Partitions Numériques de some were not pour Clarinette et Piano

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some were not
Non classifié 297

Piano & claviers
Piano, Voix et Guitare 346
Piano seul 178
Piano, Voix 73
Piano Facile 32
Instruments en Do 8

Accompagnement Piano 3
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano Trio: piano, violon, violoncelle 2
1 Piano, 4 mains 2
Orgue 2
2 Pianos, 4 mains 2
Piano grosses notes 1
Clavecin 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Accordéon 1
Ensemble d'Accordéons 1

+ 11 instrumentations

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Guitares
Guitare notes et tablatures 28
Guitare 27
Ukulele 4
Basse electrique 3
Dulcimer 2

2 Guitares (duo) 2
4 Guitares (Quatuor) 1
Piano, Guitare (duo) 1
3 Guitares (trio) 1
Banjo 1
Paroles et Accords 1
Ligne De Mélodie, (Paroles) et Accords 1
Mandoline 1

+ 8 instrumentations

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Voix
Chorale SATB 46
Chorale 3 parties 10
Chorale TTBB 5
Voix Alto, Piano 5
Chorale 2 parties 4

Chorale Unison 4
Chorale SSAA 4
Voix Tenor 4
Voix Soprano, Piano 3
Voix duo, Piano 2
Voix Soprano 1
Voix moyenne, Piano 1
Chorale SSATTB 1
Voix duo 1

+ 9 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 30
Quatuor de Saxophones: 4 saxophones 26
2 Flûtes traversières, Piano 25
Ensemble de saxophones 22
Quintette de Saxophone: 5 saxophones 16

Flûte traversière 8
Flûte traversière et Piano 7
Ensemble de Clarinettes 7
Clarinette 7
Saxophone Alto et Piano 7
Saxophone Soprano et Piano 6
Flûte, Hautbois, Clarinette, Basson 5
Ensemble de Flûtes 5
Hautbois, Piano (duo) 4
Quatuor de Clarinettes: 4 clarinettes 4
3 Clarinettes (trio) 4
Quatuor de Flûtes : 4 flûtes 3
Clarinette et Piano 3

Quintette de Flûte : 5 flûtes 3
Trio de Flûtes: 3 flûtes 3
3 Saxophones (trio) 3
Flute, harpe et violon 2
2 Flûtes traversières (duo) 2
Saxophone Baryton, Piano 2
Flûte, Hautbois, Clarinette (trio) 2
Saxophone Tenor et Piano 1
Flûte à bec Alto, Piano 1
Flûte, Clarinette (duo) 1
Flûte à bec Soprano 1
Piccolo 1
Saxophone et Orgue 1
Flûte, Clarinette et Basson 1
Clarinette Basse, Piano 1
Quintette de Clarinettes: 5 clarinettes 1
Saxophone Soprano 1
2 Clarinettes, Piano 1
2 Saxophones (duo) 1
Hautbois, Harpe 1
Clarinette, Harpe (duo) 1
Clarinette Basse 1
Cor anglais, Piano 1

+ 36 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 18
Quatuor de Cuivres: 2 trompettes, Cor, trombone 9
Ensemble de Trombones 6
Cor et Piano 5

Ensemble de Trompettes 4
Quatuor de Cuivres 3
Quatuor de cuivres: 4 trombones 2
2 Cors (duo) 2
Trombone 2
Trompette, Piano 2
Trompette 2
Tuba (partie séparée) 1
2 Tubas (duo) 1
2 Trombones (duo) 1
2 Trompettes (duo) 1
Trombone et Piano 1
Trompette, Trombone (duo) 1
4 Tubas 1
Tuba et Piano 1
Cor anglais, Piano 1

+ 16 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 32
Harpe 18
Trio à Cordes: violon, alto, violoncelle 16
Violon 13
Violon et Piano 9

Alto, Piano 7
Violoncelle, Piano 6
Violon, Violoncelle (duo) 5
Ensemble de Violons 3
Alto seul 3
Ensemble d'Altos 3
4 Violoncelles 2
Harpe, Flûte (duo) 2
Contrebasse, Piano (duo) 2
Violoncelle 2
Harpe, Voix 2
2 Violons (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
Violoncelle (partie séparée) 1
Harpe et Piano 1
Quatuor à cordes: 4 violons 1
Violon, Clarinette, Piano (trio) 1
Ensemble de Violoncelles 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
4 Contrebasses 1
Quatuor à cordes : 4 altos 1
Trio à Cordes: 3 violoncelles 1

+ 22 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 42
Orchestre à Cordes 25
Ensemble de cuivres 13
Orchestre de chambre 10
Orchestre 8

Ensemble Jazz 6
Jazz combo 5
Cloches 4
Ensemble de Percussions 2
Piano et Orchestre 1
Marimba 1
Batterie 1
Vibraphone 1
2 Marimbas 1

+ 9 instrumentations

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Clarinette et Piano

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Saint-Saëns: The Swan for Clarinet & Piano

Saint-Saëns: The Swan for Clarinet & Piano #Clarinette et Piano #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...(+)

B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 ≈ 30.44€

Luther: Out of the Depths for Clarinet & Piano

Luther: Out of the Depths for Clarinet & Piano #Clarinette et Piano #DÉBUTANT #Martin Luther #James M #piano #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...(+)

B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the DepthsÂ I Cry to You by Martin Luther arranged for clarinet & piano.Â The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ 23.05€

Rêverie - Claude Debussy, for Bb Clarinet and Piano

Rêverie - Claude Debussy, for Bb Clarinet and Piano #Clarinette et Piano #AVANCÉ #Classique #Len Rhodes #Len Rhodes #Rêverie - Claude Debussy #Len Rhodes Music #SheetMusicPlus

Clarinet,Piano - Level 5 - SKU: A0.1237203 By Len Rhodes. By Claude Debussy. Arranged by Len Rhodes. 20th Century,Wedding. Score and part. 9 pages. Len ...(+)

Clarinet,Piano - Level 5 - SKU: A0.1237203 By Len Rhodes. By Claude Debussy. Arranged by Len Rhodes. 20th Century,Wedding. Score and part. 9 pages. Len Rhodes Music #832726. Published by Len Rhodes Music (A0.1237203). In 1890, Debussy sold five piano pieces of which some may have been composed much earlier. These pieces were: â€˜RÃªverieâ€™, â€˜Ballade Slaveâ€™, â€˜Tarentelle Styrienneâ€™, â€˜Valse Romantiqueâ€™ and â€˜Nocturneâ€™. The actual publication of â€˜RÃªverieâ€™ did not occur until April 1905 at which time, Debussy wrote to the publisher Fromont: â€œIt was a mistake to bring out the â€˜RÃªverieâ€™. It is an unimportant work which was written in a hurryâ€¦It is a work of no consequence and I absolutely consider it no good.â€ To this day, many listenerâ€™s first â€œencounterâ€ with the music of Claude Debussy has been through the hearing of his â€˜RÃªverieâ€™!In this arrangement for Bb clarinet and piano, Len Rhodes brings out the beauty of the melody of â€˜RÃªverieâ€™, assigned to the clarinet; whilst the piano reveals the composerâ€™s unusual harmonies.Download contains piano score and separate clarinet part.

$5.99 ≈ 5.53€

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