Partitions Numériques de Johann A pour Tuba et Piano

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Johann A
Non classifié 202

Piano & claviers
Piano Facile 229
Piano seul 33
Piano, Voix et Guitare 17
Piano, Voix 10
Orgue 4

Instruments en Do 4
1 Piano, 4 mains 3
Accordéon 2
Piano Trio: piano, violon, violoncelle 2
Piano Quatuor: piano, 2 violons, violoncelle 1
Clavecin 1
Piano grosses notes 1
Piano Quatuor: piano, violon, alto, violoncelle 1

+ 8 instrumentations

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Guitares
Guitare 7
Guitare notes et tablatures 4
Ukulele 2
Ligne De Mélodie, (Paroles) et Accords 2
2 Guitares (duo) 2

Piano, Guitare (duo) 1
Basse electrique 1
4 Guitares (Quatuor) 1

+ 3 instrumentations

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Voix
Chorale 3 parties 15
Chorale SATB 10
Chorale 2 parties 8
Chorale TTBB 5
Chorale SSAA 4

Chorale Unison 2
Voix duo 1

+ 2 instrumentations

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Vents
2 Saxophones (duo) 48
Flûte traversière et Piano 44
Clarinette et Piano 28
Flûte, Hautbois, Clarinette, Basson 26
Quatuor de Saxophones: 4 saxophones 25

2 Flûtes traversières (duo) 25
Saxophone Alto et Piano 24
Hautbois, Piano (duo) 23
Flûte traversière 20
Saxophone Tenor et Piano 18
Quintette de Saxophone: 5 saxophones 17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 16
3 Saxophones (trio) 13
Quatuor de Clarinettes: 4 clarinettes 12
2 Clarinettes (duo) 12
Saxophone Alto 11
2 Flûte à bec (duo) 10
Flûte, Clarinette (duo) 9
Saxophone Soprano et Piano 8
Clarinette 8
Saxophone Baryton, Piano 8
Quatuor de Flûtes : 4 flûtes 8
Cor anglais, Piano 8
3 Clarinettes (trio) 7
2 Hautbois (duo) 7
Clarinette, Basson (duo) 7
Hautbois (partie séparée) 6
Flûte à bec Soprano 6
Flûte à bec Alto 5
Flûte à Bec 5
Quintette de Flûte : 5 flûtes 5
Quatuor de Flûtes à bec 4
4 Hautbois 4
Ensemble de Clarinettes 4
Trio de Flûtes: 3 flûtes 4
Hautbois, Clarinette (duo) 4
Ensemble de Hautbois 4
Flûte, Hautbois, Clarinette (trio) 3
Saxophone Tenor 3
Hautbois, Basson (duo) 3
3 Flûtes à bec (trio) 3
Clarinette Basse, Piano 3
Saxophone (partie séparée) 2
Flûte, Violon et Violoncelle 2
Flûte à bec Soprano, Piano 2
Hautbois, violon (duo) 2
Quintette de Clarinettes: 5 clarinettes 2
Flûte à bec Tenor 2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 1
Flûte, Trombone (duo) 1
Flûte, Violon 1
Flûte, Basson et Piano 1
Flute (partie séparée) 1
Flûte, Clarinette et Basson 1
Ensemble de Flûtes 1
Hautbois, Violin, Alto et Violoncelle (Quatuor) 1
Clarinette et Alto 1
Hautbois et alto (duo) 1
Flûte, Tuba (duo) 1
Hautbois 1
Piccolo, Piano 1
Clarinette, Violoncelle (duo) 1
Hautbois, Violoncelle 1
Flûte et Trio à cordes 1
Clarinette, Tuba 1
Hautbois, trombone (duo) 1
Flûte, Violoncelle 1
Ocarina 1
2 Flûtes traversières, Piano 1
Flûte, Hautbois (duo) 1
Saxophone, Violon (duo) 1
Clarinette, Basson, Piano (trio) 1

+ 67 instrumentations

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Cuivres
Trombone et Piano 26
Trompette, Piano 21
Trompette 18
2 Trompettes (duo) 13
Cor et Piano 13

2 Trombones (duo) 11
2 Cors (duo) 10
Trompette, Trombone (duo) 9
Cor anglais, Piano 8
Trombone 7
Trompette, Cor (duo) 6
Tuba 6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6
Cor 6
Tuba et Orgue 5
Quatuor de Cuivres 5
2 Tubas (duo) 4
Quatuor de cuivres: 4 trompettes 4
Tuba et Piano 3

Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Trombone, Cor (duo) 2
3 Cors (trio) 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Euphonium, Piano (duo) 2
Quatuor de cuivres: 4 cors 1
Trompette (partie séparée) 1
Trombone, Tuba (duo) 1
Quatuor de cuivres: 4 trombones 1
4 Euphoniums 1
Trompette, Tuba (duo) 1
4 Tubas 1
Trompette, Basson (duo) 1
Trombone, Violon (duo) 1

+ 28 instrumentations

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Cordes
Violon et Piano 34
Violoncelle, Piano 28
Violon 20
Alto, Piano 20
Violoncelle 19

Quatuor à cordes: 2 violons, alto, violoncelle 15
Violon, Alto (duo) 13
2 Violoncelles (duo) 12
Violon, Violoncelle (duo) 11
2 Violons (duo) 10
Alto seul 9
2 Altos (duo) 9
Alto, Violoncelle (duo) 8
Contre Basse 7
Contrebasse, Piano (duo) 5
Quatuor à cordes : 4 altos 4
Trio à Cordes: 3 violoncelles 4
Trio à Cordes: violon, alto, violoncelle 4
Quatuor à cordes: 4 violons 4
Trio à cordes: 3 altos 4
Trio à cordes: 3 violins 3
Alto (partie séparée) 3
4 Violoncelles 3
Violoncelle, Contrebasse (duo) 2
Trio à Cordes: 2 violons, violoncelle 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Piano Trio: Violon, Alto, Piano 1
Violon, Basson (duo) 1
Violon, Guitare (duo) 1
2 Contrebasses (duo) 1
Violon, Tuba (duo) 1

+ 26 instrumentations

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Percussions & orchestre
Cloches 7
Orchestre à Cordes 5
Orchestre d'harmonie 3
Ensemble de cuivres 3
2 Xylophones 3

Xylophone, Piano 2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier 2
Vibraphone 2
Marimba 1
Xylophone 1

+ 5 instrumentations

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Johann A

débutant

Tuba et Piano

Partitions à imprimer

3 partitions trouvées

Luther: Out of the Depths for Tuba & Piano

Luther: Out of the Depths for Tuba & Piano #Tuba et Piano #DÉBUTANT #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...(+)

Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ 22.48€

Air on the G String by Bach for Tuba

Air on the G String by Bach for Tuba #Tuba et Piano #DÉBUTANT #Classique #Johann Sebastian Bach #Ander #Air on the G String by Bach fo #Woods Only, Arrangements #SheetMusicPlus

Piano,Tuba - Level 1 - SKU: A0.1125923 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 ...(+)

Piano,Tuba - Level 1 - SKU: A0.1125923 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 pages. Woods Only, Arrangements #726672. Published by Woods Only, Arrangements (A0.1125923). This easy arrangement for tuba and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of CÃ¶then, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.

$1.99 ≈ 1.79€

Schubert: Ave Maria for Tuba & Piano

Schubert: Ave Maria for Tuba & Piano #Tuba et Piano #DÉBUTANT #Classique #Franz Schubert #James M #Schubert: Ave Maria for Tuba & #jmsgu3 #SheetMusicPlus

Piano,Tuba - Level 1 - SKU: A0.548701 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pag...(+)

Piano,Tuba - Level 1 - SKU: A0.548701 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411151. Published by jmsgu3 (A0.548701). A Tuba Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Tuba part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle.Â Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria. Â Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz SchubertÂ (1797â€“1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958â€“960), and the song cycles Die schÃ¶ne MÃ¼llerinÂ (D. 795) and WinterreiseÂ (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubertâ€™s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â

$29.95 ≈ 26.99€

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