Partitions Numériques de D Major Scale for Piano pour Alto, Piano

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D Major Scale for Piano
Non classifié 34

Piano & claviers
Piano seul 46
Piano Facile 37
Piano, Voix 12
Piano, Voix et Guitare 3
1 Piano, 4 mains 3

Piano Quatuor: piano, violon, alto, violoncelle 1
Instruments en Do 1
Accompagnement Piano 1
Orgue 1

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Guitares
Guitare notes et tablatures 1

Voix

Vents
Saxophone (partie séparée) 4
Clarinette 3
Flûte traversière et Piano 3
Hautbois (partie séparée) 2
2 Flûtes traversières (duo) 2

Saxophone Alto 2
Flûte traversière 2
Saxophone Baryton, Piano 1
Clarinette et Piano 1
Hautbois, Piano (duo) 1
Saxophone Tenor et Piano 1

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Cuivres
Trompette 3
Trombone 2
Trombone et Piano 1
Euphonium, Piano (duo) 1

Cordes
Violon et Piano 16
Violon 4
Alto, Piano 3

Alto seul 2
Contrebasse, Piano (duo) 2

Violoncelle (partie séparée) 2
2 Violons (duo) 1
Violon, Violoncelle (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Trio à Cordes: 3 violoncelles 1
Violoncelle, Piano 1

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Percussions & orchestre
Orchestre d'harmonie 10
Orchestre à Cordes 6
Orchestre 2
Ensemble d'École 1

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D Major Scale for Piano

Alto, Piano

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3 partitions trouvées

Sonata in a Simple Scale for Viola and Piano

Sonata in a Simple Scale for Viola and Piano #Alto, Piano #INTERMÉDIAIRE/AVANCÉ #Contemporain #Daniell Mattern #Sonata in a Simple Scale for V #Daniell Mattern #SheetMusicPlus

Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...(+)

Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#â€¦) or a half step (C C# D# E F#â€¦); the third scale excludes C entirely (B C# D E Fâ€¦). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.

$8.00

Pachelbel: Canon for Viola & Piano

Pachelbel: Canon for Viola & Piano #Alto, Piano #INTERMÉDIAIRE #Classique #Johann Pachelbel #James M #Pachelbel: Canon for Viola &am #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score...(+)

Piano,Viola - Level 3 - SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3385399. Published by jmsgu3 (A0.548460). The famous Pachelbel Canon arranged for viola & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's CanonÂ is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-FranÃ§ois Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Â Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â€“1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â

$32.95

Viola Friends Method Book 3

Viola Friends Method Book 3 #Alto, Piano #INTERMÉDIAIRE #Traditional #Lauri Hamalainen #Viola Friends Method Book 3 #Suomi Music #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.1318081 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. Edu...(+)

Piano,Viola - Level 3 - SKU: A0.1318081 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. Educational Method. 77 pages. Suomi Music #906783. Published by Suomi Music (A0.1318081). VIOLA FRIENDS METHOD BOOK 3Viola Friends Method Book Volume 3 is a fun and colorful collection of great music for the advanced viola player presenting music from J.S.Bach, G.Tartini, H.Purcell, R.Glinka, E.Elgar, F.Gossec, G.F.Handel, W.A.Mozart, L.Beethoven, A.Dvorak, P.Tchaikovsky, and N.Baklanova.Viola Friends 3 is the third part of the Viola Friends family of music books. The repertoire and exercises in volume 3 use shifting and playing music in the 3rd position, scales on one string, etudes by Wohlfart, bowing exercises by Sevcik, and double-stops from J. Trott and Bach.Viola Friends method book 3 contains the most famous student concertinos for violin arranged for Viola and PianoConcertino in G Major Op. 11 by KÃ¼chlerConcerto in B minor Op. 35 by O. RiedingConcerto in G Major Op. 34 by O. RiedingConcerto in D Major Op. 15 by F. KÃ¼chler,Â All Viola Friends music is easily learnable with the help of simplified piano parts, Youtube play-along videos on the Violin Friends Youtube channel, and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.

$24.90

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