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Vous avez sélectionné:
French Trad
Clarinette et Piano
Partitions à imprimer
6 partitions trouvées
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1
Ding Dong Merrily On High for clarinet solo - with FREE BACKING TRACK and piano play along
Ding Dong Merrily On High for clarinet solo - with FREE BACKING TRACK and piano play along
#
Clarinette et Piano
#
FACILE
#
Noël
#
French trad
#
Austin Ralphson
#
Ding Dong Merrily On High for
#
Austin Ralphson
#
SheetMusicPlus
Small Ensemble Clarinet,Piano - Level 2 - SKU: A0.564326 Composed by French trad. Arranged by Austin Ralphson. Christmas,Praise & Worship,Standards. Sco...
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Small Ensemble Clarinet,Piano - Level 2 - SKU: A0.564326 Composed by French trad. Arranged by Austin Ralphson. Christmas,Praise & Worship,Standards. Score and part. 7 pages. Austin Ralphson #6515141. Published by Austin Ralphson (A0.564326). This is a solo arrangement with piano accompaniment (or backing track). It is of an Easy-Intermediate standard and sounds great in practice, in concert or in a play-along with friends and family at Christmas! A solo part and a piano accompaniment is provided, along with a backing track on YouTube (printed in the front of the book for future use). Have a listen to the mp3 file to get an idea of how it sounds.Please also have a look at the 5 other pieces in this Christmas series, or purchase the whole collection of 6 pieces in one handy book at a reduced price! Simply search 'Solos for fun' on my publisher page.
$2.99 ≈
2.77€
O Little Town Of Bethlehem for clarinet solo - with FREE BACKING TRACK and piano play along
O Little Town Of Bethlehem for clarinet solo - with FREE BACKING TRACK and piano play along
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Clarinette et Piano
#
INTERMÉDIAIRE
#
Noël
#
French trad
#
Austin Ralphson
#
O Little Town Of Bethlehem for
#
Austin Ralphson
#
SheetMusicPlus
Small Ensemble Clarinet,Piano - Level 3 - SKU: A0.564388 Composed by French trad. Arranged by Austin Ralphson. Christmas,Praise & Worship,Standards. Sco...
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Small Ensemble Clarinet,Piano - Level 3 - SKU: A0.564388 Composed by French trad. Arranged by Austin Ralphson. Christmas,Praise & Worship,Standards. Score and part. 7 pages. Austin Ralphson #6516661. Published by Austin Ralphson (A0.564388). This is a solo arrangement with piano accompaniment (or backing track). It is of an intermediate standard and sounds great in practice, in concert or in a play-along with friends and family at Christmas! A solo part and a piano accompaniment is provided, along with a backing track on YouTube (printed in the front of the book for future use). Have a listen to the mp3 file to get an idea of how it sounds.
$2.99 ≈
2.77€
God Rest Ye Merry Gentlemen for clarinet solo - with FREE BACKING TRACK and piano accompaniment to play along with (intermediate level)
God Rest Ye Merry Gentlemen for clarinet solo - with FREE BACKING TRACK and piano accompaniment to play along with (intermediate level)
#
Clarinette et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
French trad
#
Austin Ralphson
#
God Rest Ye Merry Gentlemen fo
#
SheetMusicPlus
Composed by French trad. Arranged by Austin Ralphson. Praise & Worship, Repertoire, Christmas, Recital. Score, Set of Parts. 9 pages. Published by...
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Composed by French trad. Arranged by Austin Ralphson. Praise & Worship, Repertoire, Christmas, Recital. Score, Set of Parts. 9 pages. Published by Austin Ralphson
$2.99 ≈
2.77€
Now The Green Blade Riseth, for Clarinet and Piano (Noel Nouvelet)
Now The Green Blade Riseth, for Clarinet and Piano (Noel Nouvelet)
#
Clarinette et Piano
#
FACILE
#
Trad
#
Nigel Williams
#
Now The Green Blade Riseth, fo
#
Nigel Williams
#
SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.763355 Composed by Trad. French. Arranged by Nigel Williams. Easter,Instructional,Multicultural,Sacred,World. Score a...
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Clarinet,Piano - Level 2 - SKU: A0.763355 Composed by Trad. French. Arranged by Nigel Williams. Easter,Instructional,Multicultural,Sacred,World. Score and part. 8 pages. Nigel Williams #5205569. Published by Nigel Williams (A0.763355). Now The Green Blade Riseth, the popular French melody, also a Christmas carol Noel Nouvelet, is arranged here for clarinet and Piano with each instrument sharing the melody. This arrangement can be used in a service of worship at any time during the year and especially in the Easter and Christmas seasons. This is also ideal repertoire for Senior HS clarinet students. The performance duration is two minutes and the full score has individual parts attached. Enjoy browsing my many wind ensemble arrangements on SMP.
$4.99 ≈
4.63€
La Lisonjera - clarinet-piano
La Lisonjera - clarinet-piano
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Clarinette et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Cecile Chaminade
#
Phil Beaman
#
La Lisonjera - clarinet-piano
#
Phil Beaman
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1049325 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pa...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1049325 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653697. Published by Phil Beaman (A0.1049325). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Bb Clarinet and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.
$6.99 ≈
6.48€
Saint-Saëns: The Swan for Clarinet & Piano
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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