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Symphony No. 9
Non classifié
37
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Vous avez sélectionné:
Symphony No. 9
intermédiaire
Alto, Piano
Partitions à imprimer
4 partitions trouvées
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1
"Largo" from Symphony No. 9 arranged for Viola & Piano
"Largo" from Symphony No. 9 - Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Andrew Middleton
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"Largo" from Symphon
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Andrew Middleton
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.735225 Composed by Antonin Dvorak. Arranged by Andrew Middleton. Romantic Period. Score and part. 4 pages. Andrew Middle...
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Piano,Viola - Level 3 - SKU: A0.735225 Composed by Antonin Dvorak. Arranged by Andrew Middleton. Romantic Period. Score and part. 4 pages. Andrew Middleton #3928073. Published by Andrew Middleton (A0.735225). The theme from Largo, second movement of Dvorak's Ninth Symphony, arranged for viola solo and piano accompaniment. Whilst American audiences are more familiar with this music being used at funerals, UK audiences will instantly recognise this as the music from the Hovis bread advert.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99 ≈
4.66€
"Theme From Symphony No.40"-Piano Background for Viola and Piano
"Theme From Symphony No.40"-Piano Background for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Fishel Pustilnik
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Piano (Jazz/Pop Version)
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"Theme From Symphony No.4
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F & N Enterprise
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.633176 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 9 page...
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Piano,Viola - Level 3 - SKU: A0.633176 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 9 pages. F & N Enterprise #3369877. Published by F & N Enterprise (A0.633176). Piano Background for famous Song Theme From Symphony No.40- Viola & Piano (Jazz/Pop Version). Plus Version at SMP: SO 217989 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard
$1.99 ≈
1.86€
Largo, From Symphony No. 9 "The New World"
Largo, From Symphony No. 9 "The New World"
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Jireh J
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Largo, From Symphony No. 9 &qu
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Jireh J.
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1258857 Composed by Antonin Dvorak. Arranged by Jireh J. Classical. Score and part. 16 pages. Jireh J. #852119. Publishe...
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Piano,Viola - Level 3 - SKU: A0.1258857 Composed by Antonin Dvorak. Arranged by Jireh J. Classical. Score and part. 16 pages. Jireh J. #852119. Published by Jireh J. (A0.1258857). This arrangement was made for Viola and Piano.
$5.99 ≈
5.60€
Saint-Saens: The Swan for Viola and Piano
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
32.65€
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