Partitions Numériques de One for the Money pour Cor et Piano

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One for the Money
Non classifié 243

Piano & claviers
Piano, Voix 90
Piano, Voix et Guitare 86
Piano seul 63
Piano Facile 61
Instruments en Do 8

Piano grosses notes 7
1 Piano, 4 mains 2
Orgue 2
Accordéon, Voix 1
Piano Quatuor: piano, violon, alto, violoncelle 1

+ 5 instrumentations

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Guitares
Guitare notes et tablatures 100
Paroles et Accords 37
Ligne De Mélodie, (Paroles) et Accords 31
Basse electrique 9
Guitare 7

Ukulele 6
Mandoline 1

+ 2 instrumentations

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Voix
Chorale SATB 29
Voix Alto, Piano 12
Voix basse, Piano 12
Chorale TTBB 10
Chorale 2 parties 8

Chorale 3 parties 7
Chorale SSAA 7
Chorale Unison 6
Voix duo 4
Voix duo, Piano 3
Voix Tenor 1

+ 6 instrumentations

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Vents
Saxophone (partie séparée) 8
Clarinette et Piano 7
Saxophone Alto 6
Flûte traversière et Piano 6
2 Flûte à bec (duo) 6

Flûte, Violoncelle 5
Flûte, Alto (duo) 5
Clarinette et Alto 5
Hautbois, Basson (duo) 5
Clarinette 5
Quatuor de Saxophones: 4 saxophones 4
Saxophone Alto et Piano 4
Flûte traversière 3
Saxophone Tenor et Piano 3
Saxophone Tenor 3
Quatuor de Clarinettes: 4 clarinettes 3
Hautbois, Piano (duo) 3
3 Saxophones (trio) 2
Saxophone Soprano et Piano 2
Saxophone Baryton, Piano 2
3 Clarinettes (trio) 1
Harmonica 1
Quatuor de Flûtes à bec 1
Quintette de Saxophone: 5 saxophones 1
Flûte à bec Tenor 1
Flûte, Hautbois, Clarinette, Basson 1
Clarinette Basse, Piano 1
Flûte, Hautbois, Basson 1
Clarinette, Violoncelle (duo) 1
Piccolo, Piano 1
Saxophone et Orgue 1
Flûte à bec Soprano 1
Hautbois (partie séparée) 1
Ensemble de Flûtes 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Flûte, Violon, Piano 1
Cor anglais, Piano 1
Hautbois, Guitare (duo) 1
Quintette de Flûte : 5 flûtes 1
2 Flûtes traversières (duo) 1

+ 35 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4
Trombone et Piano 3
Trompette 3
Cor et Piano 3

Cor 1

Trompette, Trombone (duo) 1
Trompette, Piano 1
Trompette, Tuba (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Euphonium, Piano (duo) 1
Tuba et Piano 1
3 Euphoniums 1
Cor anglais, Piano 1
Trombone 1

+ 9 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 28
Violon 10
Violon et Piano 10
Violoncelle, Piano 6
Violoncelle, Contrebasse (duo) 6

Violon, Violoncelle (duo) 5
Alto, Piano 5
Flûte, Contrebasse (duo) 5
Violon, Alto (duo) 4
Alto seul 2
2 Violons (duo) 1
Contrebasse, Piano (duo) 1
Harpe 1
Violoncelle , Guitare (duo) 1
Violoncelle (partie séparée) 1
Violon, Guitare (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Violoncelle 1
Alto, Violoncelle (duo) 1
Trio à Cordes: 2 violons, violoncelle 1

+ 15 instrumentations

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Percussions & orchestre
Orchestre à Cordes 26
Cloches 25
Ensemble de cuivres 19
Orchestre d'harmonie 17
Ensemble Jazz 15

Orchestre 6
Batterie 5
Orchestre de chambre 3
Fanfare 3
Jazz combo 2
Xylophone, Piano 1
Ensemble de Percussions 1

+ 7 instrumentations

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One for the Money

Cor et Piano

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3 partitions trouvées

Sullivan: The Lost Chord for French Horn & Piano

Sullivan: The Lost Chord for French Horn & Piano #Cor et Piano #INTERMÉDIAIRE/AVANCÉ #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for F #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...(+)

French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ 24.92€

8 Swinging Xmas Carols for F. Horn & Piano

8 Swinging Xmas Carols for F. Horn & Piano #Cor et Piano #INTERMÉDIAIRE #Noël #Various #Keith Terrett #Piano #8 Swinging Xmas Carols for F. #Keith Terrett #SheetMusicPlus

French Horn,Piano - Level 3 - SKU: A0.1314622 Composed by Various. Arranged by Keith Terrett. 20th Century,Christmas,Patriotic,Praise & Worship. Score a...(+)

French Horn,Piano - Level 3 - SKU: A0.1314622 Composed by Various. Arranged by Keith Terrett. 20th Century,Christmas,Patriotic,Praise & Worship. Score and part. 31 pages. Keith Terrett #903376. Published by Keith Terrett (A0.1314622). An exciting arrangement of eight popular swinging xmas carols arranged for French Horn & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you wonâ€™t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.

$15.99 ≈ 14.79€

Cantique de Noël for French Horn & Piano

Cantique de Noël for French Horn & Piano #Cor et Piano #DÉBUTANT #Noël #Adam #James M #Cantique de Noël for Fren #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 1 - SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435...(+)

French Horn,Piano - Level 1 - SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435. Published by jmsgu3 (A0.548674). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de NoÃ«l The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840â€™s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de NoÃ«l. Â Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850â€™s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Â Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Â Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeauâ€™s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Fatherâ€™s plan to punish mankind. Â Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didnâ€™t believe it. Â He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the MarseillaiseÂ of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Â Â

$28.95 ≈ 26.77€

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