Partitions Numériques de Momento pour Alto, Piano

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Momento
Non classifié 40

Piano & claviers
Piano seul 55
Piano, Voix 8
Piano, Voix et Guitare 6
Piano Trio: piano, violon, violoncelle 3
Orgue 2

Piano Facile 2
Piano Quatuor: piano, violon, alto, violoncelle 1
Instruments en Do 1

+ 3 instrumentations

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Guitares
Guitare 8
Guitare notes et tablatures 6
Ligne De Mélodie, (Paroles) et Accords 4

Voix
Chorale SATB 8
Voix Soprano, Piano 3
Voix Tenor, Piano 2
Chorale 3 parties 1

Vents
Clarinette 5
Hautbois, Piano (duo) 3
Quatuor de Clarinettes: 4 clarinettes 3
Clarinette et Piano 3
Saxophone Alto et Piano 2

2 Clarinettes (duo) 2
Saxophone Tenor et Piano 1
Saxophone Baryton, Piano 1
Quatuor de Saxophones: 4 saxophones 1
Flûte traversière et Piano 1
Cor anglais, Piano 1
Saxophone Soprano et Piano 1
Flûte, Hautbois, Clarinette, Basson 1

+ 8 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Cor et Piano 1
Tuba et Piano 1
Cor anglais, Piano 1
Trompette 1

Quatuor de cuivres: 4 trombones 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Trombone et Piano 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 10
Alto, Piano 3

Violon, Guitare (duo) 2
Violon 2
2 Violons (duo) 1

Violon et Piano 1
Harpe, Flûte (duo) 1

+ 2 instrumentations

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Percussions & orchestre
Orchestre 7
Orchestre d'harmonie 6
Orchestre de chambre 3
Orchestre à Cordes 3
Batterie 1

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Vous avez sélectionné:

Momento

Alto, Piano

Partitions à imprimer

3 partitions trouvées

Momentos

Momentos #Alto, Piano #Jailton de Oliveira #Momentos #Jailton de Oliveira #SheetMusicPlus

Piano,Viola - SKU: A0.1459247 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. Score and part. 30 pages. Jailton de Oliveir...(+)

Piano,Viola - SKU: A0.1459247 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. Score and part. 30 pages. Jailton de Oliveira #1038189. Published by Jailton de Oliveira (A0.1459247). Momentos, for Viola and PianoThe work is divided into five parts: Part 1 is inspired in the sounds produced by the orchestra when tuning before each concert. There is emphasis on note A and the rhythms are out of phase. In Part 2 the viola “pizzicati” sounds are explored, in an atonal language, with intensive rhythmic dialogue between the two instruments. In Part 3 there is a vigorous rhythmic sense, with some metric changes and rhythmic contrasts, which sometimes, let the two instruments almost discordant with each other. In Part 4 is used the idea of an elastic time, that stretches and contracts. This idea is represented by a motif played by the viola. This motif is developed by a process of addition and subtraction of notes. Part 5 represents the idea of monotony, followed by try to break this monotony. This part begins with repeated elements that little by little, get transformed. Other elements appear, while the texture gets denser and the material presented by the viola acquire a degree of more virtuosity. Part 5 concludes with a brief rarefied texture.

$18.99 ≈ $25.56

Momento (viola version)

Momento (viola version) #Alto, Piano #INTERMÉDIAIRE/AVANCÉ #Roberto PÃ¡lmer #Momento #Roberto PÃ¡lmer Music #SheetMusicPlus

Piano,Viola - Level 4 - SKU: A0.1333241 By Roberto PÃ¡lmer. By Roberto PÃ¡lmer. 21st Century,Chamber,Classical,Contemporary. Score and part. 18 page...(+)

Piano,Viola - Level 4 - SKU: A0.1333241 By Roberto PÃ¡lmer. By Roberto PÃ¡lmer. 21st Century,Chamber,Classical,Contemporary. Score and part. 18 pages. Roberto PÃ¡lmer Music #919516. Published by Roberto PÃ¡lmer Music (A0.1333241). I bring you the melodies back with this beautiful piece inspired by Brahms and his works for clarinet (viola) and piano.Web

$20.00 ≈ $26.92

Luther: Out of the Depths for Viola & Piano

Luther: Out of the Depths for Viola & Piano #Alto, Piano #DÉBUTANT #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 1 - SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4...(+)

Piano,Viola - Level 1 - SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ $33.59

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