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Cantique de Noël for French Horn & Piano
Cantique de Noël for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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Cantique de Noël for Fren
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435...
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French Horn,Piano - Level 1 - SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435. Published by jmsgu3 (A0.548674). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.  Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  ÂÂ
$28.95 ≈
$39.13
Luther: Out of the Depths for French Horn & Piano
Luther: Out of the Depths for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and p...
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French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
$33.73
10 Easy Romantic Pieces - for French Horn and Piano
10 Easy Romantic Pieces - for French Horn and Piano
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Cor et Piano
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DÉBUTANT
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Classique
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Various
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Francesco Leone
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10 Easy Romantic Pieces - for
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Glissato Edizioni Musicali
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SheetMusicPlus
By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tch...
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By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820356. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for French Horn in F and Piano. This collection is particularly useful for students in their first courses, as it provides excellent material for both essays and concerts.
Easy keys and range for F Horn
Easy Piano accompaniment
Musical themes taken from the original compositions:
Largo from ?New World Symphony? ? A. Dvorák
Theme from "Le Streghe" - N. Paganini
Melody in F ? A. Rubinstein
Soldier March ? R. Schumann
The Great Gate of Kiev - M. Mussorgsky
Theme from "New World Symphony" (IV mov.) - A. Dvorák
Theme from "Symphony n. 1" (IV mov.) - J. Brahms
Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99 ≈
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