Partitions Numériques de Sing Together pour Alto, Piano

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Sing Together

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Alto, Piano

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Volare

Volare #Alto, Piano #INTERMÉDIAIRE #Domenico Modugno #Cathy Stamegna #Concert Key, A. #Volare #Cathy Stamegna #SheetMusicPlus

Large Ensemble Piano,Viola - Level 3 - SKU: A0.780878 By Domenico Modugno. By Domenico Modugno. Arranged by Cathy Stamegna. Contemporary,Film/TV,Multicu...(+)

Large Ensemble Piano,Viola - Level 3 - SKU: A0.780878 By Domenico Modugno. By Domenico Modugno. Arranged by Cathy Stamegna. Contemporary,Film/TV,Multicultural,Pop,World. Score and part. 9 pages. Cathy Stamegna #5735865. Published by Cathy Stamegna (A0.780878). Volare (Nel Blu, Dipinto Di Blu) (Viola Solo, Chords, Piano Accompaniment). Concert Key, A. This popular Italian song has been recorded in other countries as well as its native Italy. The viola incorporates legato melodic lines while the piano complements with staccato embellishments and echoing phrases. Created during a time of social distancing because of the coronavirus pandemic, giving people an opportunity to play and sing together. Chords included for guitar or mallet instruments to accompany as well. Other vocal and instrumental arrangements available. Set of Parts.

$4.99 ≈ ¥36.02

I Write The Songs
I Write The Songs #Alto, Piano #INTERMÉDIAIRE #Barry Manilow #James M #I Write The Songs #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pa...(+)

Piano,Viola - Level 3 - SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486067. Published by jmsgu3 (A0.549328). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

$39.95 ≈ ¥288.39

Sullivan: The Lost Chord for Viola & Piano
Sullivan: The Lost Chord for Viola & Piano #Alto, Piano #INTERMÉDIAIRE #Sir Arthur Seymour Sullivan #James M #Sullivan: The Lost Chord for V #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...(+)

Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â Â

$26.95 ≈ ¥194.55

A Night In Tunisia
A Night In Tunisia #Alto, Piano #INTERMÉDIAIRE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...(+)

Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ ¥64.90

GOSPEL HYMN SUITE (For Viola & Piano with Score & Viola Part)
GOSPEL HYMN SUITE (For Viola & Piano with Score & Viola Part) #Alto, Piano #INTERMÉDIAIRE #Musique Sacrée #Musique Sacrée #Charles H #Gary Lanier #GOSPEL HYMN SUITE #The Lanier Company #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.617011 Composed by Charles H. Gabriel, Peter P. Bilhorn, and R. Kelso Carter. Arranged by Gary Lanier. Christian,Gospel,...(+)

Piano,Viola - Level 3 - SKU: A0.617011 Composed by Charles H. Gabriel, Peter P. Bilhorn, and R. Kelso Carter. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. 25 pages. The Lanier Company #4278759. Published by The Lanier Company (A0.617011). GOSPEL HYMN SUITE is a set of 3 hymns arranged by Gary Lanier for Viola and Piano. The titles are (1) Since Jesus Came into My Heart, (2) I Will Sing the Wondrous Story, & (3) Standing On the Promises. The Viola part is included for each hymn. They can be performed separately or together as a suite. The cost is less than for the price of 2. These hymn arrangements are ideal for special music in worship services, concerts or for the joy of playing in any situation where Gospel music is enjoyed (25 pages).

$11.98 ≈ ¥86.48

La Vie En Rose
La Vie En Rose #Alto, Piano #INTERMÉDIAIRE #Edith Piaf #AndrÃ© Nusa #La Vie En Rose #Andre_Nusa #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.1230905 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by AndrÃ© Nusa. Jazz,Pop,Singer/Songwriter,Standard...(+)

Piano,Viola - Level 3 - SKU: A0.1230905 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by AndrÃ© Nusa. Jazz,Pop,Singer/Songwriter,Standards. Score and part. 4 pages. Andre_Nusa #826596. Published by Andre_Nusa (A0.1230905). This piano and viola arrangement of the song La Vie En Rose by Edith Piaf is a charming and simple interpretation of this classic French tune.Â The piano provides a smooth and steady accompaniment while the viola takes on the iconic melody of the song. The piano plays a simple chord progression, providing a warm foundation for the viola to shine. The viola soars above the piano, playing the melody with a sweet and expressive tone that captures the essence of the original song. The piano and viola work together seamlessly, creating a beautiful interplay between the two instruments. The arrangement highlights the melody, allowing the violaÂ to showcase its versatility and range. This arrangement is ideal for intermediate musicians who want to perform La Vie En Rose in a stripped-down and intimate setting, while still maintaining the essence of the song's timeless charm.

$4.99 ≈ ¥36.02

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