Partitions Numériques de Sam Every pour Clarinette et Piano

B-Flat Clarinet,Piano - Level 3 - SKU: A0.1206710 Composed by Konrad Harley. Contemporary. Score and part. 8 pages. Konrad Harley #804891. Published by ...(+)

B-Flat Clarinet,Piano - Level 3 - SKU: A0.1206710 Composed by Konrad Harley. Contemporary. Score and part. 8 pages. Konrad Harley #804891. Published by Konrad Harley (A0.1206710). This piece is inspired by an integer sequence (A053838 in the OEIS) that is self-similar at every third term. This means that if you take the first term of the sequence, then the fourth, then the seventh, and so on, you get a copy of the original sequence. The sequence begins in the clarinet melody at m. 9, while the right-hand notes of the piano part feature a slower statement of the same sequence. In the first half of the melody (mm. 9-12), the numbers 0, 1, 2 are represented by the notes B, C, D; in the second half (mm. 13-16), the scheme shifts downward by two steps to G, A, B. After an interlude (mm. 17-24), the sequence continues in mm. 25-32, now shifting the scheme downward by one step every bar. In the third section (mm. 40-47), the scheme shifts downward by two steps every two bars.

$3.00 ≈ 2.76€

America the Beautiful - Clarinet Trio with Piano Accompaniment - Beginning

America the Beautiful - Clarinet Trio with Piano Accompaniment - Beginning #Clarinette et Piano #DÉBUTANT #Bates #Lisa Nelson #America the Beautiful - Clarin #Lisa Nelson #SheetMusicPlus

Small Ensemble Clarinet,Piano - Level 1 - SKU: A0.880686 Composed by Bates. Arranged by Lisa Nelson. Folk,Holiday,Patriotic. Score and parts. 31 pages. ...(+)

Small Ensemble Clarinet,Piano - Level 1 - SKU: A0.880686 Composed by Bates. Arranged by Lisa Nelson. Folk,Holiday,Patriotic. Score and parts. 31 pages. Lisa Nelson #6423743. Published by Lisa Nelson (A0.880686). This trio for beginning players lets every single player have their moment in the spotlight by sharing the solo melody in the first verse. Â The piano feature in verse 2 provides a brief break for young players, and the unexpected harmonies in verse three provide just the right amount of momentum to drive to the end for this simple, yet pleasing ensemble piece for players just starting their musical journey! Â The piano accompaniment provides a reliable pitch center and gives harmonic/rhythmic interest to this well-loved patriotic tune. The key signature, range and rhythms are beginner-friendly, while briefly featuring every player using evenly-leveled parts. The accompaniment also gives the beginning player who is still developing endurance periodic rests. Â Audio file provided features a trumpet trio playing this same arrangement.

$15.00 ≈ 13.81€

Bach: Wachet auf for Clarinet & Piano

Bach: Wachet auf for Clarinet & Piano #Clarinette et Piano #FACILE #Classique #Johann Sebastian Bach #James M # #Bach: Wachet auf for Clarinet #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...(+)

B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.

$24.95 ≈ 22.97€

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