Partitions Numériques de A Time Is Near pour Cor et Piano

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A Time Is Near
Non classifié 206

Piano & claviers
Piano seul 129
Piano, Voix 69
Piano, Voix et Guitare 13
Piano Facile 12
Orgue 12

Instruments en Do 5
Piano Trio: piano, violon, violoncelle 5
Piano Quatuor: piano, violon, alto, violoncelle 3
Accompagnement Piano 2
Orgue, Piano (duo) 1

+ 5 instrumentations

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Guitares
Guitare notes et tablatures 7
Guitare 2
2 Guitares (duo) 1
Ukulele 1
Ensemble de guitares 1

Ligne De Mélodie, (Paroles) et Accords 1

+ 1 instrumentations

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Voix
Chorale SATB 50
Chorale 2 parties 23
Chorale 3 parties 22
Chorale Unison 12
Voix duo, Piano 7

Voix duo 6
Chorale SSAA 6
Chorale TTBB 4
Voix Soprano, Piano 1
Soli, choeur mixte et accompagnement 1
Voix Tenor 1

+ 6 instrumentations

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Vents
Quatuor de Clarinettes: 4 clarinettes 17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 14
Ensemble de Clarinettes 13
Flûte, Hautbois, Clarinette, Basson 12
Flûte traversière et Piano 11

Ensemble de Flûtes 10
2 Saxophones (duo) 10
2 Clarinettes (duo) 10
Quatuor de Saxophones: 4 saxophones 9
Quatuor de Flûtes : 4 flûtes 9
Clarinette et Piano 8
Ensemble de saxophones 5
Quintette de Saxophone: 5 saxophones 5
Saxophone Alto et Piano 5
Hautbois, Piano (duo) 4
Flûte, Clarinette (duo) 4
Saxophone Tenor et Piano 4
Flûte traversière 4
Cor anglais, Piano 3
Saxophone Tenor 3
2 Flûtes traversières (duo) 3
Saxophone, Clarinette (duo) 3
Clarinette, Trompette (duo) 2
Trio de Flûtes: 3 flûtes 2
Saxophone (partie séparée) 2
Hautbois, Flûte 2
Quintette de Flûte : 5 flûtes 2
Saxophone Alto 2
3 Clarinettes (trio) 2
Clarinette, Violon (duo) 2
Flûte, Clarinette et Basson 2
Clarinette 2
Saxophone Soprano et Piano 2
Clarinette Basse, Piano 2
Flûte à bec Soprano, Piano 2
Saxophone Baryton, Piano 2
Hautbois, Guitare (duo) 2
Clarinette et Alto 1
Hautbois 1
2 Hautbois (duo) 1
Hautbois (partie séparée) 1
Quintette de Clarinettes: 5 clarinettes 1
Flûte, Violon 1
Ensemble De Flûte à bec 1
Hautbois, Basson (duo) 1
Flûte, Hautbois, Clarinette (trio) 1
Flûte et Guitare 1
Hautbois, Clarinette (duo) 1
3 Saxophones (trio) 1
Flûte, Saxophone (duo) 1
Flûte à bec Tenor 1
Flûte, Alto (duo) 1
Flûte, Trompette (duo) 1

+ 48 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 18
Trompette 13
Quatuor de Cuivres : 2 trompettes, trombone, tuba 11
Quatuor de Cuivres: 2 trompettes, Cor, trombone 6
Trombone et Piano 6

Trompette, Piano 4
Cor anglais, Piano 3
Trompette, Trombone (duo) 3
Cor et Piano 3

Ensemble de Trombones 3
Quatuor de Cuivres 3
2 Trombones (duo) 2
2 Trompettes (duo) 2
Trompette, Saxophone (duo) 2
Tuba et Piano 2
Ensemble de Trompettes 1
Trombone 1
Euphonium, Piano (duo) 1
Tuba et Orgue 1
2 Cors (duo) 1
3 Trompettes (trio) 1
Trombone (partie séparée) 1
4 Tubas 1
Cor 1

+ 19 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 13
Violon et Piano 13
Violoncelle, Piano 8
Alto, Piano 6
Violoncelle 4

Trio à Cordes: 2 violons, violoncelle 4
Violon 4
Violon, Violoncelle (duo) 3
Violon, Alto (duo) 3
Trio à Cordes: violon, alto, violoncelle 3
2 Altos (duo) 2
2 Violons (duo) 2
Harpe, Flûte (duo) 1
4 Violoncelles 1
Contre Basse 1
4 Contrebasses 1
Violoncelle , Guitare (duo) 1
2 Violoncelles (duo) 1
Ensemble de Violons 1
Alto seul 1
Trio à cordes: 3 violins 1
Ensemble d'Altos 1
Violon, Guitare (duo) 1

+ 18 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 76
Orchestre 19
Orchestre à Cordes 12
Ensemble de cuivres 11
Ensemble Jazz 7

Orchestre de chambre 6
Cloches 4
Jazz combo 3
Batterie 2
Quintette de Cuivres: autres combinaisons 1
Quintette à Vent 1
Xylophone 1

+ 7 instrumentations

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A Time Is Near

Cor et Piano

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3 partitions trouvées

Away In A Manger: for French Horn & Piano

Away In A Manger: for French Horn & Piano #Cor et Piano #DÉBUTANT #Noël #the 1880â€™s the cradle s #Mueller #James M #Away In A Manger: for French H #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jms...(+)

French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386535. Published by jmsgu3 (A0.548477). Traditional Christmas song arranged for Horn in F and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880â€™s the cradle song was being performed in church. By the 1990â€™s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

$24.95 ≈ $33.93

Silent Night for French Horn & Piano

Silent Night for French Horn & Piano #Cor et Piano #DÉBUTANT #Noël #Gruber #James M #Silent Night for French Horn & #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 1 - SKU: A0.548488 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #338705...(+)

French Horn,Piano - Level 1 - SKU: A0.548488 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387055. Published by jmsgu3 (A0.548488). Silent Night arranged for French Horn & Piano with new harmony for the third verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols â€“ Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohrâ€™s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com

$28.95 ≈ $39.37

Beethoven: Adagio from Sonata Pathetique for French Horn & Piano

Beethoven: Adagio from Sonata Pathetique for French Horn & Piano #Cor et Piano #INTERMÉDIAIRE #Classique #Ludwig van Beethoven #James M #piano concertos 1-5 #Beethoven: Adagio from Sonata #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...(+)

French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata PathÃ©tique Op. 13 First of all, this is an arrangement of the second movement of Beethovenâ€™s Sonata PathÃ©tique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. www.jamesguthrie.com.

$24.95 ≈ $33.93

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