Partitions Numériques de Working Man pour Flûte traversière et Piano

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Working Man
Non classifié 30

Piano & claviers
Piano seul 9
Instruments en Do 4
Piano, Voix 2
Piano Facile 2
Piano Quintette: piano, 2 violons, alto, violoncelle 2

Piano, Voix et Guitare 2
1 Piano, 4 mains 1

+ 2 instrumentations

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Guitares
Guitare 6
Guitare notes et tablatures 6
Mandoline 2
4 Guitares (Quatuor) 1

Voix
Chorale SATB 12
Voix Soprano, Piano 1
Chorale SSAA 1
Voix duo, Piano 1

Vents
Clarinette et Piano 3
Flûte traversière et Piano 2

Quatuor de Clarinettes: 4 clarinettes 1
Saxophone, Clarinette (duo) 1
Flûte, Hautbois, Clarinette, Basson 1

Flûte, Clarinette (duo) 1
Clarinette 1
Ensemble de saxophones 1
Saxophone Alto 1
Quintette de Saxophone: 5 saxophones 1
Clarinette, Guitare (duo) 1
2 Saxophones (duo) 1

+ 7 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Cor et Piano 1
Trombone 1
Quatuor de cuivres: 4 trombones 1

Trompette, Trombone (duo) 1

+ 1 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 40
Violon et Piano 19
Trio à Cordes: violon, alto, violoncelle 6
Trio à Cordes: 2 violons, violoncelle 4
2 Violons (duo) 2

Violoncelle, Piano 2
Violon, Violoncelle (duo) 2
2 Violoncelles (duo) 1
Alto, Violoncelle (duo) 1
Trio à cordes: 3 violins 1
Alto, Guitare (duo) 1
Alto (partie séparée) 1
Trio à Cordes: 2 violons, alto 1
Violon 1
Violoncelle (partie séparée) 1

+ 10 instrumentations

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Percussions & orchestre
Orchestre 9
Ensemble Jazz 9
Orchestre à Cordes 5
Orchestre d'harmonie 5
Orchestre de chambre 3

Ensemble de cuivres 2
Jazz combo 2

+ 2 instrumentations

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Working Man

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Flûte traversière et Piano

Partitions à imprimer

2 partitions trouvées

Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra

Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra #Flûte traversière et Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #Amir Awad #Gabriel Fauré : Fantais #Amir Awad #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pa...(+)

Chamber Orchestra - Level 4 - SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pages. Amir Awad #3506351. Published by Amir Awad (A0.772375). This piece is originally composed by Gabriel FaurÃ© for Flute and piano , and it is arranged for Flute and String OrchestraThis elegant solo has some beautiful melodic lines and is Impressionistic in form and harmony. An excellent teaching piece to emphasize phrasing and musicality, or a great programming choice when a lovely lyrical moment is needed!This famous work is dedicated to Paul Taffanel, often called the father of the modern French school of the flute. He was a busy man, active at the OpÃ©ra de Paris, in the Conservatoire concerts, as the leader of the Orchestre de la SociÃ©tÃ© des Instruments Ã Vent, and, from 1893, as a professor at the Conservatoire. FaurÃ© was appointed professor of composition there in 1896, and it was almost inevitable that Taffanel should ask him, in the spring of 1898, to write a sight-reading piece (the Morceau de lecture) and a concours composition for the July examinations. FaurÃ© decided to pass the orchestration of his incidental music for Maeterlinck's play PellÃ©as et MÃ©lisande, on which he had been feverishly working, to his pupil Charles Koechlin, so he could get to grips with the concours piece. The Fantaisie for flute and piano occupied him from the beginning of June until at least mid-July.The piece opens with an E-minor sicilienne of great charm, but soon gets to a C-major Allegro filled with lightning-fast pyrotechnics. Writing to Koechlin, FaurÃ© complained:I am drowned in the Taffanel and plunged up to my neck in scales, arpeggios, and staccati! I have already perpetrated 104 bars of this irksome torture The first performance of the Fantaisie was given by the concours winner, Gaston Blanquart, on July 28, 1898.

$5.00 ≈ ¥36.35

Jacques Leguerney: Sonate for piano and flute

Jacques Leguerney: Sonate for piano and flute #Flûte traversière et Piano #INTERMÉDIAIRE/AVANCÉ #Jacques Leguerney #Jacques Leguerney: Sonate for #Musik Fabrik Music Publishing #SheetMusicPlus

Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publi...(+)

Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #2343129. Published by Musik Fabrik Music Publishing (A0.533323). Sonate pour piano et flÃ»teI. Andantino spirituosoII. Pas trop lentIII. VifDates de composition : dÃ©cembre, 1926 - octobre, 1927The Sonata for Piano and Flute (Sonate pour piano et flÃ»te) was composed for Claude Desanges, a school mate of the composer. The only known performance was an informal one at the Parisian apartment of Leguerneyâ€™s parents. Leguerneyâ€™s mentor and dear friend, ThÃ©rÃ¨se Cahen, accompanied Desanges.The Sonata is dedicated to Michel Jomier, Leguerneyâ€™s close friend, who also wrote several poems that Leguerney set during his early period of exploratory compositions. Part of the handwritten dedication is illegible, it reads â€œTo Michel Jomeir, in memory of ?â€ and there we can only guess at the rest. There are several autograph manuscripts on deposit at the DÃ©partement Musique of the BibliothÃ¨que National in Paris. These manuscripts are the property of the Leguerney Estate, and are identified by a code starting with OL. OL11 is a full-score rough draft with several corrections, indicated by hatch-marks. It is dated 1 October 1927. At the end of the 1st movement, the last quarter notes in the piano part are marked with a slur going over the final double bar, indicating that the sound should continue to resonate. There is a fermata over this ending double bar in both the flute and piano parts, which implies that the 2nd movement should continue immediately. This mark is eliminated in OL11A. The 2nd movement also has slurs over the final notes, indicating a segue to the 3rd and final movement. There are fermatas over the final chords of the 2nd movement as well. These are eliminated in OL11A. The 2nd movement isdated 29 October 1927 and the 3rd movement is dated 9 December 1926. OL11A is a cleanly copied full-score autograph manuscript where the title is Sonate pour Piano et FlÃ»te en 3 Mouvements. Andantino spiritoso, Pas trop lent, Vif. (Sonata for Piano and Flute in 3 Movements. Andantino spiritoso, Pas trop lent, Vif.) OL11B is a clean copy of the flute part. Although unsigned, it appears to be an autograph manuscript. The breath marks placed into the Musik Fabrik edition are written in pencil in both OL11B and OL11C. OL11C is a flute part that appears to be used. It is worn, has some paste overs and penciled-in cues in the 2nd movment, as well as some breath marks and nuance indications. This seems to be a workingcopy for a performance or reading. The editor thinks that OL11B is the final draft, written out after OL11C was used for a performance. This edition is based upon all of these sources, using the full score of OL11A and the flute score OL11B as the final thoughts of the composer.

$19.95 ≈ ¥145.03

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