Partitions Numériques de The Officer pour Alto, Piano

Tout le site ▾

Mon compte
(connectez-vous)

€

EUR €USD $GBP £CAD $CNY ¥

English

Partitions Gratuites ▾
Partitions Numériques
Librairie Musicale ▾

Matériel de Musique ▾

STUDIO | SONO |

ACCESSOIRES |

The Officer
Non classifié 28

Piano & claviers
Piano seul 281
Piano, Voix 53
Piano Facile 3
1 Piano, 4 mains 2
Instruments en Do 2

Piano, Voix et Guitare 1
Piano grosses notes 1

+ 2 instrumentations

Retracter

Guitares
Ligne De Mélodie, (Paroles) et Accords 2
Ukulele 1

Voix
Chorale SATB 17
Chorale 3 parties 5
Chorale Unison 1
Voix seule 1
Voix Tenor, Piano 1

Chorale TTBB 1

+ 1 instrumentations

Retracter

Vents
Saxophone Alto et Piano 4
Saxophone Soprano et Piano 4
2 Saxophones (duo) 4
Clarinette et Piano 3
Hautbois, Piano (duo) 2

Flûte traversière 2
Cor anglais, Piano 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Quatuor de Saxophones: 4 saxophones 1
Quintette de Saxophone: 5 saxophones 1
Quatuor de Clarinettes: 4 clarinettes 1
Saxophone Alto 1
2 Clarinettes (duo) 1
Saxophone Tenor 1
Flûte, Hautbois, Clarinette, Basson 1
2 Flûtes traversières (duo) 1
Ensemble de Flûtes 1
Flûte traversière et Piano 1
Clarinette 1

+ 14 instrumentations

Retracter

Cuivres
Trompette 9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 7
Cor anglais, Piano 2
2 Cors (duo) 1
2 Trompettes (duo) 1

Cor 1
Trompette, Piano 1
2 Euphoniums (duo) 1
Ensemble de Trombones 1
2 Trombones (duo) 1

+ 5 instrumentations

Retracter

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 5
Alto, Piano 3

Violon 3
2 Violons (duo) 1
Violoncelle 1

Harpe, Flûte (duo) 1
2 Altos (duo) 1
2 Violoncelles (duo) 1
Violon et Piano 1
Violon, Violoncelle (duo) 1
Alto seul 1
Violoncelle, Piano 1
Alto (partie séparée) 1

+ 8 instrumentations

Retracter

Percussions & orchestre
Orchestre 12
Orchestre d'harmonie 7
Orchestre à Cordes 5
Ensemble de cuivres 5
Cloches 4

Orchestre de chambre 2
Batterie 1
Quintette de Cuivres: autres combinaisons 1
Quintette à Vent 1
Ensemble de Percussions 1
Ensemble Jazz 1

+ 6 instrumentations

Retracter

Autres

Imprimer aprés achat

Accueil

Européens

Américains

Chez Virtualsheetmusic

Artistes Internationaux

Artistes Francophones

Top artistes

POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman

PARTITIONS GRATUITES
187 000+ partitions

BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison

PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer

MATERIEL DE MUSIQUE
Accessoires & Instruments

Partitions Numériques, Accès après l'Achat

Expédition postale Téléchargement

Tri et filtres :

avec audio

avec vidéo

avec play-along

Vous avez sélectionné:

The Officer

Alto, Piano

Partitions à imprimer

3 partitions trouvées

Korsakov: Flight of the Bumblebee for Viola & Piano

Korsakov: Flight of the Bumblebee for Viola & Piano #Alto, Piano #AVANCÉ #Classique #Contemporain #Nikolay Andreyevich Rimsky-Kor #James M #Korsakov: Flight of the Bumble #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...(+)

Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Â Korsakov Background Nikolai Rimsky-KorsakovÂ (1844 â€“1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire. Â Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade.Â Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â

$32.95 ≈ 29.72€

Trois pièces : Andante, Sérénade et Chant Serbe

Trois pièces : Andante, Sérénade et Chant Serbe #Alto, Piano #INTERMÉDIAIRE/AVANCÉ #Clémence de Grandval #Paul Wehage #Trois pièces : Andante, #Musik Fabrik Music Publishing #SheetMusicPlus

Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Scor...(+)

Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

$18.95 ≈ 17.09€

Acheter des Partitions Numériques à Imprimer

Accueil
A propos
Contact, mentions légales
Espace membre
Service de license
Faire un don

PARTITIONS GRATUITES
LIBRAIRIE MUSICALE
PARTITIONS NUMÉRIQUES
MATERIEL DE MUSIQUE
CONCOURS DE COMPOSITION
ANNUAIRE WEB

Suivre free-scores.com