Partitions Numériques de We Are Called pour Cor et Piano

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We Are Called
Non classifié 62

Piano & claviers
Piano seul 70
Piano, Voix 15
Piano, Voix et Guitare 14
Piano Facile 5
Orgue 4

Piano Quatuor: piano, violon, alto, violoncelle 1
Piano grosses notes 1
Piano Trio: piano, violon, violoncelle 1
Orgue, Piano (duo) 1
Instruments en Do 1
2 Pianos, 4 mains 1

+ 6 instrumentations

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Guitares
Guitare notes et tablatures 14
Guitare 5
Banjo 1
Mandoline, Guitare (duo) 1
Mandoline 1

Voix
Chorale SATB 46
Chorale TTBB 5
Chorale Unison 5
Chorale 3 parties 5
Chorale SSAA 3

Chorale 2 parties 3
Voix haute 3
Voix Tenor 1
Voix Baryton, Piano 1

+ 4 instrumentations

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Vents
2 Saxophones (duo) 8
Flûte traversière et Piano 7
Hautbois, Piano (duo) 6
Clarinette et Piano 5
Saxophone Tenor et Piano 5

Clarinette, Trompette (duo) 4
2 Flûtes traversières (duo) 4
Cor anglais, Piano 4
Saxophone Alto et Piano 4
Saxophone Soprano et Piano 4
Clarinette, Violon (duo) 3
Saxophone, Clarinette (duo) 3
Clarinette, Guitare (duo) 3
Saxophone Baryton, Piano 2
Clarinette et Alto 2
Flûte, Alto (duo) 2
Flûte, Clarinette (duo) 2
2 Hautbois (duo) 2
2 Clarinettes (duo) 2
Clarinette Basse, Piano 2
Flûte à bec Soprano, Piano 1
Quintette de Clarinettes: 5 clarinettes 1
Hautbois, Flûte 1
Flûte, Saxophone (duo) 1
Flûte à bec Alto, Piano 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1

+ 21 instrumentations

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Cuivres
Trompette, Saxophone (duo) 4
Cor anglais, Piano 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Euphonium, Piano (duo) 3
Cor et Piano 3

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Trombone et Piano 3
Trompette, Trombone (duo) 2
Tuba 2
2 Trompettes (duo) 1
Trompette 1
Trompette, Euphonium (duo) 1
Quatuor de cuivres: 4 trombones 1
Quatuor de cuivres: 4 cors 1
Trompette, Piano 1

+ 10 instrumentations

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Cordes
Violoncelle, Piano 5
Violon, Alto (duo) 5
Alto, Piano 5
Quatuor à cordes: 2 violons, alto, violoncelle 4
Violon et Piano 4

2 Violons (duo) 3
2 Violoncelles (duo) 3
Violon, Violoncelle (duo) 2
2 Harpes (duo) 2
Alto seul 1
Violon 1
Harpe 1
Trio à Cordes: 2 violons, violoncelle 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
4 Violoncelles 1

+ 10 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 7
Orchestre 7
Orchestre à Cordes 4
Ensemble de Percussions 3
Orchestre de chambre 3

Ensemble Jazz 2
Ensemble de cuivres 2
Jazz combo 1

+ 3 instrumentations

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We Are Called

Cor et Piano

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3 partitions trouvées

O Come All Ye Faithful for French Horn & Piano

O Come All Ye Faithful for French Horn & Piano #Cor et Piano #DÉBUTANT #Noël #Wade #James M #O Come All Ye Faithful for Fre #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 1 - SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113....(+)

French Horn,Piano - Level 1 - SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.

$24.95 ≈ ¥177.03

A Night In Tunisia

A Night In Tunisia #Cor et Piano #INTERMÉDIAIRE/AVANCÉ #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part...(+)

French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ ¥63.79

Beethoven: Adagio from Sonata Pathetique for French Horn & Piano

Beethoven: Adagio from Sonata Pathetique for French Horn & Piano #Cor et Piano #INTERMÉDIAIRE #Classique #Ludwig van Beethoven #James M #piano concertos 1-5 #Beethoven: Adagio from Sonata #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...(+)

French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata PathÃ©tique Op. 13 First of all, this is an arrangement of the second movement of Beethovenâ€™s Sonata PathÃ©tique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. www.jamesguthrie.com.

$24.95 ≈ ¥177.03

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