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Vous avez sélectionné:
Seven
expert
Trombone et Piano
Partitions à imprimer
5 partitions trouvées
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1
To Rise Again
To Rise Again
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Trombone et Piano
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AVANCÉ
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Al...
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Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00 ≈
35.98€
Four Pieces from Op. 11 for Trombone & Piano
Four Pieces from Op. 11 for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Zoltan Kodaly
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Ralph Sauer
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Four Pieces from Op. 11 for Tr
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811076 Composed by Zoltan Kodaly. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 9 page...
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Piano,Trombone - Level 5 - SKU: A0.811076 Composed by Zoltan Kodaly. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 9 pages. Gordon Cherry #4988475. Published by Gordon Cherry (A0.811076). Four Pieces from Opus 11 arranged for Trombone and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910. The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War. About 12 minutes in length, these four movements are appropriate for advanced performers.
$20.00 ≈
17.99€
Sonata for Trombone & Piano
Sonata for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Armand Russell
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Sonata for Trombone & Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792532 Composed by Armand Russell. 20th Century,Contemporary. Score and part. 33 pages. Gordon Cherry #5008359. Publi...
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Piano,Trombone - Level 5 - SKU: A0.792532 Composed by Armand Russell. 20th Century,Contemporary. Score and part. 33 pages. Gordon Cherry #5008359. Published by Gordon Cherry (A0.792532). The first movement, Prologue, consists of an Exposition (bars 1-42) with a main theme followed by four development sections and ending with a return to the main theme before a short coda. The second movement, Variants is a set of seven variations on the theme presented in the opening with descriptive terms pointing out the contrasts between the variations. The final movement is titled an Epilogue follows the general structure of ABCDCEBA which is a modified arch form with an abundant use of dance-like syncopated rhythms but a lyric and less active middle section D for contrast. This work of about 17 minutes in length is suitable for advanced performers.
$22.50 ≈
20.24€
Adagio in G minor for Trombone and Piano (Organ)
Adagio in G minor for Trombone and Piano (Organ)
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Trombone et Piano
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AVANCÉ
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Tomaso Giovanni Albinoni
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Ralph Sauer
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Adagio in G minor for Trombone
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet,Trombone - Level 5 - SKU: A0.811125 Composed by Tomaso Giovanni Albinoni. Arranged by Ralph Sauer. 20th Century,Baroque,Classical,Rena...
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Instrumental Duet,Trombone - Level 5 - SKU: A0.811125 Composed by Tomaso Giovanni Albinoni. Arranged by Ralph Sauer. 20th Century,Baroque,Classical,Renaissance. 10 pages. Gordon Cherry #5294115. Published by Gordon Cherry (A0.811125). The Adagio in G minor is a Neo-Baroque composition popularly attributed to the 18th-century Venetian composer Tomaso Albinoni (1671-1751). However, it was written by the 20th-century musicologist and Albinoni biographer Remo Giazotto (1910-1998). Ralph Sauer has arranged this beautiful work for Trombone and Piano or Organ. This work is approximately seven minutes in length and can be performed by advanced performers.
$25.00 ≈
22.49€
London Town Fantasy for Trombone and Piano
London Town Fantasy for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Contemporain
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Antonio J
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London Town Fantasy for Trombo
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced - Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. P...
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Piano Accompaniment, Trombone - Advanced - Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn?s ?London? Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would ?showcase the trombone in a jazz ballad style and somehow reference the Haydn ?London? Symphony? that would follow it on the program, knowing that the first half of the concert would also include the Brahms ?Variations on a Theme of Joseph Haydn.? She and trombone soloist Nathan Dishman suggested the title ?London Town Fantasy,? envisioning a potential intersection with elements of George Gershwin?s ?A Foggy Day (In London Town),? which seemed apt given a scheduled trip of García?s to London during the compositional process.
Listeners familiar with Haydn's ?London? Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony?s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the ?bridge? section of the tune is crafted from the first seven measures of the opening theme of Haydn?s first movement (Allegro).
The use of ?A Foggy Day? had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin?s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of ?A Foggy Day.? (An optional written-out solo is provided.)
Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).
The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or ?minus one,? make rehearsals easy and even provide the aural basis for your own potential ?virtual? performance.
$27.50 ≈
24.74€
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