Let\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Opera Non classifié 308 Piano & claviers Piano, Voix 410 Piano Facile 143 Piano seul 128 Piano, Voix et Guitare 79 Instruments en Do 24 1 Piano, 4 mains 12 Piano Trio: piano, violon, violoncelle 4 Piano grosses notes 4 2 Pianos, 4 mains 3 Accordéon, Voix 2 Piano Quatuor: piano, violon, alto, violoncelle 2 Orgue 2 Piano Quintette: piano, 2 violons, alto, violoncelle 1 Clavecin 1 Piano Quatuor: piano, 2 violons, violoncelle 1 Vents Flûte traversière et Piano 74 Clarinette et Piano 67 Hautbois, Piano (duo) 55 Saxophone Alto et Piano 35 Clarinette 33 Quatuor de Saxophones: 4 saxophones 32 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 29 Flûte traversière 26 Saxophone Soprano et Piano 22 Hautbois (partie séparée) 20 Quatuor de Flûtes : 4 flûtes 17 Quatuor de Clarinettes: 4 clarinettes 16 2 Saxophones (duo) 15 2 Flûtes traversières (duo) 15 Cor anglais, Piano 13 Flûte, Hautbois, Clarinette, Basson 12 Saxophone Tenor et Piano 11 Quintette de Clarinettes: 5 clarinettes 8 2 Clarinettes (duo) 8 Ensemble de Clarinettes 7 Quintette de Saxophone: 5 saxophones 6 3 Saxophones (trio) 6 Ensemble de Flûtes 5 Saxophone Alto 5 3 Clarinettes (trio) 5 Quintette de Flûte : 5 flûtes 4 2 Saxophones, Piano 4 Saxophone Baryton, Piano 4 Hautbois, Clarinette, Basson (trio d'anches) 4 Flûte, Clarinette (duo) 4 Saxophone Tenor 3 5 Flûtes à bec 3 Trio de Flûtes: 3 flûtes 3 Clarinette Basse, Piano 3 Hautbois, Basson (duo) 2 Flûte à Bec 2 Flûte et Guitare 2 Saxophone (partie séparée) 2 Flûte, Clarinette, Piano (trio) 2 Flûte, Clarinette et Basson 2 Clarinette, Basson (duo) 2 Quatuor de Flûtes à bec 2 Flûte, Hautbois, Basson 2 Clarinette, Violoncelle (duo) 2 2 Flûte à bec (duo) 2 Saxophone, Clarinette (duo) 2 2 Hautbois (duo) 2 Flûte, Hautbois, Piano (trio) 1 2 Flûtes traversières, Piano 1 Flûte traversière, Basse continue 1 Ensemble de saxophones 1 Flûte, Violon et Violoncelle 1 Flûte à bec, Guitare (duo) 1 Clarinette, Violon (duo) 1 3 Flûtes à bec (trio) 1 Flûte de Pan 1 Quintette de Clarinette: Clarinette, Quatuor à Cordes 1 Flûte à bec Alto 1 Hautbois, Harpe 1 Flûte, Violoncelle 1 Saxophone 1 Flûte, Saxophone (duo) 1 Clarinette, Harpe (duo) 1 2 Flûtes à bec, Guitare 1 Flûte, Violon 1 Piccolo, Piano 1 Flûte, Violon, Piano 1 Clarinette (partie séparée) 1 2 Clarinettes, Piano 1 Flûte à bec Soprano 1 Flûte, Hautbois, Clarinette (trio) 1 Clarinette, Trompette (duo) 1 Flûte à Bec, Piano 1 Cuivres Cor et Piano 46 Cor 41 Trompette, Piano 40 Trombone et Piano 38 Trompette 34 Tuba et Piano 27 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 24 Quatuor de Cuivres : 2 trompettes, trombone, tuba 19 Tuba 18 Trombone 18 Cor anglais, Piano 13 Ensemble de Trombones 9 2 Trombones (duo) 8 Euphonium, Piano (duo) 7 Quatuor de cuivres: 4 trombones 7 Ensemble de Trompettes 4 2 Trompettes (duo) 4 Ensemble de Cors 3 Quatuor de cuivres: 4 cors 3 Trompette, Trombone (duo) 3 Quatuor de cuivres: 4 trompettes 2 2 Cors (duo) 2 4 Tubas 2 3 Tubas (trio) 2 3 Cors (trio) 2 3 Trombones (trio) 2 Trompette (partie séparée) 2 Trombone, Cor (duo) 1 Tuba et Orgue 1 2 Euphoniums (duo) 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 Trompette, Saxophone (duo) 1 Quatuor de Cuivres 1 Euphonium, Tuba (duo) 1 Trompette, Trombone, Piano 1 2 Tubas (duo) 1 Trompette, Cor (duo) 1 Cor (partie séparée) 1 Cordes Violon et Piano 75 Violoncelle, Piano 61 Alto, Piano 58 Quatuor à cordes: 2 violons, alto, violoncelle 52 Violon 35 Violoncelle 25 Contrebasse, Piano (duo) 22 Contre Basse 19 Alto seul 16 Violon, Violoncelle (duo) 16 Harpe, Flûte (duo) 12 Harpe 11 Trio à Cordes: violon, alto, violoncelle 9 Alto (partie séparée) 8 Violon, Alto (duo) 7 4 Violoncelles 7 2 Violoncelles (duo) 6 2 Violons (duo) 6 2 Altos (duo) 5 Trio à Cordes: 3 violoncelles 4 Alto, Violoncelle (duo) 3 Quatuor à cordes: 4 violons 3 Trio à Cordes: 2 violons, violoncelle 3 Trio à cordes: 3 violins 2 Quatuor à cordes : 4 altos 2 Quintette à cordes: 2 violons, alto, violoncelle, basse 2 Violon, Basson (duo) 1 Piano Trio: Violon, Alto, Piano 1 2 Violons, Piano 1 Violon (partie séparée) 1 Flûte, Contrebasse (duo) 1 Harpe, Violon (duo) 1 Violon, Basse continue 1 Violon, Guitare (duo) 1 Trio à cordes: 3 altos 1 Autres
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O Holy Night for Cello & Piano
# Violoncelle, Piano# FACILE# Noël# Adam# James M# O Holy Night for Cello & P# jmsgu3# SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Publ...(+)
Cello,Piano - Level 2 - SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Published by jmsgu3 (A0.548673). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
Handel: Largo (from Xerxes) for cello and piano
# Violoncelle, Piano# FACILE# G F Handel# Colin Kirkpatrick# Handel: Largo# Colin Kirkpatrick Publications# SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.522291 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Easter,Holiday. Score and part. 6 pages. Colin Kir...(+)
Cello,Piano - Level 2 - SKU: A0.522291 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6632869. Published by Colin Kirkpatrick Publications (A0.522291). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in G major and the cello part is written in the bass clef throughout. The top note is the G above the bass clef (G4) and the piece generally requires the use of long and sustained bowing (indicted in the score), though the cello fingering has been omitted. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a cello recital.
Sullivan: The Lost Chord for Cello & Piano
# Violoncelle, Piano# INTERMÉDIAIRE# Sir Arthur Seymour Sullivan# James M# dynamic control# Sullivan: The Lost Chord for C# jmsgu3# SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...(+)
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
Cello Sonata No.1 Op.45, 1st mvt, Allegro Commodo
# Violoncelle, Piano# AVANCÉ# Josef B Foerster# Zellev# No# Cello Sonata No.1 Op.45, 1st m# Zellev Music# SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1431347 Composed by Josef B Foerster. Arranged by Zellev. 19th Century,Classical,Contemporary,Historic,Romantic Period. ...(+)
Cello,Piano - Level 5 - SKU: A0.1431347 Composed by Josef B Foerster. Arranged by Zellev. 19th Century,Classical,Contemporary,Historic,Romantic Period. Score and part. 16 pages. Zellev Music #1011815. Published by Zellev Music (A0.1431347). Key Signature: F minorTime Signature: 6/8Tempo: Allegro CommodoDifficulty: AdvancedJosef Bohuslav Foerster (30 December 1859 – 29 May 1951) was a Czech composer and musicologist. He is often referred to as J. B. Foerster, and his surname is sometimes spelled Förster.-Life-Foerster was born in Prague. His ancestors were of Bohemian German ethnicity, but had assimilated into the Czech community. The family normally lived in Prague and was musical. His father, a composer also named Josef Foerster, taught at the Conservatory. (His father's students included Franz Lehár.) His brother was artist Viktor Foerster. Josef was educated accordingly, and duly studied there.-Style-Foerster produced numerous compositions. His music is not nationalistic in the sense of employing the idioms of Czech folk music. His work, words and music, is considered [by whom?] very subjective and personal, mystical and idealistic.Foerster's opera Eva is another example, like Leoš Janáček's Jenůfa, of a libretto based on a play by Gabriela Preissová, though his treatment differs.His compositions include five symphonies (No. 1 in D minor; No. 2 in F, Op. 29 (1892–98); No. 3 in D, Op. 36; No. 4 in C minor, Op. 54, Easter Eve (1905); and No. 5 in D minor, Op. 141 (1929)), other orchestral works including a symphonic poem based on Cyrano de Bergerac, much chamber music (including five string quartets (No. 1 in E, Op. 15; No. 2, Op. 39; No. 3 in C, Op. 61; No. 4 in F, Op. 182 (1943); and the last, written 1950–1, completed by Jan Hanuš); three piano trios, two violin and two cello sonatas, and a several-times-recorded wind quintet), at least five operas (notably Eva), concertos for cello (Op. 143) and two for violin (No. 1 in C minor, Op. 88 (1911); No. 2 in D minor, Op. 104), liturgical music, among other works, over 170 published opus numbers in all.Many of his works remember family members: the 2nd Symphony is dedicated to his sister Marie; his brother's death led to the cantata Mortuis fratribus; his son is commemorated in the Piano Trio and the 5th Symphony; and his mother is a theme throughout his oeuvre.
Largo for Cello and Piano
# Violoncelle, Piano# INTERMÉDIAIRE# Classique# Gaetano Donizetti# Largo for Cello and Piano# Artistic Score Engraving di Galvagno Michele# SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1427906 Composed by Gaetano Donizetti. Arranged by Fabrizio Capitanio and Michele Galvagno. 19th Century,Chamber,Classic...(+)
Cello,Piano - Level 3 - SKU: A0.1427906 Composed by Gaetano Donizetti. Arranged by Fabrizio Capitanio and Michele Galvagno. 19th Century,Chamber,Classical,Opera,Romantic Period. Score and part. 32 pages. Artistic Score Engraving di Galvagno Michele #1008651. Published by Artistic Score Engraving di Galvagno Michele (A0.1427906). Among all opera composers, Gaetano Donizetti (1797–1848) was perhaps the most prolific when it comes to chamber music. He composed sixteen string quartets, countless pages for piano (solo and four-hands), and several fantasia-style pieces for solo instrument and piano. The autograph of the Largo for cello and piano survived to this day thanks to virtuoso cellist Alfredo Piatti (1822—1901), in whose collection it safely rested until it could be unearthed once more. Crafted with meticulous attention to detail, this edition of the Largo brings the piece back to life, providing a comprehensive and accurate representation of the original manuscript. A thorough section of Critical Notes will let you compare the four existing sources and understand why this edition was needed.This edition comes in a bundle of full score and two separate cello part, one unedited, and one with performance suggestions by Michele Galvagno.
Ode to Joy by Beethoven for Cello and Piano
# Violoncelle, Piano# DÉBUTANT# Classique# Classique# Ludwig van Beethoven# Ander# Ode to Joy by Beethoven for Ce# Woods Only, Arrangements# SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1241140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pa...(+)
Cello,Piano - Level 1 - SKU: A0.1241140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836536. Published by Woods Only, Arrangements (A0.1241140). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
