would add another layer. Their part doubles the violin/viola parts in most places, but there’s a part near the middle where their part varies to add complexity to the counterpoint. 6.    The foundational violin, viola, cello, bass, guitar, and trumpet parts (normal sheet music) are in unison. They are a mixture of melody/harmonic writing and the bass parts. These parts should be played alongside 2 and 3 listed above. (4 and 5 too if you can!) 7.    The Foundational Notes sheets are one note per measure. In this piece, they are the main tonic chord tones. In this piece (but not in all Multi-Level Masterpieces), they also happen to be the basic major chords. These parts should be played alongside 2 and 3 listed above. (4, 5, and 6 too, if you can!)8.    If you have questions or happen to notice mistakes along the way, please do let me know (ML@michaellinert.com). My current terms of use at the time of publishing allow for use of this sheet music for one year from purchase date. This is so that I can continue to enhance these Multi-Level Masterpieces based on feedback from people performing them! I will likely also add additional instrumental parts (mainly band/general music) in the future. Thank you, and I hope you will enjoy!
$49.99 ≈
£37.87
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Frederick Frahm
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Frederick Frahm: Spaces of Nig
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.534002 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Mu...
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String Orchestra - Level 4 - SKU: A0.534002 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3095057. Published by Musik Fabrik Music Publishing (A0.534002). On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?Libretto adapted by the composerFrom the ‘lines’ of Stephen Crane:The Black Riders and Other Lines (1895) &War is Kind (1899)This is the full score; A reduction for mezzo and organ is available as another item. The orchestral parts are on rental from the publisher
$25.95 ≈
£19.66
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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Orchestre à Cordes
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AVANCÉ
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Frederick Frahm
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Frederick Frahm: Spaces of Nig
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Mu...
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String Orchestra - Level 5 - SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020007. Published by Musik Fabrik Music Publishing (A0.533560). This is the score of this work. The string parts are available on rental from the publisher. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
$25.95 ≈
£19.66
Bleus
Bleus
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Halley Feaster
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Halley Feaster
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Bleus
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Halley Feaster
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.884238 Composed by Halley Feaster. Arranged by Halley Feaster. Blues,Contemporary. Score and parts. 23 pages. Halle...
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String Orchestra - Level 4 - SKU: A0.884238 Composed by Halley Feaster. Arranged by Halley Feaster. Blues,Contemporary. Score and parts. 23 pages. Halley Feaster #4805391. Published by Halley Feaster (A0.884238). Bleus - yes, I meant to spell it way. Well, I didn't when it started out as a homework assignment for a Berklee class, but the silly misspelling ended up being the title.This is an original composition of mine, arranged for String Orchestra/String Quintet. It starts out kind of sparse and creepy, and boils over into an all-out blues brawl for strings!The original version can be found on my album Bad Cellist under the artist name CelloVein.If you have any questions, please don't hesitate to ask! I hope you enjoy this one!
$19.99 ≈
£15.14
Concerto for Oboe and Bassoon in C minor.
Concerto for Oboe and Bassoon in C minor.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00 ≈
£22.72
Dorian's Journey
Dorian's Journey
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Orchestre à Cordes
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DÉBUTANT
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Dena El Saffar
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Dorian's Journey
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Songburd Music
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1473896 Composed by Dena El Saffar. Classical,Contemporary,Traditional. 29 pages. Songburd Music #1051617. Publishe...
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String Orchestra - Level 1 - SKU: A0.1473896 Composed by Dena El Saffar. Classical,Contemporary,Traditional. 29 pages. Songburd Music #1051617. Published by Songburd Music (A0.1473896). The Greek mode Dorian has a lot of historical attributes, connecting with the Doric tribes and even with Helen of Troy. I have always found music in the Dorian mode to be very pleasing, even before I knew what it was; it has uniquely attractive qualities and shows up in diverse music traditions from all around the world. Dorian can also be a name for a person. In this composition, I have imagined Dorian to be the protagonist on a hero’s journey. The music creates a narrative of our main character Dorian growing up, going on a grand adventure, and finally returning home, enriched by so many experiences.
$60.00 ≈
£45.45
WALTZ REMINISCE (easy beginner)
WALTZ REMINISCE (easy beginner)
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Vincent Vitale
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WALTZ REMINISCE
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835603 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #6573405. Published by V...
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String Orchestra - Level 1 - SKU: A0.835603 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #6573405. Published by Vincent Vitale (A0.835603). WALTZ REMINISCE is a very playable waltz for elementary students You will find this to be a very easy composition keeping all instruments in 1st position and utilizing three part harmony that will benefit ensembles lacking adequate instrumentation. This composition which contains only dotted half notes, half notes and quarter notes should prove to be a great addition to any of your group’s concerts. If you are looking for something playable and full sounding you found it in this string orchestra series for young players. If this composition appeals to you please consider the many others in this string series by typing VINCENT VITALE in the search bar located on the home page. I trust you and your students will enjoy performing this piece and as always I thank you very much for your loyalty and consideration and wish you and your students much musical success. …Copyright 2021.
$12.00 ≈
£9.09
BEGINNER'S WALTZ (very easy)
BEGINNER'S WALTZ (very easy)
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Vincent Vitale
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BEGINNER'S WALTZ
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835576 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #5802985. Published by V...
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String Orchestra - Level 1 - SKU: A0.835576 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #5802985. Published by Vincent Vitale (A0.835576). BEGINNER’S WALTZ is written for the elementary level. You will find this to be a very easy composition keeping all instruments in 1st position and utilizing three part harmony that will benefit ensembles lacking adequate instrumentation. This composition contains only dotted half notes, half notes and quarter notes and will be a great addition for your group’s very first concert. If you are looking for something playable and full sounding you found it in this string orchestra series for young players. If this composition appeals to you please consider the many others in this string series by typing VINCENT VITALE in the search bar located on the home page. I hope you and your students enjoy performing this piece and as always I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2020.
$12.00 ≈
£9.09
WALTZ IN D MAJOR No.2 (easy)
WALTZ IN D MAJOR No.2 (easy)
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Vincent Vitale
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WALTZ IN D MAJOR No.2
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835572 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #5710779. Published by V...
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String Orchestra - Level 1 - SKU: A0.835572 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #5710779. Published by Vincent Vitale (A0.835572). WALTZ IN D MAJOR No.2 is composed for the beginning string orchestra student by a retire public school instrumental music teacher. You will find this to be an easy arrangement keeping all instruments in 1st position and utilizing three part harmony that will benefit ensembles lacking adequate instrumentation. Music does not have to be difficult to sound good. If you are looking for something playable and full sounding you found it in this string orchestra series for young players. If this composition appeals to you please consider the many others in this string series by typing VINCENT VITALE in the search bar located on the home page. I hope you and your students enjoy performing this piece. As always I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2020.
$12.00 ≈
£9.09
Amazing Grace
Amazing Grace
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Orchestre à Cordes
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INTERMÉDIAIRE
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Gospel Spirituel
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Tim Crooks
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Tim Crooks
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Amazing Grace
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STR:UK String Arrangements
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1039500 Composed by Tim Crooks. Arranged by Tim Crooks. Spiritual,Traditional. Score and parts. 24 pages. STR:UK St...
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String Orchestra - Level 3 - SKU: A0.1039500 Composed by Tim Crooks. Arranged by Tim Crooks. Spiritual,Traditional. Score and parts. 24 pages. STR:UK String Arrangements #644456. Published by STR:UK String Arrangements (A0.1039500). Amazing Grace, arranged for String Orchestra by Tim Crooks from the traditional spiritual. This arrangement is loosely based on the version sung by Aretha Franklin, and starts with two soft verses in 4/4, then modulates up a tone and into 9/8, for two bigger verses with a triplet-feel quaver accompaniment. The ending can be big, or quiet, as required. This is a great selection for groups developing in compound time, and suitable for approx ABRSM grade 5 (intermediate) level and above. There are easy parts for Violin, Viola and Cello at approx Grade 2 level. Parts included in this download (those essential for performance marked *): Full Score Violin I* and II* Viola* Cello* Easy Violin, Viola and Cello Double Bass Piano This download contains Full score and parts. About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$24.99 ≈
£18.93
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