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some were not
Non classifié 65

Piano & claviers
Piano, Voix et Guitare 311
Piano seul 85
Piano, Voix 55
Instruments en Do 2
Piano Trio: piano, violon, violoncelle 2

Piano Facile 1

+ 1 instrumentations

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Guitares
Guitare notes et tablatures 11
Guitare 7
Basse electrique 2
2 Guitares (duo) 2
Ukulele 1

Banjo 1

+ 1 instrumentations

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Voix
Chorale SATB 12
Voix Alto, Piano 5
Chorale 3 parties 2
Chorale TTBB 2
Voix duo, Piano 2

Voix Soprano, Piano 1
Voix duo 1
Voix Soprano 1
Chorale 2 parties 1
Chorale SSAA 1

+ 5 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 15
Quatuor de Saxophones: 4 saxophones 7
Flûte, Hautbois, Clarinette, Basson 4
Quatuor de Clarinettes: 4 clarinettes 4
Flûte traversière et Piano 4

Ensemble de Clarinettes 3
Quatuor de Flûtes : 4 flûtes 3
Saxophone Soprano et Piano 3
2 Flûtes traversières (duo) 2
Ensemble de Flûtes 2
Flute, harpe et violon 2
Quintette de Saxophone: 5 saxophones 2
Hautbois, Piano (duo) 2
Saxophone Alto et Piano 2
Flûte, Hautbois, Clarinette (trio) 2
Quintette de Clarinettes: 5 clarinettes 1
Clarinette Basse, Piano 1
Quintette de Flûte : 5 flûtes 1
Clarinette et Piano 1
Hautbois, Harpe 1
Clarinette 1
2 Clarinettes, Piano 1
2 Flûtes traversières, Piano 1
Clarinette Basse 1
Flûte, Clarinette et Basson 1
Flûte à bec Soprano 1
2 Saxophones (duo) 1

+ 22 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 11
Quatuor de Cuivres : 2 trompettes, trombone, tuba 9
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Ensemble de Trompettes 2
Quatuor de Cuivres 2

Cor et Piano 2
2 Cors (duo) 1
Ensemble de Trombones 1
4 Tubas 1
Trombone 1
Quatuor de cuivres: 4 trombones 1

+ 6 instrumentations

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Cordes
Harpe 10
Quatuor à cordes: 2 violons, alto, violoncelle 8
Trio à Cordes: violon, alto, violoncelle 6
Violon 3
Alto, Piano 3

Violon et Piano 3
Violoncelle, Piano 2
4 Violoncelles 2
Ensemble de Violons 1
2 Violons (duo) 1
Contrebasse, Piano (duo) 1
Harpe, Flûte (duo) 1
Quatuor à cordes : 4 altos 1
Quatuor à cordes: 4 violons 1
Violon, Violoncelle (duo) 1
Ensemble d'Altos 1
4 Contrebasses 1
Trio à Cordes: 2 violons, violoncelle 1
Harpe et Piano 1
Harpe, Voix 1
Trio à Cordes: 3 violoncelles 1

+ 16 instrumentations

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Percussions & orchestre
Orchestre à Cordes 8
Orchestre de chambre 5
Orchestre d'harmonie 5
Ensemble de cuivres 3
Jazz combo 2

Ensemble Jazz 2
Cloches 1
Ensemble de Percussions 1
Orchestre 1

+ 4 instrumentations

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Alto, Piano

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Saint-Saens: The Swan for Viola and Piano

Saint-Saens: The Swan for Viola and Piano #Alto, Piano #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saens: The Swan for Viol #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...(+)

Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$34.95 ≈ ¥252.39

Agnus Dei for Viola Duet and Piano

Agnus Dei for Viola Duet and Piano #Alto, Piano #INTERMÉDIAIRE #Francois Clement Theodore Dubo #Lisa Ochoco #Agnus Dei for Viola Duet and P #Lisa L Ochoco #SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1285739 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco....(+)

Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1285739 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 19th Century,Romantic Period. 15 pages. Lisa L Ochoco #876834. Published by Lisa L Ochoco (A0.1285739). ThÃ©odore Dubois was a French composer and organist who was well-known in the Paris music scene, due to his position as a professor of harmony at the Paris Conservatoire. Â Most of his works were religious ones. Â He had hoped for a successful opera career, but that unfortunately did not happen.Agnus Dei was originally a vocal duet with piano, which translates well as an instrumental duet. Â I extended the piece to include some key changes to add interest. Â Otherwise, the piece remains mostly as the composer wrote it.This arrangement is suitable for musicians with intermediate music skills.Scored for 2 violas and piano.Duration: 4.25 minutes.

$12.00 ≈ ¥86.66

To The Challenges We Face - for Solo Viola (piano accompaniment)

To The Challenges We Face - for Solo Viola (piano accompaniment) #Alto, Piano #INTERMÉDIAIRE #Aaron Meier #To The Challenges We Face - fo #Aaron Meier #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.922642 Composed by Aaron Meier. Contemporary,Folk. Score and part. 7 pages. Aaron Meier #5835891. Published by Aaron Mei...(+)

Piano,Viola - Level 3 - SKU: A0.922642 Composed by Aaron Meier. Contemporary,Folk. Score and part. 7 pages. Aaron Meier #5835891. Published by Aaron Meier (A0.922642). Original composition by Aaron Meier. Edited from the Go Compose Online! North America May 2020 workshop Piano accompaniment for solo viola Difficulty level: Intermediate Approx. length: 3:47 min. Background: To The Challenges We Face was originally created during the Go Compose Online! North America May 2020 pilot workshop. This workshop, aimed toward youth, took a select number of applicants from all around North America and provided them individual tutoring with well-established composers, theory professors, and musicians during the Covid-19 pandemic and its associated shutdown of society. The workshop was centered around the theme Encoded Composition, where the music written portrayed some sort of hidden meaning, either illustrated through the music or through the individual notes composed on staff paper. All the pieces created during the workshop were performed by professional musicians (including solo instrumentation for piano, viola, unpitched percussion, and pitched percussion). In all, there were applicants from around North America, including the United States, Canada, and El Salvador.

$4.99 ≈ ¥36.04

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