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--INSTRUMENTS--
ACCORDEON
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Lament for solo piano
Non classifié
33
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Lament for solo piano
Alto, Piano
Partitions à imprimer
12 partitions trouvées
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1
Enclopius Lament for Solo Viola and Piano (or Harp) from The Satyricon Ballet
Enclopius Lament for Solo Viola and Piano (or Harp) from The Satyricon Ballet
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Alto, Piano
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INTERMÉDIAIRE
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James Nathaniel Holland
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Enclopius Lament for Solo Viol
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James Nathaniel Holland
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SheetMusicPlus
Small Ensemble Harp,Piano,Viola - Level 3 - SKU: A0.730438 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Love. Score and parts. 9 pa...
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Small Ensemble Harp,Piano,Viola - Level 3 - SKU: A0.730438 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Love. Score and parts. 9 pages. James Nathaniel Holland #3436767. Published by James Nathaniel Holland (A0.730438). The touching, passionate and beautiful adagio from James Nathaniel Holland's ballet, The Satyricon, arranged here for solo Viola and Piano (or Harp) or Viola, Harp and Piano trio (Harp playing treble clef and piano bass clef of piano part) Full piano score in concert pitch is included and individual horn part. Perfect for Valentine's Day, Mother's Day concert.
$4.95
Nänie - lament for a songbird - for viola trio and piano
Nänie - lament for a songbird - for viola trio and piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Robert Schumann
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David Warin Solomons
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Nänie - lament for a song
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David Warin Solomons
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.577423 Composed by Robert Schumann. Arranged by David Warin Solomons. Romantic Period. Score and part. 10 pages. David W...
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Piano,Viola - Level 3 - SKU: A0.577423 Composed by Robert Schumann. Arranged by David Warin Solomons. Romantic Period. Score and part. 10 pages. David Warin Solomons #6353425. Published by David Warin Solomons (A0.577423). Based on Robert Schumann's song Nänie
$7.00
Dido's Lament (Viola Solo with Piano Accompaniment)
Dido's Lament (Viola Solo with Piano Accompaniment)
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Alto, Piano
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INTERMÉDIAIRE
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Henry Purcell
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B
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Dido's Lament
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Ben Dockery
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1279341 Composed by Henry Purcell. Arranged by B. C. Dockery. Baroque,Classical,Opera. Score and part. 5 pages. Ben Dock...
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Piano,Viola - Level 3 - SKU: A0.1279341 Composed by Henry Purcell. Arranged by B. C. Dockery. Baroque,Classical,Opera. Score and part. 5 pages. Ben Dockery #870826. Published by Ben Dockery (A0.1279341). From Henry Purcell's opera Dido and Aeneas, this is When I am laid in earth arranged for viola solo with piano accompaniment. Great for lessons, recitals, and performances of all kinds. Intermediate level. Includes score and parts.
$3.99
A WINTER'S LAMENT
A WINTER'S LAMENT
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Garth M
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Garth M
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A WINTER'S LAMENT
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Garth M. Williams
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1452725 By Garth M. Williams. By Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Celtic,Contest,Festiv...
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Piano,Viola - Level 4 - SKU: A0.1452725 By Garth M. Williams. By Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Celtic,Contest,Festival,Folk,Instructional,Irish. Score and part. 2 pages. Garth M. Williams (Socan) #1032004. Published by Garth M. Williams (Socan) (A0.1452725). This original folk melody has been written for solo viola and piano.
$45.00
Phaethon for Solo Viola and Piano
Phaethon for Solo Viola and Piano
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Alto, Piano
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AVANCÉ
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David F Wainwright
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Phaethon for Solo Viola and Pi
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D F Wainwright
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.771526 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. D F Wainwr...
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Piano,Viola - Level 5 - SKU: A0.771526 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. D F Wainwright #4352641. Published by D F Wainwright (A0.771526). PHAETHON was a youthful son of Helios who begged his father let him drive the chariot of the sun. The god reluctantly conceded to the boy's wishes and handed him the reigns. But his inexperience proved fatal, for Phaethon quickly lost control of the immortal steeds and the sun-chariot veered out of control setting the earth ablaze. Zeus, appalled by the destruction, smote the boy with a thunderbolt, hurling his flaming body into the waters of the River Eridanos. Phaethon's sisters, the Heliades, gathered on the banks and in their mourning were transformed into amber-teared poplar trees. This piece, written for my daughter, Penny, for her 2nd year recital at university, depicts the story of Phaethon, through to his destruction. The second piece, Tears of the Heliad, written for her degree recital and also published on SMP, finishes the story with the lamenting of the Heliades and their tears eventually turning to drops of golden amber
$10.99
Mussorgsky: Pictures at an Exhibition for Viola & Piano
Mussorgsky: Pictures at an Exhibition for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.549930 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standard...
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Piano,Viola - Level 4 - SKU: A0.549930 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303441. Published by jmsgu3 (A0.549930). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Alto, Piano
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FACILE
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Contemporain
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95
A WINTER'S LAMENT FOR SOLO VIOLA AND PIANO
A WINTER'S LAMENT FOR SOLO VIOLA AND PIANO
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Alto, Piano
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INTERMÉDIAIRE
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Garth M
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Garth M
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A WINTER'S LAMENT FOR SOLO VIO
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Garth M. Williams
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Piano,Viola - Level 3 - SKU: A0.1424080 By Garth M. Williams. By Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Chamber,Classical,Con...
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Piano,Viola - Level 3 - SKU: A0.1424080 By Garth M. Williams. By Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Chamber,Classical,Contemporary,Contest,Festival. Score and part. 9 pages. Garth M. Williams (Socan) #1005259. Published by Garth M. Williams (Socan) (A0.1424080). A Winter's Lament is being presented with solo viola. The instrument takes beautifully to the key and the tessatura of the viola. A beautiful piece.
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Lament (Viola & Piano)
Lament (Viola & Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Paul Barker Music
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Lament
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Paul Barker Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1423617 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Score and...
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Piano,Viola - Level 3 - SKU: A0.1423617 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 13 pages. Paul Barker Music #1004858. Published by Paul Barker Music (A0.1423617). Lament is a powerfully scored duet for Viola and Piano. It presents a dynamic range of emotions created through the rich use of harmony, strong melodic themes and dramatic cadenzas. This contemporary work is scored to showcase both soloists in a virtuosic dialogue and is ideal for recitals, concerts, and competitions.Performance Recording and Piano Accompaniment MP3s are also available from www.paulbarkermusic.com and here.Duration: 3:10Level: Intermediate (UK Grade 5+ & US 2+)Occasion: Concert – Competitions - Recital Orchestration: Viola - Piano.
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Lament
Lament
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Samuel Coleridge-Taylor
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Steven Nunes
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Lament
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Nagamon Publications
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Piano,Viola - Level 4 - SKU: A0.1422431 Composed by Samuel Coleridge-Taylor. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and...
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Piano,Viola - Level 4 - SKU: A0.1422431 Composed by Samuel Coleridge-Taylor. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 13 pages. Nagamon Publications #1003770. Published by Nagamon Publications (A0.1422431). Samuel Coleridge-Taylor (15 August 1875 – 1 September 1912) was a British composer and conductor. Of mixed-race descent, Coleridge-Taylor achieved such success that he was referred to by white musicians in New York City as the African Mahler when he had three tours of the United States in the early 1900s. He was particularly known for his three cantatas on the epic 1855 poem The Song of Hiawatha by American Henry Wadsworth Longfellow.This melodic and challenging work is suitable advanced intermediate players, or for players of a ABRSM Grade 8 standard and above. The PDF contains the piano score and the solo part.
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Recicanto
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Alto, Piano
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Heinz Holliger
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Recicanto
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Viola and small orchestra - SKU: S9.Q5928 Composed by Heinz Holliger. This edition: piano reduction with solo part. Viola Library. Downloadable, Piano reduction with solo part. Duration 25 minutes. Schott Music - Digital #Q5928. Published by Schott Music - Digital (S9.Q5928). The title combines the words recitare and cantare, and thus this eloquent song embodies a renewed attempt to demonstrate the communicative power of music. The piece was written for Tabea Zimmermann and dedicated to her, while at the same time, in the tradition of a Lamento di Viola, commemorating the harpsichordist Christiane Jaccottet.2 (1. auch Picc., 2. auch Picc. und Altfl.) · 1 (auch Ob. d'am.) · Engl. Hr. · 2 (2. auch Bassklar.) · Kb.-Klar. (auch 2. Bassklar.) · 2 - 2 · 2 · 1 · 0 - P. S. (Glsp. · Marimba · Röhrengl. · sizzle-Beck. [auch mit Plastik-Reibestab] · Beck. · 2 Tamt. · 2 Gong · Wassergong · 3 Bong. · 2 Tomt. · gr. Tr. · Guiro · Mar. · Sandblock) (2 Spieler) - Hfe. · Cel. (auch Klav.) - Str. (5 · 0 · 0 · 4 · 3 [3. mit tiefem C]).
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Alto, Piano
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FACILE
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Great Is Thy Faithfulness
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Exultet Music
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Piano,Viola - Level 2 - SKU: A0.1047804 Composed by Phillip Keveren, Thomas O. Chisholm, and William Runyan. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. Score and part. 12 pages. Exultet Music #652238. Published by Exultet Music (A0.1047804). The popular Christian hymn that is based from the Old Testament Book of Lamentations 3:23 has now been freshly arranged in a tender 4/4 time signature for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
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