Partitions Numériques de Thou Art the Way pour Saxophone

Instrumental Solo,Saxophone - SKU: A0.1449708 By Christina Perri. By Christina Perri and David Hodges. Arranged by SaxExpress. Film/TV,Pop,Wedding. Indi...(+)

Instrumental Solo,Saxophone - SKU: A0.1449708 By Christina Perri. By Christina Perri and David Hodges. Arranged by SaxExpress. Film/TV,Pop,Wedding. Individual part. 1 pages. SaxExpress #1029448. Published by SaxExpress (A0.1449708). 'A Thousand Years' for Easy Saxophone This is an arrangement of Christina Peri’s Song ‘A Thousand Years' using the revolutionary Presto Sax System. The system is a short cut to being able to easily play songs on the saxophone without dealing with music notation. It is by far the simplest way to learn songs on the saxophone. Within a very short period of time songs become incredibly easy to master. For more information on the system visit SaxExpress.com.

$4.99

Nevermore

Nevermore #Saxophone #INTERMÉDIAIRE/AVANCÉ #Craig Wadley #Nevermore #Wadley Publications #SheetMusicPlus

Instrumental Solo,Saxophone - Level 4 - SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. ...(+)

Instrumental Solo,Saxophone - Level 4 - SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reedâ€¦ or something like that. The show itself is a one-man performance, so thatâ€™s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combsâ€™ monologue. But I didnâ€™t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bachâ€™s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.

$17.99

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